Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two Masters Granier"/1) | (@(roleclean,performerclean) "two Masters Granier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
4393 results for: Keyword - two Masters Granier
We found 1908 matches on Performance Title, 1593 matches on Performance Comments, 1328 matches on Event Comments, 25 matches on Roles/Actors, and 0 matches on Author.

4176
22 June 1733 @ Goodman's Fields

Performances

4177
22 September 1733 @ Drury Lane Theatre

Performances

Mainpiece Title:

4178
25 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Mock Doctor

Dance: A new Grand Ballad called Les Amants Constants by Essex, Miss Robinson, Houghton, F. Tench, Janno, Holt, Miss Mann, Miss Oates, Miss Brett

Song: I: Quanto Dolce by Miss Arne. In III: Per le porte del tormento by Miss Arne and Master Arne

4179
12 November 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

4180
19 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

4181
04 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Flora

Music: As17331201 for Second and Third Musick. III: The Cuckoo, composed by Vivaldi

Dance: I: La Follette s'cest ravisee by Nivelon and Miss Mann. V: Grand Dance in Momus, as17331231

Song: II: L'empio Rigor del Fato by Miss Arne. IV: Per le parte del Tormento by Miss Arne and Master Arne

4182
04 March 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Mock Doctor

Music: Select Pieces between the Acts

Dance: By Nivelon, Miss Mann, Essex, Miss Robinson

Song: Hush, Hush, ye little Warbling Choir by Miss Arne. Per le Porte del Tormento by Miss Arne and Master Arne

4183
07 November 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue

Dance: The Double Face by Mlle Chateauneuf. Wooden Shoe Dance by Master Francis Cochoy

4184
21 February 1735 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook

Performance Comment: Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook .

4185
28 April 1735 @ Covent Garden

Performances

Mainpiece Title: The Double Deceit

4186
11 June 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

4187
24 September 1735 @ York Buildings

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Entertainment:

4188
04 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

4189
07 January 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

4190
26 January 1737 @ Loriner's Hall

Performances

Mainpiece Title: Les Precieuses Ridicules

4191
04 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

4192
08 November 1737 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantley

Song: CChancon a Boire-Leveridge, Laguerre

Dance: Glover, Mlle Roland

4193
15 May 1739 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Virgin Unmask'd

Song: I: Come let us Prepare-Brother Berry; III: On on my Dear Brethren-Brother Beard; IV: Ye Brethren of the Ancient Craft-Brother Berry; End Afterpiece: Thus mighty Eastern Kings-Brother Beard

Dance: II: Ethiopian Dance-Muilment, Livier, Baudouin, Rector, Fromont; V: Hungarian Dance-Denoyer, Mrs Walter

4194
10 August 1739 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

4195
28 April 1740 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

4196
15 May 1740 @ Haymarket Theatre

Performances

Mainpiece Title: Olimpia In Ebuda

Dance: As17400408

4197
12 March 1741 @ Goodman's Fields

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson

4198
11 April 1741 @ Covent Garden

Performances

Mainpiece Title: The Old Batchelor

Dance: FFrench Peasant-Mechel; The Swiss-Mechel, Mlle Mechel

Song: With the Songs in Masonry-as usual; And, by particular Desire, a Duette in the Characters of Punch and Colombine-Bencraft, Mrs Lampe

4199
04 May 1741 @ Goodman's Fields

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Lethe

4200
23 August 1743 @ Bartholomew Fair

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Afterpiece Title: Harlequin Dissected; or, The Biter Bit