SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "little Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3006 matches on Event Comments, 637 matches on Performance Comments, 455 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. [For Henderson as Bayes see hay, 25 Aug. 1777.] Receipts: #113 16s. (91.5; 22.7; 0.4)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes (1st time [at this theatre])-Henderson; Mr Johnson-Palmer; Mr Smith-Aickin; The other Characters-Baddeley, Moody, Parsons, Burton, Hurst, R. Palmer, Waldron, Lamash, Chambers, Holcroft, Chaplin, Carpenter, Griffiths, Norris, Wrighten, Wright, Legg, Master Pulley, Mrs Colles, Miss Collett, Mrs Davies. With an Additional Reinforcement of Mr Bayes's New Raised Troops [These were "hobby-horses and other novelties' (Davies, III, 303).]. [Edition of 1777 (John Bell) specifies: Gentleman Usher-Baddeley; Physician-Moody; Cordelio-Burton; Prince Prettyman-Hurst; 1st King of Brentford-Waldron; Fisherman-Griffiths; Thunder-Wrighten; Earth-Legg; Lightning-Master Pulley; Cloris-Mrs Colles; Parthenope-Miss Collett; Amaryllis-Mrs Davies; Pallas-Mr Parsons. [It assigns the remaining characters-2nd King of Brentford, Prince Volscius, Drawcansir, Lieut. General, Tom Thimble, Sun, Moon-to actors of previous season.

Afterpiece Title: A ChristmasTale

Event Comment: [Palmer's 1st appearance as Comus was at the hay, 24 June 1780.] Paid Printer [of playbills] #8 8s.; Supernumeraries #3 12s. 6d. Receipts: #127 19s. 6d. (101.19.0; 25.10.0; 1.10.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus (1st time [at this theatre])-Palmer; 1st Bacchanal-Vernon; Principal Bacchanals-Bannister, Du-Bellamy; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Sharp; Principal Bacchant-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field; Euphrosyne-Mrs Cargill.
Cast
Role: Brothers Actor: Farren, R. Palmer
Role: The Lady Actor: Mrs Sharp
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: Afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke. [This was sung, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the playbill lists Reinhold, but he "being too much affected with a cold to appear in the part of Arionelli, Bannister of Drury Lane Theatre, who originally performed it, was procured to supply his place" (London Courant, 6 Dec.).] Receipts: #158 9s. 6d. (152/3/6; 6/6/0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Son-in-Law

Performance Comment: Principal Characters by Wilson, Edwin, Robson, Lee Lewes, Quick, Egan, Stevens, Thompson, Bannister; Mrs Davenett, Miss Harper. [Probable cast adjusted from HAY playbill of 9 June 1781: Cranky-Wilson; Bowkitt-Edwin; Bouquet-Robson; Vinegar-Lee Lewes; Orator Mum-Quick; Idle-Egan; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Davenett; Cecilia-Miss Harper. Thompson is unassigned.] hathi. hathi.

Dance: As17811101

Event Comment: Benefit for Wood, Percey, Cameron & Morris. [Palmer's 1st appearance as Archer was at the HAY, 17 Aug. 1779. Afterpiece in place of The Alchymist, announced on playbill of 30 May.] Receipts: #254 17s. (36/2; 19/6; 0/0; tickets: 199/9) (charge: none listed)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17811121, but Archer-Palmer (1st appearance in that character [at this theatre]); Mrs Sullen-Mrs Hedges .

Afterpiece Title: The Irish Widow

Performance Comment: As17820516. DANCINC. End of Act IV of mainpiece Hornpipe, as17820314End of Act I of afterpiece The Irish Fair, as17820406.
Cast
Role: Sotherton Actor: Norris
Event Comment: [Mrs Wheatley, for whom see HAY, 26 Aug. and 2 Sept. 1782, is identified in European Magazine, Oct. 1782, p. 308.] Receipts: #232 (223/17/6; 8/2/6)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Clarke; Lothario-Lewis; Altamont-Whitfield; Rossano-Davies; Horatio-Aickin; Lavinia-Miss Cleland; Lucilla-Mrs Poussin; Calista-A Gentlewoman (1st appearance at this theatre and 3rd on any stage [Mrs Wheatley]) .Mrs Wheatley]) .

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: End of mainpiece, as17820925

Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Wroughton; Harcourt-Benson; Belville-Egan; Country Boy-Letteney; Servant-Macdonald; Sparkish (with a song)-Dodd; Alithea-Miss Collins; Lucy-Mrs Hedges; The Country Girl-Mrs Jordan (1st appearance on this stage).
Cast
Role: Alithea Actor: Miss Collins
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: The Quaker

Performance Comment: Lubin-Meadows (late of the hay); Solomon-Quick; Steady-Sedgwick; Floretta-Mrs Martyr; Cecily-Mrs Davenett; Gillian-Mrs Crouch.
Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

Performance Comment: [For other performers see hay, 14 Feb. 1792.]
Event Comment: [Mrs Walcot's 1st appearance in London was at the hay, 26 Apr. 1785.] Account-Book: Paid Soldiers 17s. 6d. [this paid nightly]. Receipts: #316 2s. 6d. (201.17.6; 112.18.0; 1.7.0)

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Event Comment: [Mrs H. Johnston's 1st appearance as Ophelia was at the hay, 3 Sept. 1798.] Afterpiece: 5th Time i.e. in continuation of the reckoning for the previous season]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon(only) at the Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [see 19 Nov.]. No Money to be returned. Receipts: #242 5s. 6d. (240.17.6; 1.8.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Murray; Polonius-Munden; King-Waddy; Horatio-Betterton; Laertes-Whitfield; Ostrick-Farley; Rosencraus-Clarke; Marcellus-Davenport; Guildenstern-Claremont; Player King-Thompson; Lucianus-Wilde; Grave@Diggers-Powel, Rees; Ophelia-Mrs H. Johnston (1st appearence at this theatre, and 2nd in that character); Player Queen-Mrs Platt; Queen-Miss Chapman.

Afterpiece Title: Botheration; or, A Ten Years Blunder

Performance Comment: Jack Hopeful-Knight; Doctor Wisepate-Powel; Varnish-Davenport; Robert-Simmons; Theddy O'Blarney-Johnstone; Lady Apes-Mrs Davenport; Mrs Varnish-Mrs Platt; Rose-Mrs Gibbs.
Cast
Role: Theddy O'Blarney Actor: Johnstone

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

Performance Comment: Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone.
Event Comment: To the Printer of the Public Advertiser: Sir, On seeing the Burletta of Galligantus at the little theatre in the Haymarket, I was agreeably surprised to see a performance of the kind carried on in so genteel a manner, no way inferior to any opera; and after the nicest inspection of the whole performance, I have the pleasure to inform the Nobility, Gentry, &c., I found all the performers were English, their Dresses very completely adapted, their voices excellent, and their actions quite genteel and comic, their music charming and set without the assistance of any Foreigner, it being composed by Mr J@@D@@, a Native of Ireland, whose excellency in that art needs no encomium. I am, yours A True Briton

Performances

Event Comment: The Twenty-Third Day. Daily Advertiser, 18 Aug.: Last Saturday John Sterne was committed to Newgate by Justice Welch, for the Murder of Mr Matthews, an eminent Surgeon in Brook St., Holborn. [Sterne had been an usher in Mathews' Academy, was discharged, but Matthews let Sterne live in Matthews' house for a long time, then expelled him and put his belongings on the stairs. On Friday 15 Aug. Sterne got two pistols and came back to Owen's Coffee House. Here] he waited three Hours for Mr Matthews, who was gone with a Friend to the little Theatre in the Haymarket and afterwards into Company at the Pewter Platter, a publick house in Cross St. [There Sterne shot Matthews.

Performances

Mainpiece Title: The Minor

Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: The Principles not to be didactically and drily delivered but demonstrated by apt and familiar instances and illustrated by a set of Pupils long trained and properly prepared for the Purpose. [This performance originally scheduled for 26 April, but deferred to this date, a noon performance.] See Sketch of Mr Foote's Lectures on Oratory, as delivered Yesterday at the Little Theatre in the Haymarket (St James Chronicle, as 29 April)

Performances

Mainpiece Title: The Orators

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].
Event Comment: Benefit for Bannister Jun. 1st piece: By particular permission, for that night only. Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho, and of Rice at the Theatre

Performances

Mainpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Bannister Jun.; Earl of Mercia-Maddocks; Harold-Dignum; Count Louis-Lyons; Crazy-Suett; Mayor of Coventry-Wewitzer//Lady Godina [sic]-Mrs Cuyler; Emma-Miss De Camp; Mayoress-Mrs Hale; Maud-Mrs Bland (1st appearance in that character) .

Afterpiece Title: THE PRIZE

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: As17951202, but Miss_ Leserve. [The parts are assigned.]

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.
Cast
Role: Fat Dolly the Cook Actor: Munden
Role: To conclude with The Barber's Petition Actor: Fawcett
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Afterpiece Title: Oscar and Malvina

Performance Comment: As17960416, but Bards-Spofforth, +Abbot, +Holland, Mrs +Castelle, Miss +Leserve, Mrs +Masters, Mrs +Norton, Mrs +Lloyd, Miss +Walcup; Farmer-Rees. [The parts are assigned.]The parts are assigned.]

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season.] Places for the Boxes to be had of Rice, at the Theatre. Printed by T. Woodfall, No. 104, Drury Lane [this first on playbill of 26 June, and thereafter]

Performances

Mainpiece Title: The Author

Afterpiece Title: A Mogul Tale

Performance Comment: Johnny Atkins-Fawcett; Dr Pedant-Wathen; Omar-Palmer Jun.; The Mogul-C. Kemble; Irene-Miss DeCamp; Sheba-Mrs Harlowe; Zapphira-Mrs Edward; Fanny-Mrs Gibbs.
Cast
Role: Dr Pedant Actor: Wathen
Role: The Mogul Actor: C. Kemble

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Fawcett; Mayor of Coventry-Davenport; Crazy-Waldron; Earl of Mercia-Caulfield; Count Lewis-Palmer Jun.; Harold-Davies; Mayoress-Mrs Davenport; Emma-Miss DeCamp; Lady Godina-Mrs Cuyler; Maud-Mrs Harlowe.
Event Comment: Benefit Poet Trapwit. By his own particular Desire. N.B. The Spectators are desir'd to take no Notice of the Tragedy, but attend very closely to the Comedy, there being several fresh Jokes new cloath'd at Second Hand for the Use of that Night. As there is little Hope of a great Demand of Tickets, or Places for that Evening, the Doors will be open'd by Six o'Clock in the Morning, and constant Attendance the whole Day given, for fear any Application shou'd be made for either. [The Daily Advertiser also carries a notice to the effect that "Copper-Plate Tickets representing the Murder of Common Sense" will be available.]

Performances

Mainpiece Title: Pasquin

Performance Comment: Trapwit-by the Proprietor of the Benefit, Being the first Time of his attempting it to little Purpose. With Variety of Prologues and Epilogues, in particular The Comedy Prologue by Mrs Charke, from Drury-Lane, And the Original Epilogue by Common Sense; but see17360319. but see17360319.
Event Comment: [Query: Is Master Jonno the little Swiss?] Paid 1!2 year's Window Tax #3 14s. 9d.; and 1!2 year's Land tax #45 16s.; Paid Mrs Rogers for wax & Brick dust 4s. 8d. (Treasurer's Book). Receipts: #130 (Cross); #122 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Mrs Motherly Actor: Mrs Cross

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491109, but Children Savoyards-Little Swiss, Master _Jonno

Performance Comment: As17491109, but Children Savoyards-Little Swiss, Master _Jonno.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: hay The Padlock

Dance: hay End of Play: The Cowkeeper, as17700521

Performances

Mainpiece Title: The Lame Lover

Afterpiece Title: hay The Mayor of Garratt

Dance: hay II: The Nosegay, as17700611 End of Play: Double Hornpipe by Mas. and Miss West

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: hay Taste

Dance: hay End of Play: The Nosegay, as17700611

Song: hay As17700824

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: hay The Padlock

Dance: hay End of Play: The Nosegay, as17700611

Performances

Mainpiece Title: King Lear

Afterpiece Title: hay Damon and Phillida

Dance: hay End of Play: The Nosegay, as17700611

Performances

Mainpiece Title: The Lame Lover

Afterpiece Title: hay The Author

Dance: hay End of Play: The Cowkeeper, as17700521