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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two Masters Granier"/1) | (@(roleclean,performerclean) "two Masters Granier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4393 results for: Keyword - two Masters Granier

We found 1908 matches on Performance Title, 1593 matches on Performance Comments, 1328 matches on Event Comments, 25 matches on Roles/Actors, and 0 matches on Author.

2951
27 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: End of Act II of mainpiece The Gala. A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards

Song: End of Act I of afterpiece Tally-Ho by Miss Langrish

2952
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Afterpiece Title: The What d'ye Call It

2953
04 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

2954
18 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

Dance: As17820606

2955
18 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Catherine and Petruchio

Monologue: 1782 09 18 End of Act II of mainpiece, as 17 Sept

2956
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

2957
10 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

2958
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

2959
07 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Dance: End of Act II of mainpiece, as17830604

2960
26 September 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

2961
11 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

2962
04 November 1783 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

2963
30 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Camp

Dance: After the Singing, as17840311athi

Song: End of mainpiece a favourite song by Miss George

Monologue: 1784 04 30 Before the mainpiece an occasional Address spoken by Mrs Wells

2964
11 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Lyar

Dance: As17840311athi

2965
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

2966
19 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

2967
10 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades

Afterpiece Title: The What d'ye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

2968
26 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

2969
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

2970
28 September 1784 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

2971
23 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

2972
06 November 1784 @ Covent Garden

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece The Belle of the Village, as17840917

2973
04 February 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Magic Cavern

2974
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

2975
05 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir