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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Rope Dancing"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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418 results for: Title - Rope Dancing

326
09 November 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Queen Mab

Dance: Afterpiece: Dancing, as17800930

Song: I: song-Du-Bellamy

327
23 November 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: Comus

Dance: Pastoral Interlude of Singing and Dancing-

Song: II: Music-Linley; Pastoral Interlude of Singing and Dancing-; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett. [The Music by Linley; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett (see text). This was included in all subsequent performances.

328
28 November 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925, but Miss _Matthews

329
02 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925

330
09 December 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Queen Mab

Dance: In afterpiece: Dancing, as17800930

331
11 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925

332
14 December 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Queen Mab

Dance: In afterpiece: Dancing, as17800930

333
18 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925

334
20 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925

335
06 January 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Dance: In afterpiece: Dancing, as17801230

Song: II: song-Du-Bellamy

336
18 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

337
03 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Too Civil by Half

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Devonshire Minuet by the Miss Stageldoirs

Song: In Masquerade Scene a New Song by Miss George

338
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

339
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

340
19 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Rivals

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Sportsmen's Return, as17840916

Song: In Masquerade, by Miss George

341
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

342
06 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Bon Ton; or, High Life above Stairs

Afterpiece Title: The Death and Revival of Harlequin

Dance: End of 1st piece, by Wright

Song: End of Act I of 2nd piece The Twaddle by Newbold

Monologue: 1785 07 06 After the Dancing an Address to the Audience by Miss Bird

343
21 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

344
25 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

345
29 January 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

346
25 May 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harvest Home

Dance: II: a Masquerade Scene-; with Dancing-

347
05 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: II: a Masquerade Scene with Dancing-Hamoir, Ferrere, Miss Stageldoir

Song: Hark! the Lark at Heaven's Gate sings-Dignum, Williames, Danby, Master Clarke

348
23 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The New Peerage

Afterpiece Title: Hurly-Burly

Dance: In afterpiece: Dancing-Hamoir, the Miss Stageldoirs

349
24 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Hurly-Burly

Dance: End III: New Dance, as17871026; End IV: The Capricious Lovers, as17870920; In afterpiece: Dancing, as17871123

350
10 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Dance: End: The Lucky Return-Mills, Miss J. Stageldoir

Song: original Music, as17871103; Chorusses and additional Accompaniments, as17871103, but _Chaplin

Entertainment: Monologue After the Dancing: an Epilogue-Smith on his Intention of retiring from the Stage