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3393 results for: Keyword - widow of the late Miles
We found 2147 matches on Event Comments, 688 matches on Performance Comments, 599 matches on Performance Title, 160 matches on Author, and 0 matches on Roles/Actors.

3376
26 January 1798 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Performance Comment: As17980111, but Mrs Pope (late Mrs Spencer).

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine

3377
29 January 1798 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17980101, but Juliet-Mrs Pope (late Mrs Spencer).
Cast
Role: Apothecary Actor: Simmons

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine

Song: As17980101

3378
13 February 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: He's Much To Blame

Performance Comment: Principal Characters by Lewis, Quick, Pope, Murray, Davenport, Clarke, Thompson, Rees, Blurton, Wilde, Abbot, Curties, Mrs Pope, Miss Betterton, Mrs Gibbs, Mrs Mattocks. [Cast from text (G. G. and J. Robinson. 1798): Sir George Versatile-Lewis; Lord Vibrate-Quick; Mr Delaval-Pope; Doctor Gosterman-Murray; Thompson-Davenport; Williams-Clarke; Master of the Hotel-Thompson; Jenkins-Rees; Waiter-Blurton; Harry-Abbot; Footman-Curties; Maria-Mrs Pope; Lady Jane-Miss Betterton; Lucy-Mrs Gibbs; Lady Jane's Woman-Mrs Norton; Lady Vibrate-Mrs Mattocks; unassigned-Wilde; Prologue-Whitfield; [This was spoken, as here assigned, at the 1st 9 performances only (see17980226).] Epilogue-Quick, Mrs Mattocks. [This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]
Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Joan of Arc

3379
17 April 1798 @ Covent Garden

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.
Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Afterpiece Title: Lock and Key

3380
09 May 1798 @ Covent Garden

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Mrs Martyr. [In 1st piece the playbill retains Fawcett as Trudge, but "Munden, in the absence of Fawcett, sustained the part of Trudge in a manner that gave the audience no cause to regret the change" (Morning Herald, 10 May).] Times, 25 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street. Receipts: #425 4s. (211.6.6; 14.10.0; tickets: 199.7.6)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performance Comment: 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus.

3381
18 August 1798 @ Haymarket Theatre

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood

3382
13 October 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Middleton (late of the Theatre Royal Covent Garden; 1st appearance on this stage); Archer-Barrymore; Sullen-Wathen; Sir Charles Freeman-Trueman; Foigard-Caulfield; Gibbet-R. Palmer; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Biggs; Lady Bountiful-Mrs Sparks; Dorinda-Miss DeCamp; Mrs Sullen-Miss Biggs; Gipsey-Miss Tidswell; Cherry-Miss Mellon.
Cast
Role: Sullen Actor: Wathen

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

3383
15 October 1798 @ Covent Garden

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).
Cast
Role: Othello Actor: A Young Gentleman

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.
Cast
Role: Seamen Actor: Clarke, William, Drunken Negro-Simmons, Servants, Negro Boy-Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: Drunken Negro Actor: Simmons, Servants, Negro Boy-Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: Negro Boy Actor: Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.
Role: While the jolly grog Actor: Townsend, Hill, Linton, Street, Abbot
Role: with Black Actor: Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray
Role: No longer heave the heart@felt sigh Actor: Hill, Miss Gray

Dance: In afterpiece: Dance of Negroes-

3384
17 April 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

3385
02 May 1799 @ King's Theatre

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

3386
04 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: Bon Ton

Cast
Role: Jessamy Actor: Wathen

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

3387
12 June 1799 @ Covent Garden

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].
Cast
Role: Principal Characters Actor: Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: the birthday of George III] Actor: Master Parker

3388
07 October 1799 @ Drury Lane Theatre

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

3389
14 November 1799 @ Drury Lane Theatre

Event Comment: Mainpiece: With additions from Dryden. The Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Linley Jun. Receipts: #186 7s. (136.9.6; 48.17.6; 1.0.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: Mainpiece: Vocal Parts-Dignum, Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Jackson, Ms Gawdry, Ms Butler, Ms Benson, Ms Chippendale, Ms Saunders, Ms Jacobs; In V: Masque of Neptune and Amphitrite. Neptune-Caulfield, Amphitrite- Miss Leak

3390
01 January 1800 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Secret, advertised on playbill of 31 Dec. 1799.] In IV a Masquerade Scenev. Afterpiece: Not acted these 3 years. The Scenery, Dresses and Decorations entirely New. The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by the late Mr Storace. [In mainpiece the playbill retains Barrymore as Doricourt, but "On account of the illness of Barrymore, the part of Doricourt was sustained, at a short notice, by Archer." In afterpiece Barrymore is assigned to Kera Khan, but "C. Kemble, in consequence of Barrymore's indisposition, undertook the part of Kera Khan, at a few hours' notice. Suett displayed his wonted humour in his old character of Varbel, His drollery forms a pleasing contrast to the apathy of Kelly" (Dramatic Censor, I, 32).] Receipts: #205 11s. 6d. (105.12.6; 98.15.0; 1.4.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Archer; Count Floreski-Kelly; Baron Lovinski-Raymond; Varbel-Suett; Adolphus-Maddocks; Gustavus-Surmont; Pages-Master Chatterley, Master Heather; Princess Lodoiska-Miss DeCamp; Captives-Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Gawdry, Ms Butler, Ms Chippendale, Ms Saunders, Ms Jacobs; Tartars Kera Khan-C. Kemble; Ithorak-Clarke; Khor-Sedgwick; Japhis-Cory; Tamuri-Whitmell; Camazin-Grimaldi; The Horde-Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.
Cast
Role: Pages Actor: Master Chatterley, Master Heather
Role: The Horde Actor: Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.

3391
04 January 1800 @ King's Theatre

Event Comment: The opening of the season was originally announced for 21 Dec. 1799, but on that day the Morning Chronicle carried the following notice: "The Nobility and Gentry, Subscribers to the Opera, and the Public, are most respectfully informed that the opening of this Theatre is unavoidably postponed to Saturday next, the 28th instant, on account of the indisposition of one of the principal Performers." But on the 28th the opening was again postponed to 4 Jan. On 6 Jan. a notice appeared in the Morning Herald, as follows: "King's Theatre, Saturday Evening, January 4, 1800. The Directors beg leave respectfully to inform the Nobility and Gentry (Subscribers) and the Public in general that the Theatre was advertised to be opened This Evening, with the concurrence and approbation of the Trustees, and it was not until this afternoon that they heard of an unforeseen difficulty having arisen with respect to issuing the License. It was then too late to advertise by means of the Public Newspapers the necessary postponement of the opening; but every effort was made on the part of the Direction to apprise the Subscribers, by sending to their respective houses, and by distributing a hand-bill in all the principal streets; notwithstanding which, they lament to find that many Ladies and Gentlemen were disappointed. The Directors humbly hope that on this statement of the fact they shall stand acquitted of all disrespect to the Subscribers and the Public, who shall have the earliest notice of the conclusion of all the arrangements for the immediate opening of the Theatre and performance of Operas for the season." See 11 Jan. A copy of the hand-bill referred to above, making mention of the "unforeseen circumstances," is attached to the Kemble playbill of dl, 4 Jan.

Performances

Mainpiece Title: None

3392
06 January 1800 @ Drury Lane Theatre

Event Comment: The Rivals [advertised on playbill of 4 Jan.] is obliged to be deferred on account of the indisposition of a principal performer. "There seems to be a perverse and impolitic system introduced of late years in the management of this theatre, in virtue of which certain plays are suffered to remain in a state of slovenly representation, to serve as a kind of stage lumber, on which the manager can immediately lay his hand (confident of a good half-price, from the popularity of his after-piece); he wants something, no matter what, to fill up the intermediate space of time. This is a system, however, which in the event cannot fail to prove equally injurious to the interest of the proprietors, and the gratification of that part of the audience who pay the full amount of admission" (Dramatic Censor, I, 45). Receipts: #188 5s. (102.16; 83.17; 1.12)

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Sancho Actor: Wathen

Afterpiece Title: Lodoiska

Performance Comment: As18000101, but Gustavus-Chippendale; Kera Khan-Barrymore; The Horde-_Fisher.
Cast
Role: The Horde Actor: _Fisher.
Role: Pages Actor: Master Chatterley, Master Heather
Role: The Horde Actor: Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.

3393
05 February 1800 @ Covent Garden

Event Comment: "The part of Lord Albert seems to be a kind of give and take between Messrs Pope and Claremont. After being resumed for a night or two by the original representative [27, 31 Jan., 1 Feb.], it again devolved upon the latter gentleman [28 Jan., 5 Feb.]" (Dramatic Censor, I, 203). Receipts: #183 12s. (177.12.6; 5.19.6)

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Turnpike Gate

Song: As18000124