SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the King"/1) | (@(roleclean,performerclean) "the King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Performance Comment: Consisting of the following Songs: Master Thedy Shemus O'Shaughnessey O'Finnegin Delany's History of Himself-Johnstone; Black@Ey'd Susan-Incledon; The Quarrel of the Alphabet-; or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett. or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett.

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performances

Mainpiece Title: The Way To Get Married

Performances

Mainpiece Title: The Way To Get Married

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: Speculation

Cast
Role: The Death and Renovation of the Elk Actor:
Role: the Gynosophist Actor: Thompson
Role: The False Step Actor: O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: O'Flanagan's Blunders Actor: The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Desponding Maiden Actor: The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Sailor's Return Actor: Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Widow Bewitched Actor: How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv
Role: In which The Long Minuet Actor:
Role: Principal Dancers Actor: Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand
Role: Master of the Academy Actor: Wilde
Role: The Lover's Leap Actor: Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev
Role: Music hath Charms Actor: O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: O'Flanagan's performance on the Violin Actor: Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Water parted from the Sea Actor: The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: The Lads of the Village Actor: Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Come sing round my favorite Tree Actor: and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: A Meeting of the Council Actor: Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: ! Actor: The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: The Magical Nosegay Actor: with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: by Shield Actor: Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Carriage for the Company Actor: Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Event Comment: Benefit for Thompson, Williamson, Rees & Sloper. In 4th piece a Representation of the Indian Mannerv, &c., as 26 Oct. 1795, but added to Allegoric Scene: With Britannia seated on the Globe of the Earth attended by Fame, and Neptune in his Watery Car, attended by Sea Nymphs. Receipts: #353 3s. 6d. (63.0.6; 4.9.0; tickets: 285.14.0)

Performances

Mainpiece Title: The Way To Get Un-married

Cast
Role: The Censor Actor: Richardson

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

Performances

Mainpiece Title: The Will

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Phillimore
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Performances

Mainpiece Title: The Will

Afterpiece Title: The Apprentice

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Will

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Will

Afterpiece Title: Lodoiska

Performance Comment: As17970216, but Count Floreski-Dignum; Ithorak-Cooke; Captives-_; Tamuri-_; Camazin-_; The Horde-_.

Performances

Mainpiece Title: The Will

Performance Comment: As17970425, but Prologue-_; Epilogue-_ [and thereafter].and thereafter].

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Will

Afterpiece Title: No Song No Supper

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Will

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Will

Afterpiece Title: The Fairy Festival

Afterpiece Title: The Wandering Jew

Cast
Role: The Horde Actor: Wentworth, Maddocks, Welsh, Evans, Annereau.
Role: Toby Actor: Wathen

Dance: As17970513

Song: End II: Ally Croaker-Miss Leak; End IV: Little Taffline-Mrs Bland

Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Performance Comment: Persons of the Court.
Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performance Comment: Edition of 1668: Prologue to the Duke of Lerma-Mrs Ellen Gwyn?, Mrs Nepp Knepp?; No actors' names; Epilogue-Mrs Ellen Gwyn?; Maria?-Mrs Gwyn?.