SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the DEgvilles"/1) | (@(roleclean,performerclean) "the DEgvilles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 267 matches on Roles/Actors, 84 matches on Performance Title, 51 matches on Performance Comments, 23 matches on Event Comments, and 1 matches on Author.
Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Performance Comment: Macedonians: Alexander-J. D'Egville; Hephestion-Aumer; Clytus-Dubois; Perdiccas-Fairbrother; Parmenio-Phillimore; Ptolemy-Caulfield; Attalus-Benson; Eumenes-Bland; Philip-G. D'Egville; Officers-; Guards-; Attendants-; Thalestris-Mrs Fialon (1st appearance on this stage); Amazons-Miss Collins, Miss Heard, Miss D'Egville, Miss Redhead, Miss Stageldoir, Miss Stuart, Miss Tidswell, Mrs Bramwell; Persians: Darius-Fialon; Son of Darius-Master Menage; Oxathres-Boimaison; Memnon-Webb; Arsites-Maddocks; Spithridates-Banks; Raesaces-Lyons; High Priest of the Sun-Roffey; Sysigambis-Mrs Cuyler; Parisatis-Mrs Hedges; Artemisia-Mrs Butler; Statira-Miss J. Hilligsberg (1st appearance on this stage); Satraps-Kelly Jun., Evans, Brady, Caulfield Jun., Powell, Creed; Attendant Females-Miss Brooker, Miss Phillips, Miss Daniel, Mrs Harris, Mrs Haskey, Miss Chatterley, Miss Granger, Mrs Jones, Miss Menage, Miss D'Egville; Priests-; Persian Army=-.
Cast
Role: Perdiccas Actor: Fairbrother
Role: High Priest of the Sun Actor: Roffey
Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Parts-Morelli, Viganoni, Mrs Bland. [Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Soldier-Trueman; Katharine-Mrs Crouch; Fatima-Miss Heard; Lilla-Miss DeCamp; Ghita-Miss Jackson. [No afterpiece performed this night.]No afterpiece performed this night.]
Cast
Role: The Seraskier Actor: Kelly

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performance Comment: Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House.
Event Comment: Benefit for the young D'Egvilles, Johnstone, Nix & Dale. Morning Herald, 7 June: Tickets to be had of the young D'Egvilles, No. 18, Broad-street; of Johnston, No. 15, Martlet-court, Bow-street, Covent-Garden; of Nix, No. 8, Little Russel-street, Covent-garden; of Dale, No. 26, Stanhope-street, Claremarket. Receipts: #518 6s. (86.14.6; 29.1.0; 10.8.0; tickets: 392.2.6) (charge: #171 15s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton

Dance: End: a new Dance, Provision for the Convent; or, The Fryars' Frolick-G. D'Egville, Hamoir, Miss Fanny D'Egville, Sophia D'Egville, Miss DeCamp

Song: As17911003

Ballet: End I: a new Dance, The Martial Nymph; or, The Conquered Scythian. The Scythian-George D'Egville; Nymphs-Miss DeCamp, Miss Fanny D'Egville; The Victorious Nymph-Miss Sophia D'Egville

Performance Comment: The Scythian-George D'Egville; Nymphs-Miss DeCamp, Miss Fanny D'Egville; The Victorious Nymph-Miss Sophia D'Egville.
Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17950420, but Alithea-Miss Collins.
Cast
Role: Alithea Actor: Miss Collins.

Afterpiece Title: Alexander the Great

Performance Comment: As17950415, but Statira-Miss DeCamp; Attalus-_; Eumenes-_; Philip-_; Arsites-_; Spithridates-_; Raesaces-_; High Priest of the Sun-_.
Cast
Role: Perdiccas Actor: Fairbrother
Role: High Priest of the Sun Actor: Roffey

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

Performance Comment: Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-.
Cast
Role: Gaoler Actor: Fairbrother
Role: The King Actor: Phillimore
Event Comment: Tickets delivered for this Evening [Account-Book: by D'Egville Sen., Johnstone, Dale, Miss Arne, Miss Heard] will be admitted. Dancing: The Musick by von Esch, the Dance by D'Egville Sen. Receipts: #604 15s. (192.17.6; 49.4.6; 2.18.6; tickets: 359.14.6)

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Event Comment: "The company [of spectators] was so numerous that there was hardly room on the stage for the performers to go through their pans . . . Mme Simonet displayed all that power of acting for which she has been so justly celebrated since the first introduction of the ballets called 0?Action when first Vestris held the sceptre of Terpsychore at the King's Theatre [in 1780-81]" (Public Advertiser, 18 Feb., which also has a synopsis of the action)

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II an entirely new ballet of Serious, Comic, and Demi-characters, composed by Lepicq, Les spouses Persanes; or, The Persian Wives, by Lepicq, Mme Rossi, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Simonet. [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.]

Performance Comment: [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.] hathi. hathi.
Cast
Role: Slaves Actor: Sga Crespi, Mlle Theodore
Event Comment: Benefit for Vestris. Tickets, 10s. 6d. each, to be had of Vestris, No. 8, Great Suffolk-street, Charing-cross. 2nd ballet: With a great Variety of magnificent Scenery and Decorations executed by Gaetano Marinari. [Synopsis of action in Morning Post, 23 Mar.] "Vestris and Baccelli, tho' incomparable in some parts of the art, are far inferior as actors to Lepicq and Rossi... One evident amendment of the Ballet may be compression and curtailment. As it was, the curtain did not drop till twelve o'clock" (Public Advertiser, 25 Mar.)

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Performance Comment: , and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi .
Cast
Role: Mother to Me'lide Actor: Mlle Mozon
Role: Thetis Actor: Mlle Mozon.

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217

Ballet: End II: Telemachus in the Island of Calypso. Telemachus-Didelot; Mentor-D'Egville Jun.; Calypso-Mlle Leonore Simonet; Eucharis-Mme Theodore D'Auberval; Venus-Mlle Deligny; Cupid-Mlle Menage; Zelis and Aglae (Nymphs, companions to Calypso)-Mlle Gervaise Troche, Mlle Rosine Simonet; Ny`phs in Calypso's Train-Mlle Bithmer Jun., Mlle Bithmer Sen., Mlle Puisieux, Mlle Birt, Mlle Vedie, Mlle Durand, Mlle Rousseau, Mlle Jacobs, Mlle Berry, Mlle Bougier

Performance Comment: Telemachus-Didelot; Mentor-D'Egville Jun.; Calypso-Mlle Leonore Simonet; Eucharis-Mme Theodore D'Auberval; Venus-Mlle Deligny; Cupid-Mlle Menage; Zelis and Aglae (Nymphs, companions to Calypso)-Mlle Gervaise Troche, Mlle Rosine Simonet; Ny`phs in Calypso's Train-Mlle Bithmer Jun., Mlle Bithmer Sen., Mlle Puisieux, Mlle Birt, Mlle Vedie, Mlle Durand, Mlle Rousseau, Mlle Jacobs, Mlle Berry, Mlle Bougier.

Performances

Mainpiece Title: La Bella Pescatrice

Ballet: End I: Telemachus in the Island of Calypso. As17910322

Monologue: End Opera: The Deserter (with augmentations, composed by D'Auberval). Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer

Performance Comment: Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer.

Performances

Mainpiece Title: La Molinarella

Dance: End I: Divertisement, as17910217

Ballet: End Opera: Le Siege de Cythere. Venus-Mlle Leonore Simonet; Adonis-Mlle Gervaise Troche; Calysto-Mme Theodore D'Auberval; Brontes, Scythian Chief-D'Egville; Zephyre-Didelot; Nymph-Mlle Deligny; Lucanians-Mons and Mme Vigano; Zephyrs, Loves, Ionians, Amazons, Thessalians, Scythians, Africans, Indians, Peruvians, Phrygians, Inhabitants of Cythere- [all unassigned]

Performance Comment: Venus-Mlle Leonore Simonet; Adonis-Mlle Gervaise Troche; Calysto-Mme Theodore D'Auberval; Brontes, Scythian Chief-D'Egville; Zephyre-Didelot; Nymph-Mlle Deligny; Lucanians-Mons and Mme Vigano; Zephyrs, Loves, Ionians, Amazons, Thessalians, Scythians, Africans, Indians, Peruvians, Phrygians, Inhabitants of Cythere- [all unassigned].all unassigned].
Event Comment: A New Comic Opera; compsoed by Pietro Guglielmi; under the direction of Mazzinghi. Pit Half a Guinea. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 precisely [see 14 Feb. 1792]. The Nobility and Gentry are intreated to give particular Orders to their Coachmen to set down and take up with their Horses' Heads towards Hyde Park. The Door in Blenheim Mews will be shut during the Performance and opened only for the Company to go in Chairs. Subscriptions are received at Messrs Ransom, Morland and Hammersly's, No. 57, Pall-mall. And the Nobility and Gentry are earnestly requested to send a complete List of the Subscribers to their respective Boxes as soon as possible, since (by express Orders) no Person, on any account, can be admitted without producing a proper Ticket

Performances

Mainpiece Title: La Pastorella Nobile

Performance Comment: Principal Parts by Lazzarini, Cipriani, the Messrs Lipparini, Sga Casentini, Sga Calvesi. Cast from libretto (H. Reynell, 1791): Il Marchese-Lazzarini; Don Calloandro-Cipriani; Don Polibio-Lipparini Sen.; Don Astianatte-Lipparini Jun.; Eurilla-Sga Casentini; Donna Florida-Sga Calvesi.

Dance: End I: a new Ballet Demi-Caractere, composed by D'Auberval, La Fontaine d'Amour-

Ballet: End II: a new Pantomimic, Anacreontic Ballet, composed by D'Auberval, L'Amant Deguise. Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage

Performance Comment: Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage.
Event Comment: 2nd ballet: With new Dresses, Scenes and Decorations. "The Simonets were very unexpectedly introduced as vocal performers; they sung a duet in the Seraglio Scene, accompanied on the harp by young Meyer, which was very pleasing" (Morning Herald, 16 Apr.)

Performances

Mainpiece Title: La Discordia Conjugale

Dance: End I: Divertisement, as17920214

Ballet: End Opera: [an entire new Grand Pantomimic Ballet (1st time; composed by D'Auberval music by Mazzinghi]), La Foire de Smirne; ou, Les Amans Reunis. Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage

Performance Comment: Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage.
Cast
Role: Theodora Actor: Mme D'Auberval
Event Comment: A new Comic Opera; the Music by Sarti, Storace, Martini. Under the direction of Storace. [on 6 Jan. 1784 this was performed as I Rivali Deluse.] 2nd ballet: [Music by Storace] With Scenery, Machinery and Decorations entirely new, designed and executed by Marinari; the Dresses by Sestini

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

Performance Comment: Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet.
Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. "But for the excellent acting of Falmer, [THE ENGLISHMAN IN PARIS] would now scarcely be tolerated" (Thespian Magazine, June 1794, p. 225). Powell: Pirates rehearsed at 11 (Sedgwick one scene; Bardeauleau, Boyce, Horsfall). Receipts: #337 3s. (277/3/6; 57/3/0; 2/16/6)

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gaspero- Suett; Guillermo- Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Trueman, Webb, Lyons, &c.; Pirates-Welsh, Maddocks, Cooke, Dorion, &c.; Vintagers-Bourk, Whitmell, Walker, Nicolini, Bidotti, Mrs Brooker, Mrs Brigg, Mrs Harris, Mrs Haskey, Mrs Barrett, Miss Bourk, &c.//Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak. General Chorus by Danby, Reynoldson, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook//Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Miss Wrighten, Miss C. Wrighten, Mrs Boimaison, &c .

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp .
Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. Powell: Emilia Galotti rehearsed at 10; Wedding Day at 12; Sultan at 1. Receipts: #304 (245.14; 58.2; 0.4)

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gasparo-Suett; Guillermo-Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Webb, Lyons; Pirates-Welsh, Maddocks, Cooke, Dorion; Vintagers-Whitmell, Wells, Nicolini, Keys; Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak; General Chorus-Danby, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook, Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Mrs Maddocks.

Afterpiece Title: The Sultan

Dance: In: Dances (composed by D'Egville)-G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles.
Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for the young D'Egvilles, Johnston & Dale. Receipts: #233 1s. 6d. (24.12.0; 15.15.6; 0.16.0; tickets: 191.18.0) (charge: #108 7s. 11d.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch
Event Comment: 2nd piece [1st time; M 3, by--Francis. Perhaps the same as a piece performed under this title at Bath, 20 Nov. 1785]: With new Musick, Scenes, Dresses and Decorations. The new Musick and Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Enchanted Wood

Performance Comment: [Characters by Palmer, Bannister, Bensley, R. Palmer, Master Gregson, Bannister Jun., Cubitt, Bland, Johnson, Lyons, Abbott, Brown, Master Danby, Master Watherhouse, Mrs Bland, Miss DeCamp, Mrs Taylor, Miss S.] D'Egville, Mrs Webb, Mrs Kemble, Mrs Powell, Miss Hale, Mrs Edwin, Mrs Bramwell, Mrs Masters, Mrs Gaudry. [Cast from text (J. Debrett, 1792): Julian-Palmer; Pytheon-Bannister; Orion-Bensley; Etheldred-R. Palmer; Cymbriel-Master Gregson; Owen-Bannister Jun.; Transit-Mrs Bland; Sylphina-Miss DeCamp; AEtheria-Mrs Taylor; Spirit-Miss [S.] D'Egville; Bridget-Mrs Webb; Una-Mrs Kemble; other Characters-Cubitt, Bland, Johnson, Lyons, Abbott, Brown, Master Danby, Master Waterhouse, Mrs Powell, Miss Hale, Mrs Edwin, Mrs Bramwell, Mrs Masters, Mrs Gaudry.

Dance: In 2nd piece: the Dances (under direction of D'Egville,)-Whitmell, Keys, George D'Egville, Lewis D'Egville, Master Whitmell, Master Chatterley, Master Menage, Master Webb, Mrs Haskey, Miss DeCamp, Miss E. Menage, Miss F?. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Castor Actor: Fairbrother

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder
Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Cast
Role: Giles Actor: Mathews
Role: Theodosia Actor: Miss Burnett

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)