SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Leanders"/1) | (@(roleclean,performerclean) "the Leanders")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 793 matches on Roles/Actors, 231 matches on Performance Comments, 6 matches on Event Comments, 4 matches on Performance Title, and 0 matches on Author.
Event Comment: Polly [announced on playbill of 14 Aug.] is obliged to be deferred on account of the Hoarseness of Mrs Colles. [Afterpiece in place of The Fairy Tale, announced on playbill of 14 Aug.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: As17770618

Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).
Cast
Role: Queen Catherine Actor: Mrs Massey

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: As17770728

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Padlock

Dance: End: Rural Grace, as17771002

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Performance Comment: Principal Characters by Lewis, Hull, Whitfield, L'Estrange, Fearon, Booth, Robson, Smith, Thompson, Aickin, Mrs Jackson, Miss Ambrose, Miss Green, Mrs Barry. [Cast from text (T. Becket, 1778) and London Chronicle, 22 Jan.: Alfred-Lewis; Edwin-Hull; Earl of Surrey-Whitfield; Rollo-L'Estrange; Officers-Booth, Robson, Thompson; Hinguar-Aickin; Ronex-Mrs Jackson; Edda-Miss Ambrose; Elisa-Miss Green; Ethelswida-Mrs Barry; Fearon, Smith; [New Prologue-Wroughton; [New Epilogue-Mrs Barry. [These were spoken, as here assigned, at both subsequent performances.]These were spoken, as here assigned, at both subsequent performances.]
Cast
Role: Ethelswida Actor: Mrs Barry

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

Performances

Mainpiece Title: The Suicide

Related Works
Related Work: The Suicide Author(s): George Colman, the elder

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: As17780615

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder
Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Performances

Mainpiece Title: The Times

Performance Comment: [Principal Characters by King, Bensley, Brereton, Aickin, Baddeley, Lamash, Wrighten, Burton, Palmer, Miss Pope, Mrs Brereton, Miss Collett, Mrs Colles, Miss Kirby, Mrs Abington. Cast from text (Fielding and Walker et al]), 1780, and Morning Chronicle, 3 Dec.: Sir William Woodley-King; Counsellor Belford-Bensley; Mr Woodley-Brereton; Mr Bromley-Aickin; Forward-Baddeley; Sir Harry Granger-Lamash; Waters-Wrighten; James-Burton; Colonel Mountfort-Palmer; Mrs Bromley-Miss Pope; Louisa-Mrs Brereton; Spitfire-Miss Collett; Mrs Williams-Mrs Colles; Mrs Henpeck-Miss Kirby; Lady Mary Woodley-Mrs Abington; Prologue-King; [This was spoken, as here assigned, at all subsequent performances.] Epilogue-Miss Farren. [This was spoken again on 4 Dec., but omitted thereafter.]This was spoken again on 4 Dec., but omitted thereafter.]
Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Afterpiece Title: The Padlock

Event Comment: Benefit for Henry. Mainpiece: Not acted these 2 years. Receipts: #147 15s. 6d. (80.0.0; 29.6; 0.11.0; tickets: 37.5.0) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Padlock

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Performance Comment: [Principal Characters by Palmer, Dodd, Bensley, Parsons, Baddeley, Burton, R. Palmer, Norris, Fawcett, Phillimore, Vernon, Mrs Baddeley, Miss Pope, Miss Farren. Cast from text (J. Robson, 1781 [i. e. 1780]): Sir Harry Glenville-Palmer; George Oldgrove-Dodd; Supple-Bensley; Holdfast-Parsons; Sir Jacob Oldgrove-Baddeley; Harpin-Burton; Trimbush-Vernon; Mrs Courtly-Mrs Baddeley; Phillis-Miss Pope; Dorinda-Miss Farren; unassigned-R. Palmer, Norris, Fawcett, Phillimore [are unassigned; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Padlock

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Padlock

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: [Afterpiece in place of The Rival Candidates, announced on playbill of 19 Apr.] Receipts: #210 8s. (193/15; 15/1; 1/12)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Padlock

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17841215 Prologue spoken by Davies [and thereafter (see17841214, and 22 Feb. 1785)] .
Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: The Mock Doctor

Dance: As17841201

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Padlock

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Booth
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: The Mock Doctor

Dance: As17841116

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Padlock

Dance: As17850728 but omitted: Mrs Goodwin

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: The Padlock

Dance: As17861002

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Padlock

Dance: As17861006