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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4800 results for: Keyword - his Royal Highness's Birth-Day
We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

976
22 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-The Young Gentleman whose performances on the German Flute have been so much admired this season (1st appearance on any stage [unidentified]); Sir Harry Sycamore-Waldron; Farmer Giles-Wellman; Fairfield-Harrison; Mervin-Payne; Ralph-Wright (1st appearance in that character); Fanny-Mrs Benson; Theodosia-Mrs Wellman; Lady Sycamore-Mrs Monk; Patty-Miss Cranford .
Cast
Role: Lord Aimworth Actor: The Young Gentleman whose performances on the German Flute have been so much admired this season

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

977
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

978
24 March 1788 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

Performance Comment: Towha (the Guardian Genius of Omai's Ancestors)-Helme; Otoo (Father of Omai)-Darley; Omai-Blurton; Harlequin (Servant to Omai)-Brown; Oediddee (Pretender to the Throne)-Mrs Kennedy; Oberea (an Enchantress)-Mrs Martyr; Don Struttolando (Rival to Omai)-Macready; Clown (his Servant)-Wewitzer; Britannia-Mrs Platt; Londina (the Consort destined to Omai)-Mrs Watts; Colombine (Maid to Londina)-Mrs Rock; An English Sailor (with a song)-Edwin.

979
12 May 1788 @ Covent Garden

Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

980
16 May 1788 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

981
02 June 1788 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

982
31 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Humourist

983
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

984
22 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

985
30 May 1792 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Irishman in London

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett

986
30 December 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: HARLEQUIN PEASANT

987
06 June 1795 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

988
24 May 1798 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

989
30 April 1799 @ Covent Garden

Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

990
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

991
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

992
15 January 1662 @ no theater listed

Performances

Mainpiece Title: A Fast Day

993
30 January 1662 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

994
30 January 1663 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

995
30 January 1664 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

996
30 January 1665 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

997
05 April 1665 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Dutch War

998
30 January 1667 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

999
30 January 1668 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

1000
02 September 1668 @ no theater listed

Performances

Mainpiece Title: A Fast Day For The Burning Of London