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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04
1184 results for: Keyword - second Champness
We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

26
May 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Cast
Role: Prologue to the Second Part Actor:

27
13 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: First Concerto of the second Opera of Geminiani. Third Musick: Concerto for French Horns, Trumpets. II: Trio for French Horns, Hautboys, Harpsichord

Dance: In V: Les Bergeries, as17331006 V: Comic Dance by Nivelon, from CG

Song: I: Was Ever Nymph Like Rosamond by Miss Arne. II: Mi Folgo ad Ogni Fronda by Miss Arne. IV: If'Tis Joy to Wound a Lover by Miss Arne

28
03 July 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Edition of 1673: The first Prologue at Court-Lady Elizabeth Howard; The second Prologue at Court-Lady Elizabeth Howard; Prologue at the Play House-; Muly Labas-Harris; Muly Hamet-Smith; Grimalhaz-Batterton; Hametalhaz-Medbourne; Abdelcador-Crosby; Laula-Mrs Batterton; Mariamne-Mrs Mary Lee; Morena-Mrs Johnson; Epilogue-.
Cast
Role: The second Prologue at Court Actor: Lady Elizabeth Howard

29
04 December 1754 @ Drury Lane Theatre

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Performance Comment: As17541114, but Second Constantia-Miss Haughton.
Cast
Role: Second Constantia Actor: Miss Haughton.

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

30
14 October 1775 @ Covent Garden

Event Comment: Afterpiece: By Desire. [Advertised at foot of playbill, 13 Oct., as to be performed this day. But no bill occurs, nor is there any apology on the bill for 16 Oct. for its deferment. Yet bill for 18 Oct. presents Leoni as Arbaces with the note, being his second appearance on that stage.

Performances

Mainpiece Title: Artaxerxes

Performance Comment: . Arbaces-Leoni, second appearance on this stage.
Cast
Role: Arbaces Actor: Leoni, second appearance on this stage.

Afterpiece Title: St Patrick's Day

31
March 1674 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

Performance Comment: [The author is not known, but the play has been attributed to ThomasDuffett.] Edition of 1764: Prologue-Major Mohun; [A second Prologue intended but not spoken Honorio-Lydal; Amante-Beeston; Garbato-Eastland; Cicco-Perin; Riccamare-Coysh; Buggio-Chapman; Furfante-Powel; Sanco@panco-Shirly; Constantia-Mrs Cox; Arabella-Mrs James; Clara-Mrs Boutel; Strega-Mrs Corey; Epilogue-.

32
September 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but it was probably acted much earlier than November 1682, when it was entered in the Term Catalogues. The fact that the Epilogue refers to the Duke of York's "second Exile into Flanders" points to the possibility that it may have been acted near that time, i.e., between 24 Sept. 1679 and 14 Oct. 1679. It may have been first acted early as March 1679, when the political flights of the Duke of York were also a matter of public concern

Performances

Mainpiece Title: The Young King; Or, The Mistake

Performance Comment: Edition of 1683. Prologue-; The Epilogue-Mrs Barry (as a Nymph,) at his R. H. second exile into Flanders.

33
06 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Music: Second Musick: First Concerto of Corelli. Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle

Dance: Les Bergeries by Essex, Miss Robinson (the first Characters); F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Lempio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Rise Glory Rise, by Miss Arne, accompanied by French Horns

34
20 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

35
27 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

36
19 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

37
01 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

38
03 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Miser

Music: Second and Third Musick, as17331201 I as IV on 1 Dec

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Polichinelles by Janno and F. Tench. V: Watteau by Miss Robinson

Song: II: A Thousand Fairy Scenes (from Rosamond) by Master Arne. IV: An Air in Porus by Roberts

39
10 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Flora

Music: Second and Third Musick as17331201. Also Se mei Turbo (a Song in Porus) on the Flute Traverse. The Cuckoo composed by Vivaldi

Dance: Clown by Nivelon. La Bagatell by Essex and Miss La Tour. Tambourine by Miss Robinson

40
26 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne

41
04 February 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Music: Second Musick: 3d Concerto of the 1st Opera of Geminiani. Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns

Dance: III: Black and White Joak by Nivelon and Miss Mann. V: Les ombres des Amants Fideles by Essex, Miss Robinson, Miss Latour, &c

Song: I: Was ever Nymph like Rosamond by Miss Arne. II: Hush, ye pretty, warbling Choir by Miss Arne. IV: Lusingue pui care by Miss Arne

42
08 May 1734 @ Goodman's Fields

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Contrivances

Music: Second Musick: Concerto of the late Mr Woodcock's on the Little Flute. Third Musick: 8th Concerto of Corelli

Dance: I: Scots Dance by Mrs Bullock. III: The Whim by Miss Wherrit and Miss Sandham. IV: Pierrots by Vallois and Delagarde. V: Milk Pail Dance

Song: II: Was ever Nymph like Rosamund by Miss Hill

43
06 December 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Colombine Courtezan

Music: Second Musick: 1st Concerto of 2d Opera of Geminiani. Third Musick: Ouverture to Alcina. I: Concerto for Hautbois by Geminiani

Dance: II: Revellers by Essex, Mrs Walter, &c. III: Le Chasseur Royal by Denoyer, Mlle Roland, &c

44
04 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Harlequin Restor'd

Music: Second Music-; The first Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto of Geminiani's for the Hautbois-; IV: The March in Zara-; The Overture to the Entertainment: Handel's Water Musick-; with the Preamble on the Kettle Drums-Benj. Baker

Dance: I: Drunken Peasant-Philips; II: Wooden Shoe Dance-Livier, Villeneuve; III: Harlequin-Denoyer's@Prentice; IV: Minuet-Rector, Mrs Anderson; V: English Maggot-Villeneuve, Mrs Walter

45
27 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Music: Second Music: the First Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto by Geminiani for Hautbois-; IV: March in Zara-

Dance: I: Russian Sailor-Denoyer's@Prentice; II: English Maggot-Villeneuve, Mrs Walter; III: Harlequin-Denoyer's@Prentice; IV: Wooden Shoe Dance-Livier, Villeneuve

46
22 May 1739 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Devil to Pay

Music: Second Musick:A Concertoby Henry Burgess Jr-; The Overture: The First Concerto of Signor Corelli-; Preamble on the Kettle Drums-Master Ferg

Dance: I: Punches-Master Ferg, Miss Wright; II: By Desire, French Peasants-Poitier, Mlle Roland; III: Pierots-Master Ferg, Miss Wright; IV: Wooden Shoe Dance-Master Ferg; V: A new dance-Miss Wright

Song: a G Grand Chorus-, out of Alexander's Feast, for Trumpets, French-Horns, Kettle-Drums

47
16 March 1774 @ Devil Tavern

Performances

Mainpiece Title: Lecture On Macbeth, And Measure For Measure

Afterpiece Title: Second act of Falstaff's Wedding

48
24 October 1775 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923, but Harlequin-Cubitt; Tragedy-A Young Lady (her second appearance on any stage).

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

49
30 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

50
24 March 1781 @ Covent Garden

Performances

Mainpiece Title: Second Thoughts Are Best

Afterpiece Title: The Upholsterer

Dance: As17801107