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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Female Wits"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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288 results for: Title - The Female Wits

251
05 April 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Afterpiece Title: No Wit Like A Woman's

252
17 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Touchstone

Dance: End: new dance, Cupid Recruiting; or, The Female Volunteers,-Dagueville, Harris, Ratchford, Miss Matthews, Miss Lings, Miss Valois

253
20 April 1780 @ King's Theatre

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

254
24 April 1780 @ Covent Garden

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Lyar

Song: Interlude between Plutus and Wit, as17800412

Dance: Interlude, as17800412; End: Cupid Recruiting, as17800417

255
12 May 1780 @ Covent Garden

Performances

Mainpiece Title: The Female Orators; Or, Ladies' Debating Society

Afterpiece Title: The Merchant of Venice

Afterpiece Title: The Deaf Lover

Song: End III 2nd piece: a Scotch ballad (the music by Dr Arne)-Mrs Kennedy

Ballet: End IV 2nd piece: The Humours of New-Market. As17800508

256
26 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

257
28 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Female Captain

258
18 April 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

259
12 November 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

260
04 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Dance: As17820402

261
06 May 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

262
16 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

263
30 September 1782 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Dance: End of Act II of mainpiece, as17820925

264
25 November 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

265
12 May 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

266
28 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Lord Mayor's Day

Dance: End of mainpiece The Fingalian; or, The Female Frolic by Miss Besford and others

267
16 October 1783 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

268
09 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

269
17 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

270
21 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

271
08 October 1784 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tristram Shandy

Dance: End of mainpiece The Charms of a Camp; or, The Female Volunteer (composed by Harris) by Mrs Goodwin, Mrs Ratchford, Mrs Davenett, Harris

272
06 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Hunt the Slipper

Dance: End of mainpiece The Female Balloonists; or, The Ladies in the Air by Byrne and the two Miss Simonets

273
26 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

274
30 September 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

275
29 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells