SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "younger Master Ware"/1) | (@(roleclean,performerclean) "younger Master Ware")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Performance Comments, 1694 matches on Performance Title, 956 matches on Event Comments, 751 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Tom Thumb

Cast
Role: Tom Thumb Actor: Master Simmons

Dance: End I: (for that night only) A New Tambourine Dance-; End: a new Ballet, Fortune's Favor; or, The Lover's Lottery-Byrn, Mrs Goodwin

Music: End I afterpiece: a concertante, two violins-the Master Wares

Performances

Mainpiece Title: The Recruiting Officer

Dance: End I: Pastoral-Young Master Lally, Miss Brett; II: A new Spanish Entry-Lally, others; III: Harlequins-Master Lally, Miss Brett; IV: The Pierraite-Roger, Mrs Brett; V: A new Muzette-Lally, Mrs Booth

Performances

Mainpiece Title: She Woud And She Woud Not

Dance: End I: Pastoral Dance-Young Master Lally, Miss Brett; II: Comic Dance-Young Rainton, Miss Robinson Sr; III: Turks Dance-Thurmond, others; IV: Miss Brett; V: Fawns-Lally, Essex; Drunken Man-Harper

Performances

Mainpiece Title: The Provokd Husband

Dance: End I: Harlequins-Young Master Lally, Miss Brett; In Masquerade Scene: Polonese-Rainton, Miss Robinson Sr; V: Coquette Shepherdess-Lally, Mrs Booth

Performances

Mainpiece Title: Macbeth

Dance: HHarlequin-Young Master Lally, Miss Brett; Pieraite-Roger, Mrs Brett

Performances

Mainpiece Title: She Woud And She Woud Not

Dance: End I: Harlequin Dance-Young Master Lally, Miss Brett; II: Miss Brett; Comic Dance-Rainton, Miss Robinson Sr; III: Turks Dance-Thurmond; IV: Rainton, Miss Robinson; Miss Brett; V: Pieraite-Roger, Mrs Brett; Drunken Man-Harper

Performances

Mainpiece Title: The Way Of The World

Dance: DDutch Skipper, as17421025; The Happy Lovers, as17421006; A New Grand Ballet call'd Le Rendezvous Gallant-Cooke, Picq, Anne and Janneton Auretti, Young Master Gillier

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay or the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon i

Afterpiece Title: The Intriguing Chambermaid

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Polly Honeycomb

Dance: II: The Shepherdesses, as17631014; End: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: As17841022

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Citizen

Song: As17891017

Performances

Mainpiece Title: The Conscious Lovers

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Iron Chest

Performance Comment: Characters by Elliston, Aickin, Bannister Jun., Fawcett, Palmer, Suett, Master Willoughby, C. Kemble, R. Palmer, Davies, Caulfield, Trueman, Bannister, Master Webb, Waldron Jun., Lyons, Abbot, Chippendale, Mrs Kemble, Mrs Gibbs, Mrs Bland, Miss Granger, Miss DeCamp. Cast adjusted from text (Cadell and Davies, 1796), and from playbill of 14 Aug. 1797: Sir Edward Mortimer-Elliston; Fitzharding-Aickin; Wilford-Bannister Jun.; Adam Winterton-Fawcett; Rawbold-Palmer; Samson-Suett; Boy-Master Willoughby; Robbers-C. Kemble, Davies, Caulfield; Orson-R. Palmer; Gregory-Trueman; Armstrong-Bannister; Robber's Boy-Master Webb; Cook-Waldron Jun.; Peter-Lyons; Walter-Abbot; Simon-Chippendale; Helen-Mrs Kemble; Blanch-Mrs Gibbs; Barbara-Mrs Bland; Girl-Miss Granger; Judith-Miss DeCamp; The General Chorus-Boyce, Brown, Aylmer, Little, Walker, Willoughby, Linton, Dibble, Mrs Butler, Mrs Gaudry, Mrs Hale, Mrs Masters, Miss Menage, Mrs Norton.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Characters by Kemble, Wroughton, Bannister Jun., Dodd, Barrymore, Suett, Master Welsh, Kelly, R. Palmer, Dignum, Sedgwick, Phillimore, Bannister, Master Webb, Banks, Hollingsworth, Trueman, Webb, Maddocks, Key, Whitmell, Miss Farren, Mrs Gibbs, Miss Tidswell, Sga Storace, Miss Granger, Miss DeCamp. Cast from text (Cadell & Davies, 1796), and London Chronicle, 14 Mar.: Sir Edward Mortimer-Kemble; Fitzharding-Wroughton; Wilford-Bannister Jun.; Adam Winterton-Dodd; Rawbold-Barrymore; Samson-Suett; Boy-Master Welsh; Armstrong-Kelly; Orson-R. Palmer; Robbers-Dignum, Sedgwick, Phillimore, Bannister; Robber's Boy-Master Webb; Peter-Banks; Cook-Hollingsworth; Gregory-Trueman; Simon-Webb; Walter-Maddocks; Helen-Miss Farren; Blanch-Mrs Gibbs; Dame Rawbold-Miss Tidswell; Barbara-Sga Storace; Girl-Miss Granger; Judith-Miss DeCamp; unassigned-Keys, Whitmell.
Cast
Role: Boy Actor: Master Welsh
Role: Robber's Boy Actor: Master Webb
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Performance Comment: Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson.

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-H. Johnston; Adam Winterton-Fawcett; Rawbold-Murray; Fitzharding-Betterton; Samson-Suett (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Armstrong-Mansel; Orson-Emery; Robbers-Whitmore, Thompson, Master Webb; Wilford-A Young Gentleman (1st appearance [unidentified]); Helen-Miss Betterton; Blanch-Mrs Gibbs; Judith-Mrs Litchfield; Barbara-Mrs Chapman; Chorus of Robbers-Linton, Oddwell, Thomas, Everett; Chorus of Servants-Street, Curties, Abbot, Lee, J. Linton, Smith, Tett, Ms Castelle, Ms Morton, Ms Leserve, Ms Burnett, Ms Follett, Ms Iliff, Ms Gilbert.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: Poor Old Hay market

Afterpiece Title: The Battle of Hexham or Days of Old

Performance Comment: Marquis of Montague-Evatt; Duke of Somerset-Bland; Egbert-Palmer Jun.; La Varenne-Williamson; Gondibert-Palmer; Barton-Aickin; Gregory Gubbins-Bannister Jun.; Fool-R. Palmer; Corporal-Baddeley; Drummer-Edwin; Fifer-Barrett; Rasher-Burton; Robbers-Bannister, Davies, Cubitt; Villagers-Mrs Bannister, Mrs Bland, Mrs Masters, Mrs Taylor, Mrs Powell, Miss Hale, Mrs Edwin; Queen Margaret-Mrs Whitlock (1st appearance on this stage); Adeline-Mrs Goodall.
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger

Afterpiece Title: Seeing is Believing