SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Sir Williams"/1) | (@(roleclean,performerclean) "the Sir Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11545 matches on Author, 6982 matches on Performance Comments, 1316 matches on Event Comments, 1129 matches on Roles/Actors, and 512 matches on Performance Title.
Event Comment: Afterpiece: Books of the Songs to be had at the Theatre. Receipts: #138 15s. (85.5; 46.9; 7.1)

Performances

Mainpiece Title: At King's The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: The Mariners

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performance Comment: Speaking Characters: St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-Rock; Catherine-Mrs Webb; Louisa-Miss Brunton; Vocal Characters-Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams, Mrs Mountain; Pantomimical Characters: Harlequin-Boyce; Petit Maitre-Farley; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harlowe; New Prologue-Holman.
Cast
Role: Catherine Actor: Mrs Webb
Event Comment: [3rd piece in place of The Village Lawyer, advertised on playbill of 22 July.

Performances

Mainpiece Title: All The World's A Stage

Afterpiece Title: The London Hermit

Cast
Role: Sheepface Actor: Wathen

Afterpiece Title: The Son-in-Law

Cast
Role: Mayor of Coventry Actor: Wathen
Event Comment: Benefit for Caulfield, Phillimore & Johnston. 2nd piece [1st time; M. INT 1]. 3rd piece: Not acted these 5 years. To conclude with a superb Prospect of the Infernal Regions, and a Rain of Fire. Morning Herald, 4 June: Tickets to be had of Caulfield, No. 2, William-street, Adelphi [others not listed]. Receipts: #122 17s. (55.17.0; 51.16.6; 5.9.6; tickets: none listed; odd money: 9.14.0) (charge: #211 8s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17960521, but Sadi-Wathen; Agnes-Miss DeCamp; Goatherds-_.
Cast
Role: Sadi Actor: Wathen
Role: Goatherds Actor: Packer, Jones, Burton, DeCamp
Role: Floranthe Actor: Mrs Goodall
Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: Old Straw

Performance Comment: Consisting of Songs, Catches, Glees-; [in the course of which introduce (for this night only) several new Imitations-Caulfield [, in addition to those given by him in New Hay on 13 Apr.]., in addition to those given by him in New Hay on 13 Apr.].

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Antonio-Phillimore; Don Ferdinand-Dignum; Don Juan (for that night only)-Palmer; Scaramouch-Fairbrother; Boatswain (with a song)-Sedgwick; Donna Anna-Miss Heard; Isabella-Miss Stuart; Inis-Mrs Jones; Katharina-Mrs Bramwell; Viletta-Miss Chatterley.
Cast
Role: Scaramouch Actor: Fairbrother
Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Performance Comment: Oberon (King of the Fairies)-Miss Granger; Puck-Miss Wheatley; Beamlet-Master Welsh; Titania (Queen of the Fairies)-Miss Wentworth; Dewlip-Mrs Bland; Redstar-Miss Leak; Groups of Fairies, Sylphs-.

Afterpiece Title: Lodoiska

Performance Comment: As17970216, but Captives-_; Tamuri-_; Camazin-_; The Horde-_.

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Performances

Mainpiece Title: Secrets Worth Knowing

Performance Comment: Principal Characters by Lewis, Quick, Holman, Pope, Munden, Fawcett, Knight, Farley, Thompson, Rees, Abbot, Mrs Mattocks, Mrs Mountain, Mrs Spencer. [Cast from text (T. N. Longman, 1798): Rostrum-Lewis; Nicholas-Quick; Egerton-Holman; Greville-Pope; Undermine-Munden; April-Fawcett; Plethora-Knight; Valet-Farley; Cook-Thompson; Coachman-Rees; Butler-Abbot; Sally-Mrs Mattocks; Rose Sydney-Mrs Mountain; Mrs Greville-Mrs Spencer [in text: Mrs Pope (see17980126)]; Prologue-Whitfield; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 9 performances only (see17980123).].These were spoken, as here assigned, at the 1st 9 performances only (see17980123).].

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine
Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: The Stranger Actor: Kemble

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Performance Comment: [These were the same in all subsequent performances, except on 5 May.]
Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Performance Comment: Irishman-Johnstone; Englishman-Murray; Mail Coach Guard-Townsend; Ostler-Powel; Serjeant-Farley; Old Soldier-Thompson; Son-Simmons; Scotchman-Wilde; Welchman-Rees; Hawker-Gray; 2nd Irishman-Dyke; 2nd Sailor-Abbot; 1st Sailor-Farley [i.e. doubled Serjeant]; Old Woman-Mrs Henley; Persons represented in the Allegorical Action: Genius of the Isle; Demon of Discord; Children of Britain; Peace, with her Attributes; Britannia-Miss Chapman.

Afterpiece Title: Curiosity

Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).
Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Event Comment: Benefit for the Widow and Four Children of the late Mr Follett. [John Follett had died in Jan. 1799. Address by John Cartwright Cross (Monthly Mirror, June 1799, p. 367).] Receipts: #416 7s. 9d. (120.4.3; 4.1.0; tickets: 292.2.6)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Performance Comment: Boxing the Compass-Fawcett; A Touch at Old Times-Munden; The Irish Haymaker-Johnstone; Young William-Incledon; The Tight Little Island-Townsend; Rule Britannia-Incledon, Johnstone, Townsend, Linton, Street.

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Blister-Emery; Coupee-Betterton; Quaver-Clarke; Goodwill-Thompson; Thomas-Claremont; Lucy-Mrs Jordan (from the Theatre Royal, Drury-Lane, who has with the greatest kindness consented to perform).

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Butler, Calkin, Dale Jun., Fosbrook, Gooding, Henderson, Humphries, Jacobs, Marks, Powell, Perry, Gaudry, Phillimore, Ryder, Scott, Tice, Williams, Wooldridge will be admitted.] Receipts: #58 10s. 6d. (28.15.6; 18.2.6; 0.0.0; odd money: 11.12.6; tickets: none listed)

Performances

Mainpiece Title: The Castle-spectre

Cast
Role: Father Philip Actor: R. Palmer
Role: Edric Actor: Wathen
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: High Life below Stairs

Performance Comment: As17990617 but Philip-Wathen.
Cast
Role: Philip Actor: Wathen.
Role: Sir Harry's Servant Actor: Russell

Dance: As17980920

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Afterpiece Title: The First Floor

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As18000612