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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Princess Royal"/1) | (@(roleclean,performerclean) "the Princess Royal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2643 results for: Keyword - the Princess Royal
We found 1547 matches on Event Comments, 839 matches on Performance Title, 399 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1626
12 January 1734 @ King's Theatre

Event Comment: [Their Majesties, Duke, and three eldest Princesses present.]

Performances

Mainpiece Title: Arbaces

1627
29 January 1734 @ King's Theatre

Event Comment: [Their Majesties and three eldest Princesses present. Egmont also present.]

Performances

Mainpiece Title: Ariadne [in Creta]

1628
02 February 1734 @ King's Theatre

Event Comment: [King, Queen, Duke, and five Princesses present.]

Performances

Mainpiece Title: Ariadne [in Creta]

1629
05 February 1734 @ King's Theatre

Event Comment: [King, Queen, and three eldest Princesses present.]

Performances

Mainpiece Title: Ariadne [in Creta]

1630
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

1631
19 February 1734 @ King's Theatre

Event Comment: [Their Majesties and the Princesses present.]

Performances

Mainpiece Title: Ariadne [in Creta]

1632
07 March 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 51. [Duke, Princesses Amelia, Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Albion Queens

Dance: La Badine by Lally, Mlle Grognet, S. Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits)

1633
12 March 1734 @ King's Theatre

Event Comment: Their Majesties, three eldest Princesses, and Prince of Orange present

Performances

Mainpiece Title: Ariadne [in Creta]

1634
16 March 1734 @ King's Theatre

Event Comment: [Prince and Princess of Orange present.]

Performances

Mainpiece Title: Parnasso In Festa

1635
19 March 1734 @ King's Theatre

Event Comment: Prince and Princess of Orange expected to attend

Performances

Mainpiece Title: Parnasso In Festa

1636
21 March 1734 @ Covent Garden

Event Comment: Benefit Mlle Salle. By Their Majesties' Command. [Prince of Wales, Prince of Orange, and two young Princesses present.]

Performances

Mainpiece Title: Henry Iv, Part I

Dance: Les Charactres de P Amour by Mlle Salle. Un Pas de Trots by Malter, Houghton, Mlle Salle. Peasant by Malter. Pigmalion, as17340114

1637
24 May 1734 @ King's Theatre

Event Comment: [Their Majesties and the young Princesses present.]

Performances

Mainpiece Title: Pastor Fido

1638
15 June 1734 @ Lincoln's Inn Fields

Event Comment: This will be the last Performance. [Their Majesties, Prince, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Aeneas

1639
19 September 1734 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. Mainpiece: Written by Ben. Johnson. Admission: 5s., 3s., 2s., 1s. [Their Majesties, Duke, and Princesses present.]

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: A Burgo-Master Trick'd

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Dance: I: The Black Joke. II: Revellers. III: Pierots. IV: Les Bergeries. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, Janno, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett

1640
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

1641
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

1642
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

1643
22 November 1734 @ Haymarket Theatre

Event Comment: Afterpiece: Intermix'd with Songs and Dances. [The Duke and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Arlequin Misantrope

Afterpiece Title: Le Carillon de Maitre Gervaise et Dame Alison

1644
10 December 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Otho

1645
18 December 1734 @ Haymarket Theatre

Event Comment: [Duke and the young Princesses present.]

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

1646
27 December 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Performance Comment: The Frolick, as17341226 (latter in Daily Advertiser only) .

1647
08 January 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Salvi. Music by Handel. King, Queen, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Ariodante

1648
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

1649
20 February 1735 @ Covent Garden

Event Comment: [The Duke and Princess Caroline present.]

Performances

Mainpiece Title: Ariodante

1650
12 March 1735 @ Covent Garden

Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed, But See 5 March