SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the King\'s Scholars"/1) | (@(roleclean,performerclean) "the King\'s Scholars")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2904 matches on Performance Title, 2741 matches on Performance Comments, 1615 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Eunuchus

Performance Comment: The King's Scholars.
Event Comment: WWeekly Journal or British Gazetteer, 28 Nov. Before many Persons of distinction, was acted the Adelphi of Terence....The Epilogue is printed in that issue

Performances

Mainpiece Title: Adelphi

Performance Comment: The King's Scholars; With an Epilogue-.

Performances

Mainpiece Title: Phormio

Performance Comment: The King's Scholars.
Event Comment: Daily Journal, 6 Dec.: Andria was acted at the Dormitory . . . before at least 200 Spectators

Performances

Mainpiece Title: Andria

Performance Comment: By the King's Scholars .

Performances

Mainpiece Title: Andrea

Performance Comment: The King's Scholars.
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Event Comment: Benefit Mrs Bicknell. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Pilgrim

Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Pilgrim

Event Comment: Benefit Bowman.At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: Oedipus Tyrannus

Performance Comment: Acted in Greek-Mr Low's Scholars.

Performances

Mainpiece Title: The Pilgrim

Song: New Songs-Mrs Bowman

Dance: The Boor Left In The Lurch (new)-Burkhead, Mrs Willis

Performances

Mainpiece Title: The Pilgrim

Song: As17170204

Event Comment: Benefit Ch. Bullock and Mr Bullock. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Wifes Relief

Music: Entertainment of Vocal and Instrumental Music- by Babel for St. Cecilia's Day; Vocal Parts-Leveridge, Mrs Barbier, Babel's Scholar, who never appear'd on any Stage before

Song: Mad Dialogue by Purcell-Leveridge, Mrs Thurmond

Dance: As17171022

Performances

Mainpiece Title: The Pilgrim

Dance:

Performances

Mainpiece Title: The Pilgrim

Song:

Dance:

Performances

Mainpiece Title: The Pilgrim

Dance: Lally, Pelling, Mrs Rogier, Mrs Hutton, Mrs Bullock

Performances

Mainpiece Title: The Pilgrim

Dance:

Performances

Mainpiece Title: The Pilgrim

Song: Mrs Chambers

Dance: Drunken Swiss-Nivelon; Running Footman's Dance-Nivelon, Mrs Rogeir; The Humours of Bedlam-

Performances

Mainpiece Title: Cato

Performance Comment: Rehearsed-Scholars of Mr Weston.

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Humours of Bedlam

Event Comment: Benefit Hall and the Prompter [Steed]. Receipts: money #13 1s. 6d.; tickets #79 7s

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Humours of Bedlam

Dance: PPastoral-LeSac, Miss LaTour; Fingalian-Newhouse, Mrs Ogden; Scotish Dance-Mrs Bullock; Shepherd and Shepherdess-Salle, Mlle Salle

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Humours of Bedlam

Afterpiece Title: Pan and Syrinx

Related Works
Related Work: Pan and Syrinx Author(s): Lewis Theobald

Dance: As17261024