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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1184 results for: Keyword - second Champness
We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

126
08 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

127
09 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

128
10 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

129
11 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: As17380210

130
14 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Mlle Roland

131
21 February 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Royal Chace

132
09 March 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380302

133
02 May 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

134
30 November 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Rape of Proserpine

135
01 December 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Rape of Proserpine

136
21 December 1738 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: Margery

Dance: As17381213

137
19 February 1739 @ Covent Garden

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Royal Chace

138
23 October 1739 @ Covent Garden

Performances

Mainpiece Title: The Life And Death Of King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: SScots Dance-Glover, Miss Roland Ynger

139
27 January 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff, Justice Shallow, Ancient Pistol

Afterpiece Title: Columbine Courtezan

140
17 April 1751 @ Covent Garden

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The What D'ye Call It

Dance: Mad Heutte; being the second time of her appearing on the English Stage; to which will be added a Grand Scots Ballad [Query: Ballet?]-Cooke, Miss Hillyard [See17500926]

141
01 May 1751 @ Covent Garden

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Country Farmer Deceiv'd; or, Harlequin Statue

Dance: Dennison, Settree; scholars of Lalauze, being the second time of their performing on that stage. Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington

142
18 October 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Queen Mab

Dance: II: A Comic Dance-Sg Piettero, Sga Piettero second time upon English Stage; IV: By Desire a Hornpipe-the Little Swiss

143
19 November 1754 @ Covent Garden

Performances

Mainpiece Title: The Non Juror

Dance: new Pantomimic Entertainment of Dancing call'd L'Hote du Village-Sg Frantzel, Sga Rossina Balbi, others being the second time of their appearing on the English Stage, with New Habits and other decorations

144
09 December 1754 @ Haymarket Theatre

Performances

Mainpiece Title: Aethiopian Concert

Dance: A Dance- three people who are buttwo persons; Hornpipe-an Egyptian Spirit

Song: A Song upon Everybody-a Nobody; and by Particular Desire, a Song-M Savoyard; accompanied by a dance-Mlle Katharine, being the second time of her dancing

145
23 April 1755 @ Covent Garden

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Jealous Farmer Deceiv'd; or, Harlequin Statue

Dance: PPastoral Dance-Miss Toogood (ten Years of age apprentice to LaLauze being the second time of her appearing on the staee); Louvre, Minuet-LaLauze, Miss Toogood

146
01 April 1758 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Acis And Galatea

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

147
24 March 1759 @ King's Theatre

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: With a New change of the First and Second Dances

148
05 May 1759 @ King's Theatre

Performances

Mainpiece Title: Farnace

Dance: New Dances after the First and Second Acts

149
23 March 1762 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: Florizel and Perdita

Music: IV: A Solo on the Violin-Mr Piffit (his second performance in England)

Dance: TThe Pleasures of Spring, as17620212

150
18 May 1762 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage