SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Second Day (Daily Advertiser)

Performances

Mainpiece Title: L'avare

Dance: Dancing, as17500221, but Miss Poitier

Event Comment: By His Majesty's Command. Benefit for Mlle Auretti. King an Princess Emilia [attended] (Cross). Tickets and places to be had of Mlle Auretti at the second house on the left hand, the Corner Panton St., in Leicester Fields, and of Hobson at the stage door. [Pit and boxes laid together and Amphitheatre on stage, as on 10 March.] Paid salary list #203 7s. (Treasurer's Book). Receipts: #280 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Dance: Between the acts: Savoyard Travellers, A Wooden Shoe Dance, a Minuet, Louvre-Grandchamps, Mlle Auretti, Mathews, Miss Baker, Mlle L'Contri, Master Maltere, Miss Foulcade; the whole to conclude with: Country Dance-

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: A great deal of Hissing by some Gentlemen in the Pit--at ye beginning of the 4th Act an apple thrown at Mrs Pritchard, Mr Garrick call'd for by ye pit--one Gent: got up, & said they insisted upon another play for Monday--Mr Garrick said as they had met with no obstruction since ye first Night, the Author's property was concern'd & desir'd it might be play'd Monday and Tuesday, the last being ye Author's night, & wou'd give out another play for Wednesday--Several in ye House approving this--they consented & at ye end of ye play, Mr Garrick gave out Gil Blas for Monday & Tuesday & Romeo & Juliet for Wed.:--before this at ye end of ye 1st Act, & beginning of ye Second the performance, that Night had been interrupted with Groans, Hisses etc. from ye Pit (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for Mad Auretti. Pit and Boxes laid together. Tickets of Mad Auretti at second House on the left hand, the Corner of Panton Street, Leicester Square, and of Hobson at the Stage Door. Tickets deliver'd out for 23 March will be taken. Receipts: #230 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: I: New Dance-Devisse, Mad Auretti; III: a Provincial Dance-Devisse, Mad Auretti; V: Louvre, Minuet-Devisse, Mad Auretti

Music: II: Concerto on German Flute-Mr L'Cler

Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Dance: II: Mattocks

Event Comment: A Concert, &c. To be concluded by Mrs Mary Midnight and her Family. The Concert to begin at Twelve. Boxes 5s. Pit 3s. Gallery 2s. [Repeated in subsequent bills.] Second time of performing

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Event Comment: Pit and boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd this day, at the Office in Covent Garden Theatre, at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be open'd at Half an Hour after Four c'oclock. Pit and Boxes at Five. To begin at Half an Hour after Six [repeated]. This day is publish'd Compos'd by Handel, at 10s. 6d., The Oratorio Joshua, in Score...Printed for J. Walsh, in Catherine St. in the Strand

Performances

Mainpiece Title: Joshua

Event Comment: Mainpiece: By Command of his Royal Highness the Prince of Wales. [The second meeting at the Temple of Taste advertised for the following Wednesday in the General Advertiser.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Harlequin Sorcerer

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

Event Comment: [The twenty-second day.

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: Twenty-second day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

Event Comment: Thirty-second Day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

Event Comment: The Animal Comedians are in a Few Days to leave England. Forty-second Day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

Event Comment: Fifty-second Day

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Afterpiece: An Interlude. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd this day, at the office in Covent Garden theatre at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four O'clock. Pit and Boxes at Five. To begin at half an hour after Si(

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Event Comment: Went off well (Cross). The Non-Juror oblig'd to be deferr'd on account of Mrs Pritchard's Indisposition. This day publish'd the Second edition of Boadicia, a Tragedy, as it is now acted at Drury Lane. By Mr Glover (Public Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Knights

Event Comment: The Second Night

Performances

Mainpiece Title: The British Roratory

Dance: As17540704

Performances

Mainpiece Title: The Non Juror

Performance Comment: Dr Wolf-Cibber (second appearance there in 5 years); Sir John-Ridout; Heartly-Smith; Colonel-Dyer; Charles-White; Lady Woodville-Mrs Elmy; Maria-Mrs Woffington (first appearance there in 3 years).

Afterpiece Title: The Schoolboy

Event Comment: Pit and Boxes put together, and no persons to be admitted without tickets, which will be deliver'd this day at the Office in the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after four o'clock. Pit and Boxes at Five. To begin at exactly half an hour after Six

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Event Comment: Farce never performed before, taken from second part of ye Busy Body (Cross). For the benefit of Woodward. Garrick had Woodward act Polonius seriously (Genest, IV, 408). Receipts: #300 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marplot in Lisbon

Event Comment: The second Day

Performances

Mainpiece Title: Comic Lectures