SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little James"/1) | (@(roleclean,performerclean) "little James")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2140 matches on Author, 1239 matches on Performance Comments, 739 matches on Event Comments, 262 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Particular Desire. Neville MS Diary: Went into ye first row of ye Pit. Before ye play began and between ye acts read ye part of Lord and Lady Townly, Sir Francis, J. Moodie, and Sir Richard...The little girl who dances is more applauded than anyone who appears on that stage

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Event Comment: By Command of their Majesties. Published Animadversions on Mr Colman's True State etc., with some remarks on his little serious piece, The Oxonian in Town (20 pp.). [Criticizes the play as having a bad influence on the young, with its characters of whores, bawds and pickpockets. Did our author flatter himself that he could wipe out these rooted impressions with a cold moral sentence uttered by the mouth of a woman of pleasure, and perhaps never reaching the ears of one half of the audience from the variety of noises which accompany the finishing speech of every play?" Concludes: "The reputation of our Universities is a national concern of the highest and most sacred importance....I blush when I see academical characters brought upon the stage, but I burn when I see them lampooned."] House Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17680219

Event Comment: Benefit for Mrs Pritchard, being her last time of appearing on the stage. [Prices first announced: Pit and Boxes 10s. 6d. Gallery 5s. Upper Gallery 2s. 6d. but acted to usual prices. Garrick wrote farewell adress.] N.B. As all the places are taken, there will be no admittance into the Pit and Boxes, but with tickets; Mrs Pritchard entreats the Ladies and Gentlemen to avoid confusion, and for their own convenience to be at the theatre a little earlier than usual, and to send their servants at 3 o'clock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Related Works
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller
Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Related Works
Related Work: Mahomet the Imposter Author(s): James Miller

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Letter from Impartial to the editor of the Public Advertiser: The managers of the Opera most certainly think themselves peculiarly unfortunate in having incurred the disapprobation of your correspondent Timotheus....If...it has been found...that this Demi-critic has given his opinion to the public too precipitately, little regard will be paid to his animadversions, and the managers who, perhaps, will be found to have spared neither trouble or expense, will meet with the support they solicit....The splenetic gentleman, perhaps, resides chiefly in the country, and only came to town to see some Raree Shew, consequently he might never have heard of our justly celebrated Lovattini, Guadagni, Moriggi, and so forth, with whose performances we have been so highly entertained, to whom the Nightengale, as he is pleased to call Giaccomazzi, and Luciani, for the demi-characters in the Comic will make no inconsiderable additions; from hence I conclude, that our Opera entertainments this season will exceed any we have ever had in this country

Performances

Mainpiece Title: Gli Amanti Ridicoli

Event Comment: A celebrated performer of Covent Garden, being very successful Last Season, has within a few weeks, distributed among the poor #400 in a little village where he resides near London (Lloyd's Evening Post, 14 Nov.). Rec'd of Condell on Account of Fruit Rent #20. Receipts: #138 6s. (Account Book)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Harlequin Dr Faustus

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: Mrs Davies Smart little figure, some spirit, was well receiv'd (Hopkins Diary)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid 6 days salary at #82 16s. 5d. per diem--#496 18s. 6d.; Mrs Abington on cloaths account #2; Mr French on acct #2. Mr D. Garrick's Night. Charges #84 (Treasurer's Book). Profit to D. G. for sixth night of Inst of Garter #115 7s. 6d. Mainpiece: Not acted in 4 years. [See 2 Dec. 1767.] Garrick recovered from his illness (Winston MS 10). [Of the mainpiece: "How the managers could think of shoving Mr Cautherly into the part of Captain Plume, is, to us, a matter of surprize....The part requires elegance, vivacity and the easy deportment of an accomplish'd gentleman. We never remember to have seen this character more completely performed, than by Mr Smith at Covent Garden Theatre (who is everything that criticism can wish) nor much worse, than by Mr Cautherly, who does not possess one requisite for the character, and is the effeminate and insipid School-boy throughout the whole. To this we may add, that he was not perfect, and made a great mistake, by coming in where he should not which oblig'd him to retire again. This was an unpardonable fault, though it was the first time of his appearing in this character."--Theatrical Review, 2 Nov. Of the afterpiece: "We were not a little pleased to observe this evening, that Mr King, in the character of Sir Dingle, omitted the parody on the lines with which the third act of Otway's Orphan concludes. But we think the introducing a chine of roast beef, decorated with a flag, to be carried off in triumph by the rabble, accompanied, from the orchestra with music of the old song of that title is a pitiful addition to the performance, and intended only as a sacrifice to the caprice of the riotous inhabitants of the upper gallery. Had this Entertainment been exhibited at a French theatre it would have had some claim to merit. This seems to be a piece of stage policy, arising from a consciousness, that the whole performance is too contemptible to meet with countenance from any but the sons of riot, for which reason they are brib'd to support it, by this notable trick."--Theatrical Review, 2 Nov.] Receipts: #199 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

Event Comment: Mainpiece: Not acted these 3 years. [See 7 Oct. 1768.] Mr Clinch made his first appearance in the part of Alexander tolerable figure & Voice a Little too much upon the Brogue, he is very wild & Aukward-but was receiv'd with Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Dr Arne as per order #31 8s.; Mr Stacie for drawing leases, #3 3s. Tallow chandler's first bill #29 13s. 3d.; Mr Jefferson on note, #200 (Treasurer's Book). [Reviewer for Town and Country Magazine more favorable to Clinck's performance than is Hopkins.] Receipts: #149 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): James D'Egville

Afterpiece Title: The Mayor of Garratt

Event Comment: Miss Biddy by Miss Jarratt (an apprentice to Mr Jefferson) a pretty little figure & met with Applause. Not much of an Actress (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Mr L. Frederick for sattin, #57 18s. 6d.; Mrs Sykes for women's cloaths #13; Mr Vernon on note #9 9s. (Treasurer's Book). [Reviewer for Town and Country Magazine (Treatre, XL) writes of Miss Jarratt, she has been under the tuition of Mr Jefferson and promises to be become an agreeable actress in parts (such as Biddy").] Receipts: #224 11s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Universal Passion Author(s): James Miller

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece: With proper Scenes, Dresses and Other Decorations (playbill). Miss Venables (a pupil of Mr Michl Arne) made her first appearance on the Stage in Philadel. She is very Short, & has a mean appearance a tolerable Voice-but little applause Miss Younge Emmeline (first time) So, so (Hopkins Diary). [Macmillan's note from Kemble slightly expanded. Reviewer for Town and Country Magazine (Theatre XL) writes of Miss Venables, She displayed but very moderate talents for the stage. She will doubtless improve under so good a master and when she has gained a greater share of maturity will probably do honor to her tutor.'] Receipts: #140 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Wits Last Stake

Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."

Performances

Mainpiece Title: Judas Maccabaeus

Music: I: Concerto on Violin-Mr ThomasLinley

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Reddish; Sir Paul Plyant-King; Careless-Palmer; Brisk-Dodd; Lord Froth-Parsons; Mellefont-Brereton; Lord Touchwood-Packer; Lady Touchwood-Mrs Hopkins; Lady Froth-Mrs Abington; Lady Plyant-Miss Younge; Saygrace-Wright; Cynthia-Miss Platt; By way of Epilogue a little piece of Descriptive Poetry (First Time) call'd The Wishing Cap-King.

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Oratorio: Written by the late Dr Hawksworth. Set to music by Stanley. Books of the Oratorio may be had of Mr Condell, in Cross St., Bow St., Covent Garden, and at the theatre the night of the performance. Price 1s. [This night Wm. Kenrick delivered his tenth, and apparently last, lecture on The School of Shakespeare. It was on King Lear, and very little could be said in favor of any of his remarks on the passages he selected...[he closed by] presenting the audience an act from Falstaff's Wedding." Monthly Miscellany (April 1774, p. 191), which had reviewed all of his lectures, had commented upon the increasing popularity of them as evidenced by the numbers attending, and presented an engraving of Kenrick in action before his audience.

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: Mainpiece: A Tragedy never performed there. Mrs Yates first appearance this stage in 8 years. This Play is from the Orestes of Voltaire Mrs Yates who has been at Covent Garden these 8 years is now return'd & chose to make her first appearance in the part of Electra. Mr Garrick wrote an Excellent Prologue & Epilogue for the Occasion both of which were greatly receiv'd With great Applause. The Play is very dull & heavy & Mrs Yates wanted Spirit greatly in the part of Electra had but little Applause (Hopkins Diary). Paid salary list 5 days at #91 8s. 10d. #457 4s. 2d.; Mr French on acct #5 5s. (Treasurer's Book). [From Westminster Magazine, Oct. (of the mainpiece): From its want of business, it is a very heavy, tedious performance. Most of the scenes are mere declamations; and a certain air of coldness and apathy, which is the peculiar characteristic of French drama, runs thro the whole, which must ever render it unpleasing as well as uninteresting to an English Audience." Gave a severe comment on the Prologue with its theme "home is home be it ever so homely." Preferred the Epilogue. The perspective scenery of Argosv, the Palace of Aegisthusv, and the Tomb of Agamemnonv, designed by Loutherbourg, and painted by Messrs French and Roy, were warm and spirited, and the dresses elegant and characteristic."] Receipts: #243 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Electra

Afterpiece Title: The Anatomist

Event Comment: This Comis Opera is Written by the Revd Mr Bate. It is very Pleasant & the Music pretty. It is admirably Perform'd & was receiv'd with very great Applause (Hopkins Diary). The Music of the Afterpiece by Mr Carter. New Scenes, Dresses, Decoartions for afterpiece. Paid for Licences of Matilda & Rival Candidates #4 4s.; Mr Baddeley on note #10 10s.; Miss Berkley #2 2s. on note (Treasurer's Book). [A long rewiew of the plot of the afterpiece appeared in the Feb. Westminster Magazine, concluding: "In point of dialogue, poetry or music, it is inferior to few, if any, of the modern attempts of a similar kind; amongst which number, however, we desire to be understood not to include the ribald, unmeaning, sing-song compilations of the monotonous Mr Dibdin. The Fable, indeed, is too light and trival to endure the severity of a critical analysis; but it is at least sufficiently important to serve as a vehicle for the music; and the catastrophe has peculiar vivacity and theatrical spirit. Upon the whole the author has fully answered the end he proposed of introducing a deserving young composer whose name, it seems is Carter, to the public and who more than promises to be a composer of taste and genius. In this his first performance he both received and deserved the greatest encouragement and applause. Mr Weston spoke a humorous Epilogue accompanied by a large dog named Dragon, which had a very good effect, but as it was poor Dragon's first time of appearing on the stage, he, like all young performers of true feeling, seemed a good deal frightened...but having conquored his fears, and recovered himself a little, he performed his part very chastely and to the entire satisfaction of all present." Epilogue ends with a satirical remark upon Sg Rossignol, the "bird imitator" at Covent Garden. See 6 Jan. cg.] Receipts: #204 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: Great Applause to the Farce (Hopkins Diary).Benefit for Mrs Abington. Mainpiece: By Particular Desire. Tickets delivered for The Tender Husband will be taken. Send Servants by Four to prevent Confusion. [Sir Joshua Reynolds had procured forty places in the front boxes this night. Boswell and Dr Johnson were among his guests. Johnson could see and hear little, but sat out the performance, commenting on Garrick's excellence as a writer of Prologues. See Boswell's Life of Johnson, ed. G. B. Hill, II, 324ff.] Receipts: #287 9s. 6d. Charges: #64 4s. Profits to Mrs Abington: #223, 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

Event Comment: House. Mr Reddish Still continuing a little Mad or So--Mr Cautherly plaid the Duke & very well was applauded (Hopkins Diary). Last time but one of performing before Easter. Paid Carpenter's Dinners &c. at Black Lyon #6 6s.; Tabor & Pipe 10 nights (1st inst. incl.) #5 5s.; Rec'd of Mr Rowland 1 yrs. rent to Lady Day last (#1 16s. Land tax deducted) #41 4s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Harlequin's Jacket

Dance: II: The Grand Garland Dance-Slingsby, Sga Hidou

Event Comment: Benefit for Miss Barsanti. The Long Continuance of Miss Barsanti's illness, together with a very recent affliction which has fallen the family, having rendered it impossible for her to appear on the stage, Mrs Bulkley has kindly undertaken to perform's for her; which Miss Barsanti humbly hopes will be agreeable to her friends, and that any little apparent Omission, under such peculiar circumstances, will not be construed into want of respect, but that she shall nevertheless obtain the favour of their accustomed patronage

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Two Misers

Dance: II: A Dance-Langrish[, as17750421

Event Comment: [Further letter in The Public Advertiser from Foote to the Duchess of Kingston notes that he, at a visit to her place, "rejected her splendid Offers to suppress The Trip to Calais with the Contempt they deserved....I am happy, Madam, however, to hear that your Robe of Innocence is in such perfect Repair; I was afraid it might have been a little the worse for wearing; may it hold out to aeep you Warm the next winter."

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Waterman

Dance: The Medley-