SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the younger Marshall"/1) | (@(roleclean,performerclean) "the younger Marshall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3391 matches on Performance Comments, 768 matches on Author, 694 matches on Performance Title, 602 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit Dove and Lee. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Hurlothrumbo

Afterpiece Title: The Pleasures of the Town

Performance Comment: Luckless-Mullart; Tragedio-Marshall; Sir Farcical-Davenport; Opera-Stopler; Orator-Jones; Pantomime-Knott; Charon-Ayres; Bookweight-Jones; Scarecrow-Marshall; Harriet-Miss Palms; Goddess of Nonsense-Mrs Mullart; Somebody-Harris; Nobody-Wells; Poet-Hallam; Bookseller-Dove; Mrs Novel-Mrs Martin; Mrs Kingcall-Mrs Clark; Punch-Reynolds; Joan-Hicks.
Cast
Role: Tragedio Actor: Marshall
Role: Scarecrow Actor: Marshall
Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Clive; Macheath-Berry; Peachum-Mechlin; Lockit-Harper; Mat-Turbutt; Filch-Este ; Lucy-Mrs Pritchard; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Ben-Marshall; Jemmy-Cole; Paddington-Raftor; Bagshot-Cross; Jack-Leigh; Ned-Wright; Wat-Gray; Beggar-Oates; Player-Winstone; Mrs Coaxer-Mrs Villeneuve; Mrs Slammekin-Miss Mann; Dolly-Miss Brett; Sukey-Mrs Walter; Mrs Vixen-Mrs Bennet; Molly-Mrs Thynne; Betty-Mrs Anderson; Jenny-Mrs Grace.
Cast
Role: Mrs Peachum Actor: Mrs Marshall
Role: Ben Actor: Marshall

Dance: With proper Dances-

Event Comment: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Clive; Lucy-Mrs Pritchard; Peachum-Macklin; Lockit-Harper; Mat-Turbutt; Filch-Raftor; Ben-Marshall; Jemmy-Cole; Bagshot-Rolar; Jack-Leigh; Ned-Peploe; Wat-Woodburn; Beggar-Winstone; Player-Hill; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Mrs Coaxer-Miss Tollet; Mrs Slammekin-Mrs Grace; Dolly-Mrs Hill; Sukey-Mrs Brett; Mrs Vixen-Mrs Bennet; Molly-Miss Thynne; Betty-Mrs Woodward; Jenny-Miss Wilson; Macheath-Beard.
Cast
Role: Ben Actor: Marshall
Role: Mrs Peachum Actor: Mrs Marshall

Dance: Lilliputians , Scholars of Livier

Event Comment: Mainpiece: Never Acted before. [By George Lillo.] Alter'd from Pericles Prince of Tyre. By the Author of George Barnwell

Performances

Mainpiece Title: Marina

Performance Comment: Principal parts-Stephens, Hallam, Boman, Stevens, Penkethman, W. Hallam, Stoppelaer, Dove, Mrs Vincent, Mrs Hamilton, Mrs Marshall; but edition of 1738 lists: Pericles-Stephens; Lysimachus-Hallam; Escanes-Shelton; Leonine-Stevens; Valdes-Boman; Bolt-Penkethman; Thaisa-Mrs Marshall; Philoten-Mrs Hamilton; Marina-Mrs Vincent; Mother Coupler-W. Hallam; Prologue-; Epilogue-.

Afterpiece Title: The Mock Countess

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Polly-Mrs Clive; Lucy-Mrs Pritchard; Peachum-Macklin; Lockit-Turbutt; Mat-Ray; Filch-Raftor; Mrs Peachum-Mrs Marshall; Ben-Marshall; Jemmy-Cole; Crookfingered Jack-Leigh; Ned-Wright; Beggar-Winstone; Player-Woodburn; Jenny-Miss Thynne; Mrs Coaxer-Miss Kilby; Mrs Slammekin-Mrs Walter; Dolly-Mrs Vallois; Sukey-Miss Chetwood; Mrs Vixen-Mrs Bennet; Molly-Mrs Woodward.
Cast
Role: Mrs Peachum Actor: Mrs Marshall
Role: Ben Actor: Marshall
Event Comment: By Desire. Afterpiece: a Dramatic Fable. [By James Miller.] Edition of 1739: The Musick by Mr Arne. Sung by Mrs Clive

Performances

Mainpiece Title: Cato

Afterpiece Title: An Hospital for Fools

Performance Comment: Edition of 1739 lists: Aesculapius-Berry; Mercury-Macklin; Father-Penkethman; Daughter-Mrs Clive; Son-Cashell; Rake-Ridout; 1 Husband-Woodburn; 2 Husband-Raftor; Wife-Mrs Marshall; Friend-Green; Beau-Yates; Poet-Woodward; Statesman-Turbut; 1 Man-Gray; 2 Man-Cole; 3 Man-Marshall; Wiseman-Taswell.
Cast
Role: Father Actor: Penkethman
Role: Wife Actor: Mrs Marshall
Role: 3 Man Actor: Marshall
Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard; or, The Point at Portsmouth

Performance Comment: Principal Characters by Bannister, Marshall, Egan, Davis, Wilson, Miss Hitchcock, Miss Harper. [Cast from Songs (T. Cadell, 1781): Tom Splicem-Bannister; Ensign Williams-Marshall; Ben Mainstay-Egan; Jack Reefem-Davis; Old Rosemary-Wilson; Nancy-Miss Hitchcock; Sally-Miss Harper; A new Prologue [in the character of a midshipman,-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Lackland-Lewis; LePoche-Quick; Squire Tally@ho (1st time)-Blanchard; Sir John Bull-Wilson; Lord Winlove (1st time)-Incledon; Col. Epaulette-Marshall; with a new song (1st time)-Marshall; Henry-Johnstone; Celia-Mrs Martyr; Rosa-Mrs Mountain; Lady Bull-Mrs Webb; Mrs Casey (1st time)-Mrs Cross; Nannette-Miss Stuart; Miss Dolly Bull-Mrs Mattocks.
Cast
Role: Epaulette Actor: Marshall
Role: with a new song Actor: Marshall

Afterpiece Title: Lovers' Quarrels

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor (1st time)-Wilson; French Doctor-Marshall; Barber-Macready; Englishman-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Mrs Rock; Taylor's Wife-Mrs Webb. [Parts adjusted from text (J. Debrett, 1789); Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wilson; +Doctor Quinquina-Marshall; +Absalom-Macready; +Crank-Bernard; +Dominique-Rock; +Habby-Milburne; +Cadi-Evatt; +Bassa-Davies; +Dora-Mrs Rock; +Juggy-Mrs Webb.]
Cast
Role: The Hunchback Actor: Quick
Role: French Doctor Actor: Marshall
Role: Doctor Quinquina Actor: Marshall

Dance: End 3rd piece: As17910112

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 20 years [not acted since 12 Mar. 1771]. Afterpiece [1st time; F 2, by Andrew Franklin]. Morning Chronicle, 5 Mar.: Tickets to be had of Mrs Pope at her house, Half-Moon-street, Piccadilly. Receipts: #272 14s. (151.14; 5.3; tickets: 115.17) (charge: #105)

Performances

Mainpiece Title: Medea

Performance Comment: Jason-Holman; Eason-Hull; Creon-Harley; 1st Colchian-Macready; Hecate-Thompson; Child-Miss Standen; Lycander-Farren; Theno-Miss Chapman; Medea-Mrs Pope.
Cast
Role: Theno Actor: Miss Chapman

Afterpiece Title: The Mermaid

Performance Comment: [Principal Characters by Wilson, Fawcett, Marshall, Macready, Powel, Cross, Rees, Munden, Mrs Webb, Mrs Harlowe, Mrs Mountain. Cast from text (Dublin: P. Wogan [et al], 1792): Sir Gregory Gander-Wilson; Lord Crop-Fawcett; Raymond (disguised as Bowsprit)-Marshall; Feignwell-Macready; Proteus-Munden; Lady Gander-Mrs Webb; Susan-Mrs Harlowe; Belinda-Mrs Mountain [in text: Miss Chapman]; Powel, Cross, Rees.in text: Miss Chapman]; Powel, Cross, Rees.
Cast
Role: Raymond Actor: Marshall
Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.

Afterpiece Title: The Deaf Lover

Performance Comment: As17920202, but Old Wrongward-Powel; Meadows-_; here called The Deaf Lover-Munden.

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Performance Comment: Cast in MS (Library of Worcester College, Oxford): Bilboe-Shottrell; Titere Tu-Clunn; Dilligence-Loueday; Mrs Dilligence-Mrs Marshall; Jolly-Hart; Afterwit-Burt; Mrs Margt Rutter? [Hughes, in edition, edited by Nahm, p. 145] [Rutter, in J. H. Wilson, All the King's Ladies, p. 185]; [Edition of 1664 Prologue- [Edition of 1693 adds: Whitebroth-Cartwright; Runter-$Wintersal; Scruple-$Lacy; Mopus-$Mohun; Mrs Whitebroth-$Mrs Covey [$Corey].Corey].
Cast
Role: Mrs Dilligence Actor: Mrs Marshall
Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Performance Comment: Edition of 1665 has a Prologue-Montezuma; Epilogue-Montezuma but no actors' names; However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4). However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4).

Performances

Mainpiece Title: Comment

Performance Comment: ThomasKilligrew prepared Thomaso?. for production in the autumn of 1664, with an intended cast: Serulina-Wevar Elizabeth Weaver?; Calis-Franki Frances Davenport?; Angelica Bianca-M. Marsh Mrs Ann Marshall?; Anna-Core Mrs Corey?; Paulina-Nell Nell Gwyn?; Kecka-Bette Elizabeth Hall?, Elizabeth Davenport?; Lusetta-Knep Mrs Knepp?.
Event Comment: The play was entered in the Stationers' Register on 26 May 1665. In addition, the Prologue alludes to The Indian Queen (25 Jan. 1663@4): @The Scenes are old, the Habits are the same,@We wore last year, before the Spaniards came.@ Printed with The Indian Emperour was The Connexion of the Indian Emperour to the Indian Queen, which may have been distributed at the theatre, for Bayes, in The Rehearsal, remarks: Besides, Sir, I have printed above a hundred sheets of paper to insinuate the Plot into the Boxes

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Mexico By The Spaniards

Performance Comment: Downes (Roscius Anglicanus, p. 9): Emperour-Major Mohun; Odmar-Wintersel; Guymor-Kynaston; Priest-Cartwright; Cortez-Hart; Vasquez-Burt; Cidaria-Mrs Ellen Gwin [but she probably was not in the original cast]; Almeria-Mrs Anne? Marshall; [Pepys (15 Jan. 1667): Alibech-Mrs Weaver; Prologue-; Epilogue-.
Cast
Role: Almeria Actor: Mrs Anne? Marshall
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performance Comment: See16680124 Queen?-Rebecca Marshall?.
Event Comment: The King's Company. For this cast, see John Harold Wilson, Notes and Queries, 21 Feb. 1948, pp. 71-72. Pepys, Diary: My wide and Deb. to the King's House, to see The Virgin Martyr, the first time it hath been acted a great while: and it is mighty pleasant; not that the play is worth much, but it is finely acted by Becke Marshal. But that which did please me beyond any thing 1n the whole world was the wind-musique when the angel comes down, which is so sweet that it ravished me, and indeed, in a word, did wrap up my soul so that it made me really sick, just as I have formerly been when in love with my wife

Performances

Mainpiece Title: The Virgin Martyr

Performance Comment: Dorothea?-Rebecca Marshall; Angelo?-Nell Gwyn?.
Cast
Role: Dorothea? Actor: Rebecca Marshall
Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King & Queene. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: Edition of 1669: King-Kenniston [Kynaston]; Armusia-Hart; Rudyas-Moon [Mohun]; Christophero-Bell; Emanuel-Beeston; Soza-Burt; Pyniero-Shotterel; Pedro-Harris; Governour-Cartrite; Bakam-Watson; Syana-Grayden; Captain of Guard-Lydall; Quisara-Mrs Marshall; Quisana-Mrs Corey; Panura-Mrs Hughs.
Cast
Role: Quisara Actor: Mrs Marshall
Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Berenice Actor: Mrs Rebecca? Marshall
Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was licensed for printing on 30 Aug. 1671 suggests an early summer production

Performances

Mainpiece Title: The Generous Enemies; Or, The Ridiculous Lovers

Performance Comment: Edition of 1671: The Prologue-; The Epilogue-; Signior Robatzy-Wintersall; Signior Cassidoro-Lyddall; Don Alvarez-Major Mohune; Signior Flaminio-Keniston; Don Bertran-Carthwright; Sanco-Bell; Pedro-Shurley; Addibar-Rich. Hart; Jaccinta-Mrs Marshall; Alleria-Mrs James; Lysander-Mrs Bowtell; Sophia-Mrs Pratt; Julia-Mrs Cory; Livia-Mrs Susanna Uphill.
Cast
Role: The Prologue Actor:
Role: The Epilogue Actor:
Role: Jaccinta Actor: Mrs Marshall
Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Amalthea Actor: Mrs James
Role: Doralice Actor: Mrs Marshall
Event Comment: The King's Company. The date of the premiere is not known, but the play followed The Citizen Turned Gentleman (4 July 1672) and refers to it in the Prologue. Edward Ravenscroft replied in the Preface and Prologue to The Careless Lovers, which appeared in February or March 1672@3. A song, Long betwixt Love and fear Phillis tormented, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Preface to The Assignation: It succeeded ill in the representation, against the opinion of many of the best Judges of our Age. Langbaine, English Dramatick Poets, p. 154: This Play was Damn'd on the Stage

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Performance Comment: Edition of 1673: Prologue-; Duke of Mantona-Major Mohun; Prince Frederick-Kynaston; Aurelian-Hart; Camillo-Burt; Mario-Cartwright; Ascanio-Mrs Reeve; Benito-Haynes; Sophronia-Mrs James; Lucretia-Mrs Marshall; Hippolita-Mrs Knep; Laura-Mrs Bowtel; Violetta-Mrs Cox; Epilogue-.
Cast
Role: Lucretia Actor: Mrs Marshall
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215: King and Queene. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: A King And No King

Performance Comment: Edition of 1676: Arbaces-Hart; Tigranes-Kynaston; Gobrias-Wintershall; Bacurius-Lydall; Mardonius-Mohun; Bessus-Lacy?, Shottrell?; Lygones-Cartwright; Two Swordmen-Watson; Haynes; Arane-Mrs Corey; Panthea-Mrs Cox; Spaconia-Mrs Marshall.
Cast
Role: Panthea Actor: Mrs Cox
Role: Spaconia Actor: Mrs Marshall.