SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "French Farce in Mock Imitation of Lucretia"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: The Miser

Afterpiece Title: The Irish Widow

Song: As17780529

Entertainment: Monologue End: The Cries of London (in Imitation of the late Mr Shuter)-Jackson

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: a Mock Minuet-Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Song: As17781006

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Performances

Mainpiece Title: The Times

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Wrangling Lovers; or, Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: The Orators; or, The School of Eloquence Dissected

Afterpiece Title: High Life below Stairs

Song: Between Acts: an Italian song-a Young Lady [unidentified]

Entertainment: End III: Imitations-Young Gentleman [unidentified]

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: End: Dance, as17791122; II afterpiece: Mock Minuet, as17791208

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Midas

Entertainment: End: (for that night only) a Variety of Imitations-G. Saville Carey

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Dance: II afterpiece: As17800615

Entertainment: End: a Variety of Imitations-Bannister Jun

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Son-in-law

Dance: End: As17800615

Entertainment: After the dance: a Variety of Imitations , vocal and rhetorical, and (never attempted before) several in Dialogue-Messrs Bannister

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: George Barnwell; Or, The London Merchant

Afterpiece Title: The Mock Doctor; or, Dumb Lady Cured

Afterpiece Title: Linco's Travels

Entertainment: Monologue.End: Comic Paraphrase on Shakespear's Seven Ages of Man-Farrel

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Candidate

Afterpiece Title: (at end of Act I of the farce) The Tobacco Box

Dance: As17820606

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

Performances

Mainpiece Title: Hamlet

Afterpiece Title: High Life below Stairs

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: High Life below Stairs

Dance: In Act I of mainpiece Country Dance incident to the Piece [This was danced in all subsequent performances]; End of Act II of mainpiece, as17840916; In afterpiece a Mock Minuet by Palmer and Miss Pope [This was danced, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Mock Doctor

Dance: As17841201

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Mock Doctor

Dance: As17841201