SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the young DEgvilles"/1) | (@(roleclean,performerclean) "the young DEgvilles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3160 matches on Performance Comments, 751 matches on Author, 732 matches on Performance Title, 567 matches on Event Comments, and 9 matches on Roles/Actors.
Event Comment: Mainpiece: With the original Musick of Matthew Locke, and Accompaniments by Dr Arne and Linley? Sen. Receipts: #283 13s. 6d. (229.10.6; 52.17.0; 1.6.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Hollingsworth; Young Wilding-R. Palmer; Beaufort-Trueman; Dapper-Maddocks; Quildrive-Banks; Maria-Miss Farren; Corinna-Miss Tidswell.

Song: Mainpiece: Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Event Comment: Mainpiece [1st time: CO 3, by Joseph George Holman. Text: George Cawthorn, 1796]: The new Music composed by Shield. The Selections from Gretry, Giornovichi, Jackson, and Mahon. The new Scenery painted by Richards. Books of the Songs to be had in the Theatre. Oracle, 7 Dec. 1796: Tomorrow will be published Abroad and at Home (2s.). Receipts: #220 9s. (219.2; 1.7)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Principal Characters by Quick, Incledon, Johnstone, Munden, Fawcett, Murray, Bowden, Knight, Waddy, Davenport, Lee, Claremont, Simmons, Linton, Gray, Street, Mrs Martyr, Mrs Knight, Mrs Second. Cast from Airs (T. N. Longman, 1796): Sir Simmon Flourish-Quick; Harcourt-Incledon; Captain O'Neil-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Monsieur Grand Pas-Murray; Bluff-Bowden; Young Testy-Knight; Snare-Waddy; Folio-Davenport; Mahogany-Lee; Gamester-Claremont; Dicky-Simmons; Bailiffs-Linton, Gray, Street; Keeper-Thompson; Follower-Blurton; Sir Simon's Servant-Curties; Servant-Abbot; Kitty-Mrs Martyr; Lady Flourish-Mrs Knight; Miss Hartley-Mrs Second.
Cast
Role: Young Flourish Actor: Fawcett
Role: Young Testy Actor: Knight

Afterpiece Title: The Deaf Lover

Performance Comment: Meadow-Munden; Old Wrongward-Powel; Young Wrongward-Macready; Canteen-Claremont; Groom-Simmons; John-Thompson; Sternhold-Street; James-Farley; William-Abbot; Bob-Lee; Cook-Follett; Sophia-Miss Chapman; Maid-Mrs Watts; Betsey Blossom-Mrs Martyr.
Cast
Role: Young Wrongward Actor: Macready

Performances

Mainpiece Title: Othello

Performance Comment: Duke of Venice-Maddocks; Brabantio-Aickin; Gratiano-Caulfield; Lodovico-Packer; Othello-Kemble; Cassio-C. Kemble; Iago-Palmer; Roderigo-Russell; Montano-Holland; Julio [i.e. Gentleman]-Trueman; Antonio [i.e. Messenger]-Gibbon; Desdemona-Mrs Siddons; Aemilia-Mrs Powell.
Cast
Role: Othello Actor: Kemble

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Hollingsworth; Young Wilding-C. Kemble; Beaufort-Trueman; Dapper-Maddocks; Quildrive-Evans; Maria-Mrs Jordan (1st appearance in that character); Corinna-Miss Tidswell.
Event Comment: By Authority of the Lord Chamberlain. The Doors to be opened at 5:30. To begin exactly at 6:30

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.
Cast
Role: Young Wilding Actor: Murray
Role: Young Philpot Actor: Wilkinson

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Performance Comment: Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home].by John Home].
Cast
Role: the original Address Actor:
Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Performance Comment: The Stranger-Kemble; Count Wintersen-Holland; Baron Steinfort-Barrymore; Mr Solomon-Wewitzer; Peter-Suett; Francis-R. Palmer; Tobias-Aickin; Mrs Haller-Mrs Siddons; Countess Wintersen-Miss Biggs; Charlotte-Miss Stuart.
Cast
Role: The Stranger Actor: Kemble

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Sparks; Young Wilding-R. Palmer; Beaufort-Trueman; Dapper-Maddocks; Maria-Mrs Jordan; Corinna-Miss Tidswell.

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Harcourt (with the Battle Song, from The Italian Villagers, composed by Shield)-Incledon; Sir Simon Flourish (1st time)-Emery; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Townsend; Snare-Claremont; Tipstaff-Simmons; Kitty-Mrs Martyr; Lady Flourish-Mrs Litchfield; Miss Hartley-Miss Poole; (for that night only; a New Obligato Song-Miss Poole;, accompanied on the violin-Mountain.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Frill-Farley; Tough-Rees; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Gibbs; Adelaide-Miss Chapman.
Cast
Role: Father Frank Actor: Waddy

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Performance Comment: Vocal Parts-Johnstone, Munden, Fawcett, Incledon, Townsend, Linton, Street; With a jolly full bottle- [see17990528]; Boxing the Compass-Fawcett; Young William-, the melody by Incledon [and see17990606; Four and Twenty Fidlers-Munden; Brave Betty was a maiden Queen-Johnstone; Song-Townsend; The New Mariners-Chorus.

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Harcourt-Incledon; Sir Simon Flourish-Emery; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Gardner; Snare-Claremont; Tipstaff-Simmons; Kitty-Mrs Martyr; Lady Flourish-Mrs Litchfield; Miss Hartley-Mrs Atkins.
Cast
Role: Young Flourish Actor: Fawcett
Role: Young Testy Actor: Knight

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Suett; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Hollingsworth; Young Wilding-Palmer; Maria-Mrs Jordan; Corinna-Miss Tidswell.
Cast
Role: Young Philpot Actor: Bannister Jun.
Role: Young Wilding Actor: Palmer
Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Miss Waters. 1st piece: Not acted these 5 years [acted 13 May 1796]. 2nd piece: Not acted these 3 years [acted 14 May 1798]. [As 3rd piece the Account-Book lists The Death of Captain Cook.] Morning Chronicle, 14 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #436 19s. (101.14; 6.19; tickets: 328.6)

Performances

Mainpiece Title: Speculation

Performance Comment: Tanjore-Lewis; Project-Emery; Jack Arable-Fawcett; Sir Fred. Faintley-Claremont; Promptly-Thompson; Vickery-Klanert; Capt. Arable-Macartney; Meanwell-Atkins; Alderman Arable-A Young Gentleman (1st appearance on any stage [unidentified]); Lady Project-Mrs Davenport; Cecilia-Miss Mills; Emmeline-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: Marian

Performance Comment: Sir Henry Freeman (with Old Towler)-Incledon; Edward-Hill; Robin-Simmons; Thomas-Denman; Peggy-Mrs Chapman; Patty-Miss Wheatley; Kitty-Mrs Iliff; Fanny-Mrs Sydney; Marian (with a New Song) He has left me-the Youth, the dear youth I adore (Dramatic Censor, II, 198), written by T. Dutton, the Music by Mazzinghi-Miss Waters (1st appearance in that character).

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performance Comment: Dutton=, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters.
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, which begins again to-day with The Witts, never acted yet with scenes; and the King and Duke and Duchess were there...and indeed it is a most excellent play, and admirable scenes. Downes (p. 21): All the other Parts being exactly Perform'd; it continu'd 8 Days Acting Successively

Performances

Mainpiece Title: The Wits

Performance Comment: Downes (Roscius Anglicanus, p. 21): Elder Palatine-Betterton; Young Palatine-Harris; Sir Morgly Thwack-Underhill; Lady Ample-Mrs Davenport.
Cast
Role: Young Palatine Actor: Harris
Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Cardinal Actor: Young
Event Comment: Pepys, Diary: Here we staid some time, thinking to stay out the play before the King to-night, but it being The Villaine, and my wife not being there, I had no mind

Performances

Mainpiece Title: The Villain

Performance Comment: See16621018 Monsieur Brisac-Betterton?; Monsieur Beaupre-Harris?; Governour-Lilliston?; Bontefeu-Young?; Maligni-Saunford?; Coligni-Price?; Bellmont-Mrs Betterton? [Mrs Saunderson]; Prologue-.
Cast
Role: Bontefeu Actor: Young?
Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Performance Comment: Downes (Roscius Anglicanus, pp. 22-23): Don Henriq-Betterton; Antonio-Harris; Octavio-Young; Diego-Underhill; Ernesto-Sandford; Corrigidor-Smith; Silvio-Price; Camilla-Mrs Davenport; Portia-Mrs Betterton; Flora-Mrs Long; Edition of 1663: No actors' names. The Prologue-; The Prologue at Court-; The Epilogue-; The Epilogue at Court-.
Cast
Role: Octavio Actor: Young
Role: The Prologue Actor:
Role: The Prologue at Court Actor:
Role: The Epilogue Actor:
Role: The Epilogue at Court Actor: .
Event Comment: The Duke's Company. The play was licensed on 26 Dec. 1663, but the date of the premiere is uncertain. The Prologue and Epilogue refer to the end of the Long Vacation, and the beginning of Michaelmas Term on 9 Oct. 1663 suggests a performance in October

Performances

Mainpiece Title: The Step-mother

Performance Comment: Edition of 1664: Sylvanus-Sandford; Filamor-Bettertun; Adolph-Young; Tetrick-Underhill; Fromund-Price; Crispus-Smith; Capito-Metborn; Gracchus-Lovell; Sergius-Rob. Noke; Pontia-Mrs Williams; Caesarina-Mrs Bettertun; Violinda-Mrs Davies; Brianella-Mrs Long; The Prologue to the King- at the Cockpit at White-Hall; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performance Comment: . Sylvanus-Sandford?; Filamor-Bettertun?; Adolph-Young?; Tetrick-Underhill?; Fromund-Price?; Crispus-Smith?; Capito-Metborn?; Gracchus-Lovell?; Sergius-Rob. Noke?; Pontia-Mrs Williams?; Caesarina-Mrs Bettertun?; Violinda-Mrs Davies?; Brianella-Mrs Long?; The Prologue to the King-; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother?; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: Earl of Surry Actor: Young
Role: Queen Catherine Actor: Mrs Betterton.
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: Pepys, Diary: Sir W. Pen and my wife and Mercer and I to Polichinelly, but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by they went away, and then we were at rest again; and so, the play being done

Performances

Mainpiece Title: Puppetry

Event Comment: The King's Company. In L. C. 5@139, p. 129, the play is given on one list as The Silent Woman on another list for the same day, The Scornful Lady. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: . the cast may be that in Downes (p. 6): Elder Loveless-Burt; Younger Loveless-Kynaston; Welford-Hart; Sir Roger-Lacy; The Lady-Mrs Rebecca? Marshal; Martha-Mrs Rutter; Abigail-Mrs Corey.
Cast
Role: Younger Loveless Actor: Kynaston
Role: The Lady Actor: Mrs Rebecca? Marshal
Event Comment: The King's Company. Pepys, Diary: And my wife, and by coach to the King's playhouse, and meeting Creed took him up, and there saw The Scornfull Lady well acted; Doll Common [Mrs Corey] doing Abigail most excellently, and Knipp the widow very well, and will be an excellent actor, I think. In other parts the play not so well done as used to be, by the old actors. Anon to White Hall by coach, thinking to have seen a play there to-night, but found it a mistake, so back again

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: See16661210 l666 Elder Loveless-Burt?; Younger Loveless-Kynaston?; Welford-Hart?; Sir Roger-Lacy?; The Lady-Mrs Rebecca? Marshal?; Martha-Mrs Rutter?; Abigail-Mrs Cory; Widow-Mrs Knipp.
Cast
Role: Younger Loveless Actor: Kynaston?
Role: The Lady Actor: Mrs Rebecca? Marshal?
Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Lord Dartmouth Actor: Young
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Performance Comment: Edition of 1668: No actors' names, no prologue, no epilogue. Downes (Roscius Anglicanus, p. 28): Courtall-Smith; Freeman-Young; Sir Joslin-Harris; Sir Oliver-Nokes; Ariana-Mrs Jenning; Getty-Mrs Davies; Lady Cockwood-Mrs Shadwell.
Cast
Role: Freeman Actor: Young
Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

Performance Comment: See16680206 Courtall-Smith?; Freeman-Young?; Sir Joslin-Harris?; Sir Oliver-Nokes?; Ariana-Mrs Jenning?; Getty-Mrs Davies?; Lady Cockwood?. Lady Cockwood?.
Cast
Role: Freeman Actor: Young?