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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Sir Williams"/1) | (@(roleclean,performerclean) "the Sir Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11545 matches on Author, 6982 matches on Performance Comments, 1316 matches on Event Comments, 1129 matches on Roles/Actors, and 512 matches on Performance Title.

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: Cross Purposes

Event Comment: [The playbill omits the Epilogue to 1st piece, but the Gallery called for it, and after "a shower of oranges and apples, some of which hit the performers" Mrs Mattocks was induced to speak it (True Briton, 27 Feb.)]. Receipts: #209 14s. 6d. (203.12.6; 6.2.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: Two Strings to your Bow

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Lodoiska

Song: As17970222

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: The Prisoner at Large

Cast
Role: Father Frank Actor: Waddy.

Performances

Mainpiece Title: The Siege Of Belgrade

Cast
Role: The Seraskier Actor: Kelly

Afterpiece Title: The Follies of a Day

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Lodoiska

Song: Vocal Parts, as17970222, but Miss Granger, Master _Welsh

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

Event Comment: [In mainpiece the playbill assigns Cassio to Barrymore, but "Charles Kemble undertook Cassio at a short notice, and sustained it very creditably" (Monthly Mirror, Apr. 1797, p. 250).] Afterpiece: Engagement as 6 Mar. Receipts: #219 6s. 6d. (158.19.6; 59.6.6; 1.0.6)

Performances

Mainpiece Title: Othello

Performance Comment: Duke of Venice-Maddocks; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemble; Cassio-C. Kemble; Iago-Palmer; Roderigo-Russell; Montano-Campbell; Julio-Trueman; Antonio-Caulfield; Desdemona-Mrs Siddons; Aemilia-Mrs Powell.
Cast
Role: Othello Actor: Kemble

Afterpiece Title: Cape St

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: Cape St

Dance: II: Masquerade-; with a Dance, as17970112

Song: Sigh no more Ladies, as17970112, but Miss Leak, Miss +Granger, Master _Welsh, Mrs _Bland

Ballet: End: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Follies of a Day

Song: As17960924

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Afterpiece Title: The Farm House

Cast
Role: Sir John English Actor: Wilde
Event Comment: Benefit for Miss Wallis. 2nd piece: By Permission of the Proprietors of Drury Lane Theatre, and for that night only; with additional Songs [Sga Storace had sung in the oratorios at this theatre in the 1789 season.] True Briton, 13 Apr.: Tickets to be had of Miss Wallis, Gower-street. Receipts: #376 9s. 6d. (192.15.6; 2.16.0; tickets: 180.18.0)

Performances

Mainpiece Title: The Guardian

Afterpiece Title: No Song No Supper

Performance Comment: Robin (1st time)-Fawcett; Crop (1st time)-Townsend; Endless (1st time)-Simmons; William-Haymes; Louisa-Mrs Clendining; Dorothy-Mrs Martyr; Nelly-Mrs Castelle; Margaretta (by permission of the Proprietor of the Opera House)-Sga Storace (1st and only appearance at that Theatre); Lullaby-Sga Storace.

Afterpiece Title: The Comedy of Errors

Song: In 3rd piece: as17970107

Event Comment: Benefit for Mme Banti. A new Opera, with Chorusses. 1st time in this Country [1st performed privately at the Royal Palace, Caserta, 1789; publicly at Naples, 1790]. The Music entirely by Paisiello. Tickets to be had of Mme Banti, No. 10, St. Alban's-street

Performances

Mainpiece Title: Nina

Dance: As17961220

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Performance Comment: Principal Characters-Quick, Holman, Pope, Munden, Murray, Middleton, Thompson, Miss Chapman, Miss Mansel, Mrs Davenport, Mrs Mattocks. Cast from European Magazine, May 1797, p. 341: Cobler-Quick; Shatter-Holman; Allworthy-Pope; Froward-Munden; Sir ThomasSevern-Murray; Woodville-Middleton; Jonathan-Thompson; Miss Severn-Miss Chapman; Fanny Allworthy-Miss Mansel; Madge Haggard-Mrs Davenport; Lady Nettleton-Mrs Mattocks; Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Sir ThomasSevern Actor: Murray

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Cast
Role: Catherine Actor: Mrs Martyr.
Event Comment: Benefit for Incledon. 2nd piece: Performed but once [recte twice: on 1 and 8 May 1795]. The Music part new, and part compiled, by Shield. True Briton, 20 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #440 7s. 6d. (245.7.0; 5.18.0; tickets: 189.2.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailor's Prize

Afterpiece Title: The Prisoner at Large

Cast
Role: Father Frank Actor: Davenport

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

Performances

Mainpiece Title: Nina

Dance: As17970221

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Macready; Capt. Douglas (1st time)-Toms; Nicholas-Munden; Mr Ordeal (1st time)-Murray; Cheaterly-?; Col. Staff-Haymes; Sir Buzzard Savage-Quick; Clara (with For tenderness form'd)-Mrs Mountain; Constance-Miss Chapman; Grace-Mrs Gilbert; Lady Flippant Savage-Mrs Mattocks.
Cast
Role: Sir Buzzard Savage Actor: Quick

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Performances

Mainpiece Title: Nina

Dance: As17961220

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Performance Comment: William-Incledon; Venture-Munden; Jack Rattling-Fawcett; Gasper (the Jailor)-Bowden; Capt. Clueline-Claremont; Midshipman-Linton; Gunner-Street; Lieutenant O'Liffey-Johnstone; Cymbalo (a Negro Boy)-Mrs Martyr; Susan-Mrs Clendining.

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-