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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "A Grand Selection 0 Of Sacred Music Chiefly From handel"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1842 results for: Title - A Grand Selection 0 Of Sacred Music Chiefly From $handel=

1601
07 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a Divertissement (composed by D'Aubcrval; the music by Barthelemon) by Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet; with a Cossack by Vestris [Jun.] and Mme Theodore; End of Opera Le Reveil du Bonheur, as17840203

1602
04 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

1603
06 March 1784 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to conclude with a Grand Dance. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

1604
06 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Friendship leads to Love, as17840214; End of Opera an entirely new Grand Ballet, composed by D'Auberval, Orpheo. Orpheo-Lepicq; Silenus-Blake; Adonis-Vestris Dun.]; Evohe, Priestess of Bacchus-Mme Rossi; Egle-Mme Theodore. The Music by Barthelemon

1605
24 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Music in Bonduca

Music: As17840310athi

1606
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

1607
27 March 1784 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

1608
27 April 1784 @ Covent Garden

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

1609
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

1610
17 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

1611
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

1612
26 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: Hob in the Well

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)

1613
30 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

1614
27 October 1784 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17841022; Afterpiece to conclude with a Grand Dana. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

1615
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

1616
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

1617
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

1618
02 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

1619
05 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

1620
24 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement [performers not listed, but see17841218]; End of Opera Le Tuteur Trompe, with the Fandango, Sapredella, and Allemande [performers not listed, but see I Jan.]

Song: In Act I a new Air, composed by Sarti, by Crescentini, and a Duet, composed by Bertoni, by Crescentini and Sga Ferrarese; In Act II an entire new Aria and a favourite Song of Handel [singer not listed]

1621
25 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Some of the Pieces that were selected and performed for the Commemoration of Handel [&c

Music: As17850223

1622
12 March 1785 @ King's Theatre

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

1623
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

1624
14 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

1625
21 April 1785 @ King's Theatre

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese