Search

The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!

Toggle Sphinx Query

SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Londons Glory Represented by Time Truth and Fame"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

New Search

1072 results for: Title - London's Glory Represented by Time, Truth, and Fame

1
05 July 1660 @ The City, London

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

2
30 April 1706 @ Queen's Theatre

Performances

Mainpiece Title: The True And Antient History Of King Lear

Song: Comical Songs and Dialogues from Wonders in the Sun-; particularly a Song-Mrs Willis representing one of Queen Elizabeth's Dames of Honour ; Comical Dialogue-Pack, Bowman , representing a vain promising Courtier and a Sycophant ; a Comical Dialogue-Dogget, Cook representing a Widdow in Tears for the Loss of her Husband and a Town Rake making Love to her

Dance: A new Entry-deBarques, Mrs Elford; French Peasant-Firbank, Mrs Bicknell; The famous Italian Scaramouch-Layfield

3
09 September 1730 @ Southwark Fair

Performances

Mainpiece Title: Amurath The Great, Emperor Of The Turks: Containing The Distress'd Loves Of achmet And selima; Or, The london Prentice's Glory: With The Comical Humours And Surprizing Adventures Of The London 'prentice And Want Brains His Man

Afterpiece Title: Harlequin's Contrivance; or The Plague of a Wanton Wife

4
29 October 1680 @ The City, London

Performances

Mainpiece Title: London's Glory; Or, The Lord Mayor's Show

5
04 August 1731 @ Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

6
11 April 1738 @ Covent Garden

Performances

Mainpiece Title: Wit Without Money

Song: I: The Truth on Both Sides-Roberts, Miss Hillyard; II: Chancon a Boire-Leveridge, Laguerre; III: By Desire, Purcell's Since Times are so bad-Leveridge, Salway; IV: By particular Desire, The Roast Beef of Old England-Leveridge; V: The Praise of Good English Beer (to the Tune of Trade and Navigation)-Leveridge

Dance: II: Je ne scai quoi-Tench, Villeneuve, Miss Oates; III: Two Pierrots-Lalauze, Nivelon; IV: Grand Ballet, as17380318

7
11 March 1757 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

8
16 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

9
18 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

10
23 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

11
27 April 1757 @ Covent Garden

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Colombine Courtezan; or, Harlequin Restor'd

Dance: II: Fingalian Dance (for 2nd time)-Miss Toogood, apprentice to Lalauze; IV: By Desire a Ball Dance, call'd Queen Caroline, with a Minuet-Miss Toogood, Lalauze; End: A Harlequin Dance-Miss Toogood, 1st time

12
10 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

13
15 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

14
07 March 1760 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

Music: As17600229

15
04 May 1771 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Dr Faustus

Entertainment: End: The Cries of London, last time this season-Shuter

16
28 April 1777 @ Covent Garden

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Don Quixote in England

Entertainment: IV: an Interlude between Plutus and Wit and a Masque of Singing and DancingPlutus-Reinhold, Wit- Miss Valois; After dance: +Monologue Tony Lumpkin's Adventures in a Trip to London (1st time)-Quick

Dance: End: The Humours of New@Market with the Pony Races-Dagueville (1st appearance this season)

17
02 May 1778 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End I: a new Comic Dance-Langrish, Master Jackson, Miss Parish, Miss Lings (pupils of Aldridge); End II: [The Cricket@Match [sic]The Cricketters, as17780128; [in which part of the celebrated Tambourine Dance-Aldridge[, originally composed and danced by him; III: Hornpipe, as17771017

Ballet: End: a new, Grand Marine Pantomimical Dance, suited to the times, The Sailors' Revels at Portsmouth; or, British Glory. in which an accurate view of the Isle of Wight and the Fleet now riding at Spithead. Principal Characters: Bobby Flip the Boatswain-Aldridge; Powder Monkey-Master Jackson; Mat Mizen-Langrish; Molly Topknot-Miss Besford; Susan Constant-Miss Valois; with variety of other Characters, and Hornpipe Dancing-in an entire new stile

18
20 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Blade Bone; or, Agreeable Companion

Afterpiece Title: A Quarter of an Hour before Dinner

Entertainment: Monologue Preceeding 1st piece: A Touch of the Times; or, The Humours of London-Bannister Jun

19
30 December 1788 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

20
21 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

21
23 May 1797 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

22
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

23
29 October 1659 @ The City, London

Performances

Mainpiece Title: London's Tryumph

24
June 1660 @ Dorset Court

Performances

Mainpiece Title: The Rump; Or, The Mirrour Of The Late Times

25
22 April 1661 @ no theater listed

Performances

Mainpiece Title: The Relation Of His Majesties Entertainment Passing Through The City Of London, To His Coronation: With A Description Of The Triumphal Arches, And Solemnity