Event Comment: Paid Macleish, printer [of playbills], in full for last season #62 7s. Mainpiece: Not acted these 3 years. Receipts: #176 1s. (167.7.6; 8.13.6)

Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Event Comment: Afterpiece: 11th time [i.e. in continuation of the reckoning for the previous season]. The Music composed by Baumgarten, Paisiello, Dr Arne, W. Parke. Howard and Shield. Books of the Songs to be had at the Theatre. Receipts: #230 12s. 6d. (226.1.6; 4.11.0)

Event Comment: Afterpiece: 54th time [i.e. in continuation of the reckoning for the previous season, when it had been acted 52 times]. Account-Book; Paid Music #8 17s. 4d.; Properties 5s.; Chorus Singers #1 10s. [apiece]; Wardrobe #6 1s. 9d.; Supernumeraries #5 1s.; Sloper for Scenemen #28 11s. 6d.; Hodgins and apprentice #6 5s.; Walmsley #5 5s.; Phillips #2 12s. 6d.; Dick for making Clothes to 19th Inst. #7 1s. Receipts: #312 7s. (304.14; 7.13)

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Event Comment: Benefit for the Widow of the Late Mr Farren [who had died on 9 May]. Morning Herald, 11 May: Tickets to be had of Mrs Farren, No. 85, Gower-street, Bedford-square. Receipts: #391 6s. (104.8; 8.3; tickets: 278.15)

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Event Comment: No Money to be returned. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. Boxes 6s. 2nd price 3s. Pit 3s. 6d. 2nd price 2s. Gallery 2s. 2nd price 1s. Upper Gallery 1s. The Doors to be opened at 5:30.To begin at 6:30 [see 2 Nov.]. Many complaints having been made respecting the taking and securing Places in the Boxes, the following Regulations it is humbly presumed will effectually prevent all such Misconduct in future. Servants admitted to keep Places as usual, and Ladies and Gentleeen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place-Keepers of the Theatre, One Shilling is to be paid at the Time of taking them, and no Place-Keeper or Box-Keeper is to demand, or to receive any further Gratuity on any pretence whatever. Every Place-Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon, at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #267 3s. (261.7; 5.16)

Event Comment: [Miss Gough was from the Crow Street Theatre, Dublin.] Receipts: #188 10s. 6d. (184.8.6; 4.2.0)

Event Comment: [1st piece in place of The Wives Revenged, advertised on playbill of 22 Oct.] 2nd piece: 4th Time [i.e. in continuation of the reckoning for the previous season]. In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgment-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. And in the Last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by the Scenery and Certainty of its Judgments, produced many alarming Events in the 15th century, throughout the Germanic Empire. 3rd piece: In the course of the Pantomime a Representation of an Engagement between an English and French Man of Warv. A Shipwreckv. The original Allegoric Scene from Provocation. A View of an English Campv. A Naval and Military Procession. Receipts: #235 3s. 6d. (209.0.0; 26.3.6)

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece: Compressed into four Acts by the Author [James Boaden]. Receipts: #217 0s. 6d. (210.19.6; 6.1.0)