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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "French Farce in Mock Imitation of Lucretia"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1474 results for: Title - French Farce, in Mock Imitation of Lucretia

1351
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

1352
28 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: With Dance and Allemande, as17850221 imitations. After the Dancing, as17850207, with a concert on the flute by Monzani

1353
07 March 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

1354
14 March 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

1355
11 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850214

1356
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

1357
17 May 1785 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Mock Doctor

Dance: As17841116

1358
29 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope

1359
15 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: High Life below Stairs

Dance: End of mainpiece The Market-Day, as17851024; In afterpiece a Mock Minuet, as17850929

1360
06 March 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

1361
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

1362
26 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

1363
08 January 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

1364
13 February 1787 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Mock Doctor

1365
12 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

1366
26 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

1367
20 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

1368
25 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Strangers at Home

Afterpiece Title: The Humourist

Song: End 2nd piece: Stand to your Guns-Bannister

Entertainment: After Singing: various Imitations, Vocal and Rhetorical, -Bannister Jun

1369
27 April 1787 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Dance: End: Leap Year, as17870425; II afterpiece: a Mock Minuet-Ryder, Mrs Pope

Song: II: a Glee-King, Darley, Mrs Martyr, Mrs Kennedy

1370
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

1371
21 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Entertainment: Imitations End 2nd piece: As17870807

1372
22 September 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

1373
07 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Prodigal Son; Redemption 0

Music: End II: concerto on French Horn-Ponto

1374
11 March 1788 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: She Stoops to Conquer

Afterpiece Title: The Mock Doctor

Dance: As17880301

Entertainment: Monologue. End 2nd piece: Bucks have at You All as spoken in Dublin-Ryder

1375
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).