SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "second Champness"/1) | (@(roleclean,performerclean) "second Champness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 829 matches on Event Comments, 264 matches on Performance Comments, 147 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Afterpiece Title: The Old Maid

Performance Comment: As17660315 but with Old Maid (New Dress'd)-Woodward, "Being the second, and Positively the last time of his appearing in that character".

Dance: IV: Rural Love, as17651115; End: The Venetian Gardeners, as17650925

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17670914, but The New Occasional Prologue will be -Powell, being his second appearance on that stage.

Afterpiece Title: The Devil to Pay

Event Comment: A Dramatic Poem take from the celebrated Ossian. Pit and Boxes Half a Guinea. First Gallery 5s. Second gallery 3s. Barthelemon, the promoter announces that only two acts will be produced on this night, after one Act of a Concert. On the second night of performance of which timely notice will be given he will have honour to present the piece complete

Performances

Mainpiece Title: Oithona

Music: CConcerto on Viole D'Amour-Barthelemon; Lesson on the Harpsichord-Mrs Barthelemon; concerto on Madoline-Sg Gervasia

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Mattocks; Sir Harry-Shuter; Giles-A Gentleman, being his second appearance that stage [Mr Barnshaw]; Mervin-DuBellamy; Fairfield-Gibson; Ralph-Dyer[, 1st time; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Mattocks.

Afterpiece Title: The Old Maid

Dance: I: A Dance incident to the Opera-Fishar, Arnauld, Sga Manesiere, Miss Valois

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: Falstaff-Love; King-Bannister; Prince of Wales-Cautherly; Vernon-Hurst; Worcester-Bransby; Blunt-Palmer; Poins-Packer; Douglas-Fawcett; Northumberland-Burton; Wesmorland-Ackman; Bardolph-Clough; First Carrier-Moody; Second Carrier-Parsons; Francis-Waldron; Hotspur-Holland; Hostess-Mrs Bradshaw; Lady Piercy-Mrs Stephens.
Cast
Role: Second Carrier Actor: Parsons

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Performance Comment: Act I: Overture, Oriona; Song-Sga Piatti; Concerto Bassoon-Baumgarten; Song-Blanchi; Song-Sga Guglielmi; Act II: Concerto Flute-Tacet; Song-Tenducci; Solo Violino-Nofferi; Song-Grassi; Duet-Tenducci, Sga Guglielmi; Act III: Concerto Violincello-Cirri; Song-Tenducci; Concerto Hautboy-Fischar; Song-Sga Guglielmi; Quintetto-; Second of Handel's Hautboy Concertos-.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17700515, but Second Gentleman-Wright; Captain-Keen.
Cast
Role: Second Gentleman Actor: Wright

Afterpiece Title: The King and Miller of Mansfield

Dance: III: The Wake-the Giorgis

Performances

Mainpiece Title: King John

Performance Comment: As17700813 Constance-Mrs Burton, being her second appearance; Prince Arthur omitted. Occasional Epilogue written and spoken by Mrs Burton . Prince Arthur omitted. Occasional Epilogue written and spoken by Mrs Burton .

Afterpiece Title: hay Miss in Her Teens

Dance: hay End of Play: The Cowkeeper, as17700521

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17701219, but Lucy-Mrs Mattocks, second time in that character.

Afterpiece Title: The Padlock

Dance: End Opera: The Whim, as17701024

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cautherly, 1st time; Justice Balance-Packer; Brazen-King; Worthy-Davies; Kite-Bransby; Second Recruit-Weston; Bullock-Moody; 1st Recruit-Parsons; Melinda-Mrs Reddish; Rose-Miss Rogers; Lucy-Mrs Love; Sylvia-Mrs Barry.
Cast
Role: Second Recruit Actor: Weston

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Cautherly; Antonio-Parsons; Don Frederick-Brereton; Duke-Packer; Petruchio-Inchbald; Peter-W. Palmer; Antony-Wheeler; Francisco-Wright; Surgeon-Wrighten; Shopkeeper-Jacobs; Boy-Mas. Cape; Gentlemen to Duke-Follet, Lings; Gentlemen to Petruchio-Fawcett, Griffith; Kinswoman-Miss Platt; Servant-Mrs Smith; First Constantia-Miss Younge; Second Constantia-Mrs Abington; Mother-Mrs Dorman; Landlady-Mrs Bradshaw.

Afterpiece Title: A Trip to Scotland

Dance: After Interlude: The Sailors Revels, as17711008

Monologue: End: Linco's Travels. As 24 March

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches; or, A Trip to Naples

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Old Miser-Jacob; Colombine-Miss Watkins; Clown-Ackman; Miser's Servant-Messink; First Witch-Vernon; Second Witch-Johnston; Bridemaids-Mrs Scott, Mrs Wrighten; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Cast
Role: Second Witch Actor: Johnston

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Abel-Burton; First Committeeman-Hartry; Second Committeeman-Griffith; Teague (With Songs)-Moody; Careless-Jefferson; Col. Blunt-J. Aickin; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Love; Arabella-Miss Ambrose; Mrs Day-Mrs Bradshaw; Ruth-Mrs Egerton.
Cast
Role: Second Committeeman Actor: Griffith

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Bensley; Bajazet-Smith; Axalla-a Gentleman, his second appearance; Dervise-Gardner; Moneses-Wroughton; Omar-Owenson; Stratocles-Fox; Hali-Davis; Prince of Tanais-Thompson; Selima-Miss Sherman; Arpasia-Miss Miller; With the Usual Prologue-Wroughton; In IV, To Thee O Gentle Sleep!-DuBellamy (playbill).

Afterpiece Title: Comus

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Frederick-Jefferson; Duke-Packer; Petruchio-J. Aickin; Antonio-Parsons; Peter-W. Palmer; Antony-Wheeler; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Younge; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Second Constantia-Mrs Abington.

Afterpiece Title: The Mayor of Garratt

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Committee

Performance Comment: As17740419 but Careless-Jefferson; Abel-Jones; Second Committeeman-Castle; Arabella-Miss Jarratt.
Cast
Role: Second Committeeman Actor: Castle

Afterpiece Title: The Ladies Frolick

Dance: III: Hornpipe-Walker; End: The Mountaineers, as17730930

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Leoni, second appearance on that stage; Artaxerxes-Mattocks; Artabanes-Reinhold; Rimenes-DuBellamy; Semira-Miss Dayes, first time; Mandane-Mrs Mattocks.

Afterpiece Title: The Englishman in Paris

Dance: End Opera: The Gamesters, as17751011

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Barry; Priuli-Hull; Renault-Clarke; Duke-Mahon; Bedamar-Clinch; Spinoza-L'Estrange; Elliot-Fearon; Officer-Booth; Pierre-Sheridan, second appearance on that stage in 16 years; Belvidera-Mrs Barry.

Afterpiece Title: The Padlock

Dance: End: The Vintage Festival, as17751026

Performances

Mainpiece Title: The School For Lovers

Performance Comment: As17751024 [Celia-$Miss P. Hopkins, second time.]

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Chances

Performance Comment: Don John (1st time [at this theatre])-Henderson; Frederick-Brereton; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Hopkins (1st appearance in that character); Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Second Constantia-Mrs Abington.

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn