SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the King\'s Scholars"/1) | (@(roleclean,performerclean) "the King\'s Scholars")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2904 matches on Performance Title, 2741 matches on Performance Comments, 1615 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance, call'd The Cumberland Corn@thrashers-Mas. Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar)

Performance Comment: Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar).

Monologue: IV: a New Grand Ballet (that night only) called The Festival of the Black Prince(As performed at Paris by Fishar with universal applause). Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode

Performance Comment: Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode.

Ballet: V: First time this season The Wapping Landlady. Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers)

Performances

Mainpiece Title: Amphitryon

Performance Comment: As17730225, but Plutusin the Interlude-Bannister.

Afterpiece Title: The Citizen

Dance: I: A Hornpipe-Master Whitlow, Miss Lings; III: A New Wooden Shoe Dance-Mas. Whitlow, Miss Lings, Miss Wilkins, scholars of Giorgi

Performance Comment: Whitlow, Miss Lings, Miss Wilkins, scholars of Giorgi.

Performances

Mainpiece Title: Omnipotence

Song: As17740225

Music: After the Song: New Concerto (Barthelemon) for two Trumpets-Serjeant Jr, Mas. Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323

Performance Comment: Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323.
Event Comment: Benefit for Fishar (ballet master). Charges #66 3s. 6d. Profit to Fishar #49 2s. 6d., plus #115 6s. from tickets (Box 156; Pit 155; Gallery 169). Paid Whitefield for cloaths of the pages #21 17s. 6d.; Paid Mr Capell for a suit of men's cloaths #5 5s. Receipts: #115 6s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: incidental to the opera Actor: .

Afterpiece Title: The Author

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Performance Comment: The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance., a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance.
Cast
Role: The Black Prince's Festival Actor:

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

Event Comment: Rosetta first time by Miss Sharp--a loud Voice a bad face and mean figure She had Applause--but it won't do (Hopkins Diary). [MacMillan's note from Kemble differs slightly and adds: Miss Sharpe was a Scholar of Mr Bates's--since married to Mr William Palmer, brother to Mr John and Mr Robert Palmer."] Rec'd the late Mr Powell's bond for #200 and 9 years interest in full #290; Stopages #11 18s. Paid Barrow and Co., Oil Bill #50 3s.; Powney, (stationer) #14 11s. 6d.; Tallow Chandler's third bill #47 12s. 4d.; Evans on Wardrobe acct #10 10s.; Grist on acct #6 6s.; Machin, Chorus 13 nights, #3 5s. Receipts: #116 13s. [Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Afterpiece: Not acted here these 6 years. [See 12 May 1770.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Miss in Her Teens

Dance: End Opera: a New Comic Dance call'd La Soiree A@la@mode-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Ross, a girl only 5 years old, scholar to Dagueville

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Cast
Role: Master of the Ship Actor: Wrighten

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performance Comment: and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton.
Event Comment: Benefit for Aldridge. Aldridge having sent an Invitation to the Scholars of the Maritime School, he flatters himself the Governor of that benevolent and politic Institution will permit them to be present. Receipts: #162 4s. (98.8; tickets: 63.16) (charge: #105)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: True Blue

Afterpiece Title: The Flitch of Bacon

Dance: End I 1st piece: a new Hibernian Dance, The Rakes of Mallow-Jackson, Miss Francis (1st appearance), others; End II: a new Dance, The Sports of the Green or The Rivals Reconcil'd-Aldridge, Langrish, Jackson, Miss Francis, Miss Besford; 2nd Piece: the original Sailor's Dance, as17810402

Song: 2nd piece to conclude: with a Grand Antigallican Procession[in Honour of St. George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus

Performance Comment: George's Day
[23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus.with the original chorus.

Ballet: End IV: a Grand Pantomimical Pastoral Welch Dance St. David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters

Performance Comment: David's Day
; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters.
Event Comment: Benefit for Fosbrook, box-book and housekeeper. Mainpiece: Not acted these 10 years. Receipts: #185 19s. 6d. (17/19/0; 5/12/6; 0/6/0; tickets: 162/2/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Whos the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Performance Comment: End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs .

Song: In mainpiece an Interlude of

Event Comment: [Mainpiece in place of Lord Russel, announced on playbill of 30 Aug. It was deferred on account of Miss Woollery's illness {Public Advertiser, 31 Aug.).] Afterpiece [1st time; P 1, by Carlo Antonio Delpini. MS: Larpent 706; not published]: The Overture and Music composed by Dr Arnold. The Scenes painted by Rooker

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Here and There and Every Where

Performance Comment: Skip Harlequin (Pantomime Author)-R. Palmer; Harlequin Skip-Milbourn; Saunter-Booth; Pantaloon-Burton; Abbe-Byrne; Running Footman-Master Goostree; Pierrot-Delpini; Bird-Catcher-Meadows; Hum-Bug-All-o-Wewitzer; Housemaid-Miss Hale; Colombine-Mrs Goodwin; Genius of the Mine-Miss Painter. Other Characters by Gardner, Usher, Swords, Riley, Barrett, Ledger, Gaudry, Nicolini, Lyons, Painter, Besford, Master Farley; Mrs Love, Miss Brangin, Mrs Morris, Mrs Lefevre . Mrs Love, Miss Brangin, Mrs Morris, Mrs Lefevre .

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

Performance Comment: , Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.] hathi.
Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17970919, but Charles Surface-Smith (who performed the Character originally [on 8 May 1777]; being positively his only appearance); Snake-Caulfield; Lady Sneerwell-Mrs Sparks; Trip-_.

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sir Matthew Medley Actor: Maddocks
Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: The Son in Law

Song: In III 1st piece: song-Dignum

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Lord Eustace Actor: Cautherly

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Performance Comment: Persons of the Court.
Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite Or The Duke Of Lerma

Performance Comment: Edition of 1668: Prologue to the Duke of Lerma-Mrs Ellen Gwyn?, Mrs Nepp Knepp?; No actors' names; Epilogue-Mrs Ellen Gwyn?; Maria?-Mrs Gwyn?.
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Parts-King, Reddish, Palmer, Aickin, Wrighten, Watkins, Cautherly, Miss Younge, Miss Platt, Mrs Baddeley, Mrs Jeffries, Mrs Barry. Prologue-King; Epilogue-Mrs Barry; Capt. Dormer-Palmer; Sir George Hastings-King; Sir John Dormer-Reddish; Willoughby-Aickin; Villars-Cautherly; Miss Montague-Mrs Barry; Miss Dormer-Miss Younge; Miss Willoughby-Mrs Baddeley; Mrs Willoughby-Mrs Jeffries; Footmen-Wrighten, Watkins; Lucy-Miss Platt; Jenny-Mrs Smith (Genest, V, 232).

Afterpiece Title: Hob in the Well

Cast
Role: Hob's Mother Actor: Mrs Bradshaw

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton or High Life Above Stairs

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Quaker

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: Aladin