SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Lord Mayors Show"/1) | (@(roleclean,performerclean) "the Lord Mayors Show")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1719 matches on Performance Comments, 678 matches on Event Comments, 366 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Extra night] By Authority of the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter

Performances

Mainpiece Title: The Iron Chest

Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Waddy; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Mansel; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Apothecary Actor: Simmons

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Performance Comment: )-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years).

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performance Comment: The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr.
Event Comment: By Authority of the Lord Chamberlain. Benefit for Mrs Hunter, late of Covent-Garden Theatre. [Epilogue by Miles Peter Andrews.] Tickets to be had of Mrs Hunter, No. 12, Leicester-street, Leicester-square; and of Rice at the Theatre, where Places for the Boxes may be taken. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: The original Epilogue-Mrs Hunter.

Afterpiece Title: Fortune's Frolick

Event Comment: By Permission of the Lord Chamberlain. Benefit for Lady Perrott and her Orphan Family. Lady Perrott trusts that this will be her last appeal to public commiseration, hoping to obtain justice from her claims in Jamaica. When it is considered that these agonizing efforts to preserve five helpless children are made by a woman born to all the delicate indulgences attending on rank and fashion, every species of apology would be deemed an insult to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: The Wonder

Performance Comment: Violante-Lady Perrott; the other Characters-Ladies and Gentlemen of high estimation, who have kindly promised their assistance.

Afterpiece Title: Ways and Means

Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger
Event Comment: "The part of Lord Albert seems to be a kind of give and take between Messrs Pope and Claremont. After being resumed for a night or two by the original representative [27, 31 Jan., 1 Feb.], it again devolved upon the latter gentleman [28 Jan., 5 Feb.]" (Dramatic Censor, I, 203). Receipts: #183 12s. (177.12.6; 5.19.6)

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Turnpike Gate

Song: As18000124

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Pour forth no more-Sale; No more to Ammon's God- Chorus (Jephtha); Wise men flattering-Miss Capper (Judas Maccabaeus); Total Eclipse-Incledon; O first crexted beam-Chorus (Samson); He was eyes unto the blind-Mrs Second (Redemption); Immortal Lord-Chorus (Deborah).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March-; In sweetest harmony-Mrs Second; O fatal day-Chorus (Saul); Disdainful of danger-Incledon, Dignum, Denman, Chorus (Judas Maccabaeus); Sweet bird-Mrs Second; accompanied on the violin-G. Ashley (L'Allegro); Where'er you walk-Mrs Dussek (Semele); The trumpet's loud-Incledon, Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe concerto-; Awful pleasing being-Miss Tennant (Joshua); Gentle airs-Incledon; accompanied on the violoncello-Charles Ashley (Athalia); Jehovah crowned-Miss Crosby; He comes-Chorus (Esther); Lord remember David-Mrs Dussek (Redemption); God save the King-Chorus (Coronation Anthems).

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: Benefit for Fawcett. 1st piece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. 2nd piece [1st time; M. INT 1]. 3rd piece: Never acted here; by Permission of the Proprietor of the Theatre Royal, Hay-Market. With appropriate Scenes, Dresses & Decorations. The Music composed & selected by Attwood. Morning Chronicle, 15 Apr.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple. Receipts: #535 6s. (233.2; 7.3; tickets: 295.1)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Emery; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Zekiel Homespun-Munden; Henry Morland-H. Johnston; Stedfast-Murray; Kenrick-Johnstone; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer (1st time)-Miss Murray; Cicely Homespun-Mrs Gibbs (1st appearance this season); With the original Epilogue-the Dramatis Personae.
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Social Songsters

Performance Comment: Naval History (1st time)-Fawcett; My Dolly was the fairest Thing-Incledon; A Bundle of Proverbs-Munden; The Red Cross Knight-Incledon, Linton, Denman; This Life is like a Country Dance-Fawcett; The Death of Admiral Benbow-Incledon; Sing Old Rose and burn the Bellows-Incledon, Fawcett, Hill, Linton.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger
Event Comment: [Emery was from cg. Mainpiece: Epilogue by the younger George Colman.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. Printed by T. Woodfall, No. 1, Cross Court, Russel Court, Drury Lane

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Waddy; Dick Dowlas-H. Johnston; Doctor Pangloss-Fawcett; Henry Moreland-C. Kemble; Stedfast-Davenport; Zekiel Homespun-Emery (1st appearance on this stage); Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Chapman; Cicely Homespun-Mrs Gibbs; The original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Jew and the Doctor

Event Comment: [Extra night] By Authority of the Marquess of Salisbury [the Lord Chamberlain]. Benefit for Waldron, prompter

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-A Gentleman (1st appearance on any stage [unidentified]); Lucy-Mrs Mather (1st appearance on this stage); Polly-Mrs Mountain.
Cast
Role: Lucy Actor: Mrs Mather

Afterpiece Title: The Author

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman