SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "little Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3006 matches on Event Comments, 637 matches on Performance Comments, 455 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.
Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Pepys, Diary This noon going to the Exchange, I met a fine fellow with trumpets before him in Leadenhall-street, and upon enquiry I find that he is the clerk of the City Market; and three or four men carried each of them an arrow of a pound weight in their hands. It seems this Lord Mayor begins again an old custome, that upon the first days of Bartholomew Fayre, the first, there is a match of wrestling, which was done, and the Lord Mayor there and Aldermen in Moorefields yesterday: to-day, shooting: and to-morrow, hunting.And this officer of course is to perform this ceremony of riding through the city, I think to proclaim and challenge any to shoot. It seems that the people of the fayre cry out upon it as a great hindrance to them

Performances

Event Comment: At Mr Barnes and Finly's Booth (known by the name of the Monument Booth) in Brook-Field-Market near Hyde-Park Corner

Performances

Mainpiece Title: Rope Dancing

Entertainment: four of the most Famous Companies; as ever were in England (being the very same that were opposite to the Cross-Daggers in Smithfield last Bartholomew-Fair) who perform such variety of Curiosities both in Dancing, Walking on the Slack Rope, Tumbling, as far surpass any ever yet seen-

Music: You will likewise be entertain'd with that variety of Musick as was never in this Fair before-

Event Comment: At Pinkeman's Booth in Brookfield Market-Place at the East Corner of Hyde Park, to be kept for the space of Sixteen Days, The Booth is easily known by the Picture of the Elephant and Mr Pinkeman sitting in State on his back on the outside of the Booth

Performances

Mainpiece Title: Entertainments

Performance Comment: Several Entertainments which will be express'd at large upon the Bills, especially one very surprizing, that the whole World never yet produc'd the like, viz-; He speaks an Epilogue upon an Elephant between Nine and Ten Foot high, arriv'd from Guinea, led upon the Stage by six Blacks-.
Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. To be admitted on the Stage One Guinea. N.B. The Communication from the Stage to tne Side Boxes on Market-Lane Side being taken off, the Admittance to them will be through the Passage that leads to the Pit on the Left Hand

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym
Event Comment: The Tavern is in Vere Street, Clare Market

Performances

Mainpiece Title: Medley

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Song: Mrs Redding, Aston

Event Comment: With an entire new Set of Scenes, particularly a View of Stocks-Market

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Hardy-Delane; Campley-Giffard; Brumpton-Huddy; Trusty-Hulett; Cabinet-Havard; Sable-Morgan; Puzzle-Rosco; Trim-R. Wetherilt; Tom-Hamilton; Tattleaid-Mrs Morgan; Mrs Fardingale-Penkethman; Kate-Pearce; Lady Brumpton-Mrs Roberts; Lady Sharlot-Mrs Thurmond; Lady Harriet-Mrs Giffard; Mlle D'Epingle-Bardin .
Cast
Role: Trim Actor: R. Wetherilt

Dance: II: Scotch Dance by Mrs Bullock. III: Friendly Lasses by Miss Wherrit and Miss Sandham. V: Pierrot and Pierraite by d'Vallois and J. De la Garde

Event Comment: Mainpiece: Written by the late Sir Richard Steele. With an entire new Sett of Scenes, particularly a view of Stocks-Market. Afterpiece: A new Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Funeral

Cast
Role: Trim Actor: R. Wetherilt

Afterpiece Title: King and no King; or, The Polish Squabble

Dance: IV: A new Scots Dance by Miss Wherrit. V: Two Pierrots by D'Vallois and J. Delagarde

Event Comment: Benefit Chapman. Tickets at Chapman's in Clare Street, near Clare-market

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Mock Lawyer

Dance: II: Peasant-Lalauze[, as17370307; III: Clown-Nivelon

Song: I: Roberts; IV: Mad Bess, composed by the famous Mr Henry Purcell,-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Benefit Woodward. Tickets at Woodward's Lodgings, at a Peruke Maker's, next the Swan in Vere Street, Clare Market

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-Quin; Horner-Mills; Sparkish-Woodward; Sir Jasper-Griffin; Harcourt-Wright; Quack-Turbutt; Alithea-Mrs Butler; Lady Fidget-Mrs Furnival; Country Wife-Mrs Clive.
Cast
Role: Alithea Actor: Mrs Butler

Afterpiece Title: Harlequin Shipwreck'd

Dance: I: Serious Dance-Miss Morrison; II: Pierots-Leviez, Pelling; III: Master Ferg, Miss Wright; IV: Russian Sailors-Denoyer

Event Comment: GGreat Theatrical Booth in Upper Moorfields. Advertised productions of Lying Valet, Honest Yorkshireman, etc. at this time are for Seward's puppets; on 18 Oct. Seward moved his puppet show to Shepherd's Market, and the performance announced there of Love for Love on 6 Dec. is a puppet show

Performances

Event Comment: The Sixth Day...at the Desire of several Ladies of Quality. Daily Advertiser, 2 Oct.: Last Saturday Night the reviv'd Play of Romeo and Juliet...was acted...to a numerous and polite Audience, with Great Applause. There was an extraordinary fine appearance of Ladies in the Boxes; and every one allow'd Miss Jenny Cibber (who has given Proofs of an uncommon Genius) was greatly inprov'd in the character of Juliet. The Quality and Gentry were all safely guarded to the chairs and Coaches by the Lads of St. James's Market. [Hill was the stage name for Johnson.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17440911, but Fescalus-Charles; Capulet-Paget; Montague-Furnival; Mercutio-Barnard; Paris-Mozeen; Benvolio-Holtom; Tybalt-Naylor; Friar John-Michael; Alguazile-Wright; Apothecary-Richards; Balthazar-Mrs Clark; Page-Miss Charke; Friar Laurence-Hill; Lady Capulet-Mrs George; Nurse-Mrs Hill.
Cast
Role: Apothecary Actor: Richards

Afterpiece Title: The Mock Doctor

Event Comment: At Shepherd's Market. [Usual concert formula.] 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Miller of Mansfield

Event Comment: This Benefit being designed for the Use of Mr Mills and his Creditors, Tickets for the Creditors are to be had of Mr Lucas, at the Sun Tavern, Clare Market; and for Mills at His Lodgings in Bow St., Covent Garden

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: II: Lowe; III: Duet My Faith and Truth, as17460104 IV: Miss Edwards

Dance: V: Muilment

Event Comment: Benefit Mrs Hussey. Shepherd's Market near Piccadilly. A Concert, etc. Boxes 2s. Pit or Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora; or, Hob in the Well

Event Comment: This Day open'd for the Summer Season at the New Wells, Shepherd's Market [near Hyde Park corner]...the usual Diversions after which will be presented Gratis, etc. The Doors to be open'd each day at Two o'Clock. We hear, that the Opera La Semiramide Reconosciuta (in which Signora Cassarini is to act the part of a King) will be performed but twice (General Advertiser)

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Harlequin Fortune Teller

Entertainment: Italian Fireworks-as perform'd in the Opera House in the Haymarket

Event Comment: By Particular desire at the New Wells, Shepherd's Market, Mayfair. A Concert, etc. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Miss in Her Teens

Event Comment: At the New Wells, Shepherd's Market, May Fair. Benefit for Butler. [No concert formula.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Chrononhotonthologos

Song: NNancy, or +the Parting Lovers-

Event Comment: At the New Wells, Shepherds Market, May Fair. Daily Advertiser, 3 Jan. 1749: The House being so crowded on Thursday last, Tickets that could not be taken will be admitted on Thursday next

Performances

Mainpiece Title: The Beggar's Opera

Dance: JJockey Dance-Adams

Event Comment: At the New Wells, Shepherd's Market. By Yeates's Company of Comedians. Performances at 2:00, 5:00, and 7:00 p.m. [Repeated in each bill. As described 24 Aug. 1748, bf.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Event Comment: At the New Wells, Shepherd's Market. During the time of May Fair. The Unnatural Parents; or, The Fair Maid of the West: Also the Comical Humours and Adventures of Trusty, her Father's Man, and the Three Witches. By Yeates's Company. To begin each day at 2, 5, and 7, and conclude at 9. A good band of music is provided...Scenes and Clothes entirely New; N.B. The Droll the same that was performed by Mrs Lee fifteen years ago with great Applause

Performances

Mainpiece Title: The Unnatural Parents

Dance: Three Wild Cats of the Woods

Event Comment: At the New Wells, Shepherd's Market. [See 1 May.

Performances

Mainpiece Title: The Unnatural Parents

Event Comment: At the New Wells, Shepherd's Market. [See 1 May.

Performances

Mainpiece Title: The Unnatural Parents

Event Comment: At the New Wells, Shepherd's Market. Yeates's company [Description as before. See 1 May]

Performances

Mainpiece Title: The Unnatural Parents