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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The French Lawyer"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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711 results for: Title - The French Lawyer

576
23 March 1772 @ Haymarket Theatre

Performances

Mainpiece Title: A Concert

Music: Concerto on Oboe-Fischer; Concerto on Violincello-Cirri; Concerto on French Horn-Ponta; Concerto on German Flute-Tacet; Solo-Sga Sirmen

577
25 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: Concerto on French Horn-Ponta; Solo on Violincello-Janson

578
30 March 1772 @ Haymarket Theatre

Performances

Mainpiece Title: A Concert

Song: Savoi, Signora Grassi

Music: First Violin, Solo-Linley Jr, from Bath; Solo on Viola di Gamba-Abel; Solo on German Flute-Wendling; Concerto on French Horn-Ponta; Concerto on Violincello-Duport; Concerto on Hautboy-Fischer

579
03 April 1772 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End Part I: Concerto on French Horn, as17720311 End Part II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 221)

580
26 February 1773 @ Covent Garden

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

581
03 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Messiah; Judith

Music: I: Concerto on French Horn-Spandau; II: Concerto on Organ-Arne

582
05 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Messiah; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin solo-Barthelemon

583
18 March 1773 @ King's Theatre

Performances

Mainpiece Title: Artaxerxes

Song: In the Above Opera, four new airs-Sga Girelli; one of which, at the end of Act II, will be accompanied on the French Horn-the celebrated M Spandau

Dance: I: Grand Serious Ballet-; in which the favourite Entree of last season-Mlle Heinel; II: A Grand Ballet, with a new Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Ballet, New Grand Chacone-Mlle Heinel, Fierville

584
26 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Death Of Abel; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin Concerto-Barthelemon

585
29 July 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

586
28 February 1776 @ Covent Garden

Performances

Mainpiece Title: Omnipotence; Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

587
01 March 1776 @ Covent Garden

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: First Violin, as17760223; End Part I: Concerto on 3 Chromatic French Horns, as17760223; End Part II: Violin Concerto-Lamotte

588
08 March 1776 @ Covent Garden

Performances

Mainpiece Title: Samson; Judas Maccabaeus

Music: End I: Concerto on 3 Chromatic French Horns, as17760228; End II: Concerto on Violin-Lamotte

589
06 May 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

590
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

591
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

592
19 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Lawyer

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

593
27 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

594
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

595
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

596
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

597
07 May 1785 @ Covent Garden

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson

598
11 May 1785 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Afterpiece Title: Three Weeks after Marriage

599
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

600
04 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Lawyer's Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Chapter of Accidents

Afterpiece Title: A Beggar on Horseback