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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Les Amours de Nanterre"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1549 results for: Title - Les Amours de Nanterre

226
19 June 1779 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Paysans Voles-LeDet, Sg and Sga Zuchelli; End II: Les Moissonneurs, as17781229; End Opera: New Ballet, with Quadrilles, as17790615

227
29 June 1779 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Ballet by Fairies, as17790302End II: Les Moissonneurs, as17781229; End Opera: La Serenade Interrompuee, as17790515; Pas de Deux du Masque, as17790515

228
05 April 1781 @ King's Theatre

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

229
26 April 1781 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Les Caprices de Galatee, as17810329in which a Minuet, Gavotte-Simonet, ballet-Master, Simonet's Daughter, only 6 years old; and also The Devonshire Minuetas17810327Mme Simonet, Vestris Sen

Ballet: End Opera: Medee et Jason. As17810329

230
26 May 1781 @ King's Theatre

Performances

Mainpiece Title: Il Barone Di Torre Forte

Dance: End I: Les Caprices de Galatee, as17810329

Ballet: End Opera: Ninette a la Cour. As17810327

231
26 June 1781 @ King's Theatre

Performances

Mainpiece Title: Euriso

Dance: End I: Les Caprices de Galatee, as17810329

Ballet: End Opera: Medee et Jason. As17810329but Furies-Sga _Tantini

232
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

233
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

234
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

235
15 April 1784 @ King's Theatre

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

236
21 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

237
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

238
22 June 1786 @ King's Theatre

Performances

Mainpiece Title: Virginia

Dance: End of Act I Les Amans Surpris, as17860620 End of Opera Les Deux Solitaires, as17860523

239
08 March 1787 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

240
28 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: an entire new ballet, composed by Noverre, Les Fetes de Tempe. Principal Characters-Mlle Hilligsberg, Mlle Coulon, Didelot, Vestris, Henry, the two Miss Simonets, Coulon

Ballet: End Opera: L'Amour et Psiche. As17880129

241
13 March 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Les Fetes de Tempe-[see17880228]; End Opera: a new grand Tragic Ballet, never performed, Euthyme et Eucharis[, composed by Noverre. Principal Characters-Mlle Hilligsberg, Didelot, Mlle Coulon, Vestris, Sga Bedini, the two Miss Simonets, Mme Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. [Partial cast from Lynham, 170: Eucharis-Mlle Hilligsberg; +Mars-Didelot; +Euthyme-Vestris; +L'Ombre-Henry; +Bellone-Coulon.

242
05 April 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

243
03 May 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: New Ballet, as17880426; End Opera: Les Fetes de Tempe, as17880228

244
02 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: Les Jalousies du Serail, as17890317but Mlle Guimard; in which the favourite +Pas de Deux Russe-[See17890507]; End Opera: Admete-[, as17890428

245
12 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete-, as17890428; End Opera: Les Caprices de Galatee, as17890507

246
23 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Vendemmia

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee-. Galatee-Mlle Guimard

247
26 May 1789 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee, as17890523, but the other Characters- Didelot, +Beaupre, +Duquesney, Mlle Emilie +Colombe, Mlle +Adelaide, the two Mlles +Simonet

248
06 June 1789 @ King's Theatre

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement-[See17890110]; in Pas de Deux Russe, as17890507; End Opera: La Nymphe et le Chasseur, as17890319[in Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428

249
13 June 1789 @ King's Theatre

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: La Nymphe et le Chasseur-Didelot, Mlle Adelaide; End Opera: Les Caprices de Galatee, as17890523

250
15 June 1789 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: New Divertissement, as17890528; End Opera: Le Tuteur Trompe (not acted these 3 years [not acted since 24 Feb, 1785]; composed by Lepicq)-Didelot, Mlle Guimard, Zuchelli (for that night only); in which Minuet de la Cour-Mlle Guimard, Didelot; [and Les Folies d'Espagne [as originally danced by Lepicq, and now performed-Didelot, Mlle Guimard, Duquesney; accompanied on the harp-Meyer Jun

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