SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Duke of York"/1) | (@(roleclean,performerclean) "the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1284 matches on Performance Comments, 1194 matches on Event Comments, 429 matches on Roles/Actors, 402 matches on Author, and 349 matches on Performance Title.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Holland; Henry VI-Reddish; Buckingham-Jefferson; Norfolk-Burton; Stanley-Bransby; Lieut.-Fawcett; Tressel-Cautherly; Lady Anne-Miss Young, first time; Queen-Mrs Hopkins; Princes-Miss Rogers, Miss Collett; Richmond-Aickin; Duchess of York-Mrs Johnston.
Cast
Role: Tressel Actor: Cautherly
Role: Duchess of York Actor: Mrs Johnston.
Event Comment: KKing Henry, Mr Garrick (Cross Diary). Mainpiece: Not acted these 3 years. [See 8 May 1767.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King-Garrick; Prince of Wales-Cautherly, first time; Lancaster-Brereton; Gloster-Miss Rogers; Clarence-Master Cape; Archbishop of York-Jefferson; Justice Shallow-Parsons; Justice Silence-Hartry; Page-Miss Collett; Doll Tearsheet-Miss Platt; Falstaff-Love; Hastings-Ackman; Mowbray-Hurst; Gower-Wright; Lord Bardolph-Fawcett; Lord Chief Justice-Bransby; Poins-Packer; Bardolph-Clough; Hostess-Mrs Bradshaw.

Afterpiece Title: A Trip to Scotland

Cast
Role: The dances Actor: Giorgi, Atkins, Mrs King

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Dodd, for that night only; Buckingham-Jefferson; Tressel-Cautherly; Stanley-Bransby; Norfolk-Burton; Ratcliff-Wright; Lieut.-Fawcett; Princes-Miss Rogers, Miss Collett; Richmond-Aickin; Lady Anne-Mrs W. Barry; Queen-Mrs Hopkins; King Henry-Reddish; Catesby-Packer; Duchess of York-Mrs Johnston.
Cast
Role: Tressel Actor: Cautherly
Role: Duchess of York Actor: Mrs Johnston.

Afterpiece Title: The Mayor of Garratt

Dance: V: Comic Dance, as17700922

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-A Gentleman, first appearance any stage; Prince of Wales (By Particular Desire)-Mrs Lessingham; Achbp York-Clarke; Prince John-Davis; Westmorland-Hull; Chief Justice-Younger; Shallow (that night only)-Woodward; Pistol-Hamilton; Poins-Wroughton; Bullcalf-Dunstall; Hostess-Mrs Pitt; Doll Tearsheet-Mrs Gardner; Falstaff-Shuter.
Cast
Role: Achbp York Actor: Clarke

Afterpiece Title: The Man of Quality

Performance Comment: Lord Foppington-Woodward; Sir Tunbelly-Dunstall; Young Fashion-Lewes; Coupler-Quick; Lory-Cushing; Nurse-Mrs Pitt; Miss Hoyden (With an Apology in character to the Town)-Mrs Lessingham.

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: Mainpiece: Not acted these 8 years [acted 2 Feb. 1770]. Receipts: #186 19s. (161.11.0; 24.4.6; 1.3.6)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Performance Comment: Falstaff-Henderson; King Henry-Bensley; Prince of Wales-Palmer; Chief Justice-Aickin; Arch Bishop York-Packer; Prince John-Lamash; Gloster-Mrs Colles; Clarence-Miss Collett; Mowbray-Hurst; Hastings-Barrett; Justice Silence-Parsons; Pistol-Baddeley; Poins-R. Palmer; Bardolph-Wright; Davy-Waldron; Page-Master Pulley; Justice Shallow-Yates; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Davies.
Cast
Role: Arch Bishop York Actor: Packer

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: Not acted these 7 years [acted 16 May 1772]. [Epilogue by Richard Cumberland.] Afterpiece: Never acted here. Receipts: #165 6s. (161.12.6; 3.13.6)

Performances

Mainpiece Title: The Brothers

Performance Comment: Ironsides (with the Original Epilogue)-Wilkinson (of the Theatre-Royal, York); Elder Belfield-Booth; Paterson-Whitfield; Goodwin-L'Estrange; Philip-Robson; Francis-Thompson; Young Belfield-Wroughton; Jonathan-Fearon; Skiff-Wewitzer; Sir Benj. Dove-Quick; Sophia-Mrs Mattocks; Violetta-Mrs Bulkley; Fanny-Miss Dayes; Lucy Waters-Mrs Poussin; Kitty-Miss Valois; Lady Dove-Mrs Green.
Cast
Role: Theatre Actor: Royal, York
Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Wilkinson; Sir Jacob Jollup-Booth; Bruin-Thompson; Heeltap-Fearon; Lint-Death; Jerry Sneak-Wewitzer; Matthew Mug-Lee Lewes; Mrs Bruin-Miss Green; Mrs Sneak-Mrs Green.
Cast
Role: Matthew Mug Actor: Lee Lewes

Dance: As17771222

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Performance Comment: Falstaff-Henderson; King Henry-Bensley; Prince of Wales-Palmer; Chief Justice-Aickin; Archbishop of York-Packer; Prince John-Lamash; Gloster-Mrs Colles; Clarence-Miss Collett; Westmoreland-Farren; Mowbray-Hurst; Hastings-Wrighten; Justice Silence-Parsons; Pistol-Baddeley; Poins-R. Palmer; Bardolph-Wright; Davy-Waldron; Page-Master Pulley; Justice Shallow-Yates; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Davies.
Cast
Role: Archbishop of York Actor: Packer

Afterpiece Title: The Padlock

Dance: End IV: The Irish Fair-the Miss Stageldoirs

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Brereton; Buckingham-Aickin; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieutenant of the Tower-R. Palmer; Ratcliffe-Wright; Lord Mayor-Philimore; Prince Edward-Master Pulley; King Henry-Bensley; Lady Anne-Mrs Robinson; Dutchess of York-Mrs Davenett; Queen-Mrs Hopkins.

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: Not acted these 16 years [acted 27 Apr. 1773]

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Performance Comment: King Henry-Aickin; Prince of Wales-Wroughton; Prince John-Farren; Archbishop of York-Clarke; Lord Chief Justice-Hull; Mowbray-Davies; Westmoreland-Fearon; Justice Shallow-Wilson; Justice Silence-Quick; Poins-Bonnor; Pistol-Kennedy; Sir John Falstaff-Henderson; Doll Tearsheet-Miss Platt; Mrs Quickly-Mrs Pitt .
Cast
Role: Archbishop of York Actor: Clarke

Afterpiece Title: Aerostation

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Tamerlane-Calvert (from the Theatre-Royal [Smock Alley], Dublin); Moneses-Kent (from the Theatre-Royal, Norwich); Axalla-Diamond; Dervise-Nash; Bajazet-A Gentleman (1st appearance in that character); Selima-Mrs Clapham (from the Theatre-Royal, York); Arpasia-Miss Shelbourn (from the Theatre-Royal, Edinburgh) .

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

Event Comment: Benefit for Marshall, Miss Williams & Mrs Warrell. Oracle, 3 June: Tickets to be had of Marshall, No. 11, York-street, York-buildings; of Miss Williams, No. 14, Martlett-court, Bow-street, Covent-Garden; of Mrs Warrell, No. 48, Carey-street, Lincoln's-inn-fields. Receipts: #147 9s. 6d. (14.16.6; 4.1.0; tickets: 128.12.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Rock

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)

Performance Comment: End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey).
Cast
Role: The Lawyer's Hobby Actor: Marshall
Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.

Afterpiece Title: The Citizen

Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Performance Comment: Downes (Roscius Anglicanus, pp. 22-23): Don Henriq-Betterton; Antonio-Harris; Octavio-Young; Diego-Underhill; Ernesto-Sandford; Corrigidor-Smith; Silvio-Price; Camilla-Mrs Davenport; Portia-Mrs Betterton; Flora-Mrs Long; Edition of 1663: No actors' names. The Prologue-; The Prologue at Court-; The Epilogue-; The Epilogue at Court-.
Cast
Role: The Prologue Actor:
Role: The Prologue at Court Actor:
Role: The Epilogue Actor:
Role: The Epilogue at Court Actor: .
Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: After dinner my wife and I to the Duke's playhouse, where we saw the new play acted yesterday, The Feign Innocence, or Sir Martin Marr-all; a play made by my Lord Duke of Newcastle, but, as every body says, corrected by Dryden. It is the most entire piece of mirth, a complete farce from one end to the other, that certainly was ever writ. I never laughed so in all my life. I laughed till my head [ached] all the evening and night with the laughing; and at very good wit therein, not fooling. The house full, and in all things of mighty content to me

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Performance Comment: The edition of 1668 has Prologue-; Epilogue-.
Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. Pepys, Diary: At the Duke's play-house, and there saw The Maid in the Mill, revived--a pretty, harmless old play. Langbaine (English Dramatick Poets, p. 211): This Play amongst others has likewise been reviv'd by the Dukes House

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary: Carried The. and my wife to the Duke of York's house, to Macbeth,...and I to the Duke of York's house and saw the last two acts.... This day The. Turner shewed me at the play my Lady Portman, who has grown out of my knowledge

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. Pepys, Diary: So we to the Duke of York's playhouse, and there saw She Would if She Could,... This day, going to the play, The. Turner met us, and carried us to her mother, at my Lady Mordaunt's; and I did carry both mother and daughter with us to the Duke of York's playhouse

Performances

Mainpiece Title: She Would If She Could

Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

Performances

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman