SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "la Riche"/1) | (@(roleclean,performerclean) "la Riche")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2302 matches on Performance Title, 381 matches on Performance Comments, 157 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326End Part II: La Mort d' Hercule [See17910412]-

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

Performances

Mainpiece Title: Idalide

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee, as17910430

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete Provencale-; End II: Orpheus and Eurydice, as17910331

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete Provencale, as17910514

Ballet: End II: L'Amadriade. As17910507

Performances

Mainpiece Title: The Rivals

Afterpiece Title: No Song No Supper

Dance: End: Minuet de la Cour and Gavot-Master D'Egville, Miss DeCamp

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie-Duquesney; End Opera: La Fille Mal Gardee, as17910430

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete Provencale, as17910514; with The Devonshire Minuet-Vestris Sen., Mlle Dorival; End II: Les Folies d'Espagne-Victor, Mlle Mozon, Vermilly, Mlle Dorival, Mlle Hilligsberg

Performances

Mainpiece Title: Idalide

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete Provencale, as17910610 End II: Orpheus and Eurydice, as17910331

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete Provencale, as17910610 End II: Les Folies d'Espagne, as17910610 but Vestris? Jun

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Le Trame Deluse

Dance: End I: a new Divertisement-, composed by D'Auberval; End Opera: La Fete Villageoise, composed by D'Auberval,-Mlle Hilligsberg, Mme D'Auberval, DelaChapelle, D'Egville, Les Demoiselles Simonet, Laborie

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

Performances

Mainpiece Title: At Hay The School For Scandal

Afterpiece Title: The Apprentice

Dance: End: Minuet de la Cour and Gavot-Master and Miss D'Egville

Song: As17921030

Performances

Mainpiece Title: Grief A-la-mode [i

Afterpiece Title: THE WARD OF THE CASTLE

Song: As17931024

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: Semiramide; O, La Vendetta Di Nino

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Performances

Mainpiece Title: Grief A-la-mode [i

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: Semiramide; Or, La Vendetta Di Nino

Dance: As17950124

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: British Fortitude and Hibernian Friendship; or, An Escape from France

Afterpiece Title: Harlequin and Faustus

Song: End I 1st piece: The Storm-Incledon; End II: The Description of the Battle of La Hogue, Thursday in the Morn the Nineteenth of May-Incledon (1st time); In course: Four and Twenty Fidlers-Munden; In 2nd piece: I was called knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The turban'd Turk who scorns the world-Johnstone; When foaming waves contrary beat-Incledon; To be sure I don't love in my heart-Johnstone; Our simple tale thus ended-Incledon, Johnstone, Munden, Mrs Mountain

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: My Grandmother

Dance: End: La Provencale-Fialon, G. D'Egville, Mrs Fialon, Miss F. D'Egville, Miss Menage

Song: End II: a favourite song (composed by Ross)-Master Welsh

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr