SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Two Princes"/1) | (@(roleclean,performerclean) "the Two Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1792 matches on Event Comments, 1367 matches on Performance Title, 972 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Reinhold. Mainpiece: Acted but once these 6 years. [See 29 Dec. 1769.] Charges #66 3s. 6d. Profit to Reinhold #66 7s. 6d., plus #111 9s. from tickets (Box 287; Pit 194; Gallery 106). Paid Mr Kingswood for feathers &c. #5 10s.; Paid Holmden (Breechesmaker) #1 13s. 6d.; Paid Fisher for the Music of the Sylphs #42; Paid Besford for making properties #20 15s. Receipts: #132 11s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Padlock

Performance Comment: As17740107, but The Soldier Tir'd-_; Leonora-Mrs Mattocks.

Song: II: The Song of Mad Tom will be sung in Character-Reinhold

Event Comment: Mr Smith from Covent Garden Theatre made his first appearance upon this Stage in K. Richd the 3d & was receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. Kemble also refers to borrowing Smith from cg 29 May 1759, which was actually his first appearance at dl.] Paid a Tow Bill 10s. (Treasurer's Book). [This is the customary monthly charge for tow for wicks. It came to #4 10s. for the whole season. No further itemizing of it will be made.] Receipts: #239 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith, first appearance there; King Henry VI-J. Aickin; Richmond-Palmer; Buckingham-Jefferson; Lord Mayor-Ackman; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Tressel-Cautherly; Lord Stanly-Bransby; Norfolk-Hurst; Ratcliff-Wright; Lieutenant-Fawcett; Catesby-Packer; Lady Anne-Miss Younge; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Richard Actor: Smith, first appearance there
Role: Tressel Actor: Cautherly

Afterpiece Title: The Meeting of the Company

Cast
Role: Newphew Actor: Cautherly

Afterpiece Title: Miss in Her Teens

Event Comment: By Permission of the Lord Chamberlain. Positively the last night of performing. Benefit for Mrs Williams and Mrs Weston

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Thomasand Sally

Entertainment: End: Imitations vocal and rhetorical-Bannister

Event Comment: [The 1st appearance note seems to apply only to Miss Macklin and Mrs Melmoth.] The Characters dressed in the Habits of the Times

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Lee; King Henry-Hull; Richmond-Clinch; Buckingham-Booth; Stanley-Fearon; Catesby-Davis; Ratcliff-Chaplin; Oxford-Baker; Prince Edward-Miss Besford; Duke of York-Mas. Jones; Tressel-Young; Dunchess of York-Mrs Hull; Lady Ann-Miss Macklin; Queen-Mrs Melmoth, being their first appearance in those characters.

Afterpiece Title: Daphne and Amintor

Event Comment: Afterpiece: For the last time this season

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Performance Comment: King Henry-Bensley, first time; Clifford-Hull; Prince Henry-Wroughton; Salisbury-Booth; Leicester-Fearon; Verulam-Thompson; Abbot-Clarke; Queen Eleanor-Mrs Melmoth[, first time; Ethelinda-Miss Pearce; Rosamond-the Lady who performed Mrs Oakly [Mrs Hunter].Mrs Hunter].

Afterpiece Title: The Sylphs

Cast
Role: Other characters Actor:

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Palmer, first time; Bajazet-Smith; Moneses-Reddish; Axalla-Brereton; Prince of Tanais-Davies; Selima-Miss Hopkins; Arpasia-Miss Younge; Dervise-Bransby; Omar-Hurst; Stratocles-Aickin; Haly-Wheeler; The Usual Prologue-Reddish; In IV, The Original Song of To Thee Oh Gentle Sleep-Mrs Scott.

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: St Patrick's Day

Dance: End: The Irish Lilt, as17741202

Event Comment: Theatre opens at 5 o'clock. Play to begin at 6 o'clock. Paid half year's River Water to Mids. Last #3 2s.; Tallow Chandler's bill #36 19s. 10d. (Treasurer's Book). Receipts: #263 6s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Irish Widow

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Performance Comment: King Henry-Aickin, first time; Clifford-Hull; Prince Henry-Wroughton; Salisbury-Booth; Leicester-L'Estrange; Abbot-Clarke; Verulam-Thompson; Ethelinda-Mrs Poussin; Queen Eleanor-Mrs Mattocks; Rosamond-Mrs Hartley.
Cast
Role: Ethelinda Actor: Mrs Poussin

Performances

Mainpiece Title: Tamerlane

Performance Comment: Stratocles-Farren; Zama-Wright; Mirvan-Norris; Hali-Whitfield; Tamerlane-Palmer; Axalla-Brereton; Dervise-Bransby; Omar-Hurst; Bajazet-Smith; Selima-Mrs Hopkins; Prince of Tanais-Davies; Arpasia-Mrs King, first time; Moneses-Reddish; The Usual Prologue-Reddish; in Act IV, the Original Song, To Thee Oh Gentle Sleep-Mrs Scott.

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020

Event Comment: Afterpiece: Not acted these 2 years. [See 25 May 1774.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sheridan; Moneses-Wroughton; Axalla-Clinch; Dervise-L'Estrange; Omar-Fearon; Prince of Tanais-Booth; Hali-Davis; Bajazet-Barry; Selima-Mrs Jackson; Arpasia-Mrs Barry; the Usual Prologue-Wroughton; The Song, To Thee O Gentle Sleep-DuBellamy.

Afterpiece Title: The Commissary

Performance Comment: The Commissary-Quick; Young Loveit-Davis; Simon-Fox; Isaac Fungus-Fearon; Mrs Loveit-Mrs Pitt; Jenny-Mrs Poussin; Dolly-Mrs Fearon, first appearance on that stage; Mrs Mechlin-Mrs Booth.
Cast
Role: The Commissary Actor: Quick

Dance: End: a New Ballet, The Gardeners-Sg and Sga Zuchelli [see17690114]

Event Comment: Benefit for Berrisford, Carlton, Jun, Kaygill, and Edleston. Tickets deliver'd by Burroughs will be taken. Mainpiece: Not acted these 3 years. [See 10 Oct. 1772.] Receipts: #29 9s. Charges: #84. Deficit to Berrisford, Carlton, Jun, Kaygill, and Edleston: #54 11s. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Mercutio-Dodd; Juliet-Miss Hopkins, first time; Tybalt-Farren; Prince-Norris; Paris-Lamash; Apothecary-Waldron; Balthazar-Everard; Friar Lawrence-Packer; Benvolio-Davies; Capulet-Hurst; Peter-Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; With the Funeral Procession-; the vocal parts-Legg, Kear, Fawcett, Cubitt, Garland, Mrs Scott, Miss Sharpe, Miss Jarratt, Mrs Love; in Act I a Masquerade, Dance-.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Irish Widow

Entertainment: End: Bucks Have at Ye All-Palmer

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Comerford; Duke of Buckingham-Russell; Lord Stanley-Lewis; Oxford-Thomas; Ractliff-Johnson; Catesby-Smith; Tressel-The Gentleman who performed King Lear [at this theatre, 16 Sept. 1776; unidentified]; Lord Mayor-Massey; Prince of Wales-Mrs Wilks; Duke of York-Master Russell; Lieutenant of the Tower-Smith; Tyrell-Dancer; Earl of Richmond-West; Queen-Mrs Massey; Duchess of York-Mrs Ross; Lady Ann-Miss Taylor; Prologue-Morgan (in character of a Jew).

Afterpiece Title: The Honest Yorkshireman

Song: As17760925

Entertainment: Imitations.As17760930

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Palmer; Axalla (1st time)-Grist; Dervise-Bransby; Omar-Hurst; Prince of Tanais-Wrighten; Moneses-Reddish; Stratocles-Farren; Zama-Wright; Mirvin-Norris; Haly-Chaplin; Bajazet-Smith; Selima-Miss Hopkins; Arpasia-Miss Younge; The usual Prologue-Reddish.
Cast
Role: The usual Prologue Actor: Reddish.

Song: In IV: To Thee Oh gentle sleep-Miss Abrams

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #172 16s. 6d. (172.2.6; 0.14.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Love a-la-Mode

Dance: As17761109

Event Comment: Afterpiece [1st time; P 2 (?), author unknown]: An Alteration of Prometheus. The Overture and Music composed by Fisher. The Scenes painted by Dall and Richards. Books of the Songs, Masque, &c. to be had at the Theatre. Receipts: #208 3s. 6d. (205.14.6; 2.9.0)

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Performance Comment: King Henry-Aickin; Clifford-Hull; Prince Henry-Wroughton; Salisbury-Booth; Leicester-Fearon; Abbot-Clarke; Verulam-Thompson; Ethelinda-Mrs Poussin; Queen Eleanor (1st time)-Mrs Ward; Rosamond-Mrs Hartley.
Cast
Role: Ethelinda Actor: Mrs Poussin

Afterpiece Title: Harlequin's Frolicks

Performance Comment: Harlequin-Lee Lewes; Prometheus-Mahon; Pantaloon-Baker; Host (with a song)-Dunstall; Pierrot-Delpini (1st appearance on the English stage); Maid-Mrs Whitefield; Colombine-Miss Valois.
Cast
Role: Prometheus Actor: Mahon

Dance: End Afterpiece: Rural Dance-Bishop, Sga Tinte

Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Johnson; King Henry-A Gentleman (1st appearance on any stage [unidentified]); Prince of Wales-Frodsham; Worcester-Comerford; Northumberland-Kenny; Hotspur-West (1st appearance in that character); Hostess Quickly-Mrs Fowler; Lady Percy-Mrs West (1st appearance in Town); Occasional Prologue, written by a gentleman eminent in the Republic of Letters,-West.
Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Entertainment: End: Imitations-Gentleman [unidentified]

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder
Event Comment: "DuBellamy, who played Douglas, and was to have assailed Falstaff, during the combat between Harry Percy and the Prince of Wales [in V.iv], went up to undress, having forgot that his part was not finished" (Morning Chronicle, 29 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: End II: The Merry Lasses, as17770611