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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "his Royal Highness\'s Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highness\'s Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4828 results for: Keyword - his Royal Highness's Birth-Day
We found 3186 matches on Event Comments, 1226 matches on Performance Title, 640 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4001
07 February 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Performance Comment: See17571222, but this day's notice in the Public Advertiser for the first time lists the cast, including mention of a Proper Song for Beard as Careless, but Dwindle, Page, Boxkeeper, Drawer, Servant omitted.

Afterpiece Title: Queen Mab

4002
10 February 1758 @ Covent Garden

Event Comment: An Oratorio. With several New Additions. Pit and Boxes to be put together. No person to be admitted without tickets, which will be deliver'd this day at the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half past Four, Pit and Boxes at Five. To begin at Half an Hour after Six. [Customary note for all oratorios this season.

Performances

Mainpiece Title: The Triumph Of Time And Truth

4003
11 February 1758 @ Covent Garden

Event Comment: Receipts: #124 17s. Barry's 1!3 of profits came to #14 19s. Miss White entered from the 4th Inst. 4 days at 3s. 4d.-13s. 4d. Paid Mrs Griffith for Flowers, a sash, and work for the dancers, #4 15s. Also paid her for a Crown and Garter for King Lear, 7s. One pair ear rings for Miss Condill #4 4s. Bought 3 1!2 doz. wax candles at 3s. per dozen, #5 8s. 6d. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

4004
18 February 1758 @ Drury Lane Theatre

Event Comment: As Mrs Cibber is not quite recover'd of her illness, the new Tragedy of Agis is deferred for a day or two longer. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

4005
25 February 1758 @ Covent Garden

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

4006
27 February 1758 @ Covent Garden

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

4007
02 March 1758 @ Drury Lane Theatre

Event Comment: For the Author (Cross). Box Tickets for the Benefit of the Author of Agis...are to be had of Mr Miller, in the Strand, Dodsley in Pall Mall, and Varney at the Stage Door. This Day at Noon will be publish'd, Price 1s. 6d. Agis, by the author of Douglas. Printed for A. Miller, where may be had the tragedy of Douglas as it was acted at Covent Garden. Price 1s. 6d. Receipts: #180 (Cross)

Performances

Mainpiece Title: Agis

4008
09 March 1758 @ Covent Garden

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

4009
11 March 1758 @ Haymarket Theatre

Event Comment: The young gentleman who played the part of Valdore , being indisposed, makes it necessary to defer the new play of the Insolvent (designed for this day) till Thursday the 16th, when it will be performed with a variety of new entertainments as will be particularly specified in the bills. The part being a principal one, and of a considerable length (as the notice of the Gentleman's Indisposition is but just receiv'd) makes it impracticable to have it acted sooner. The tickets that could not come in on the first night for want or room will be admitted on Thursday

Performances

4010
13 March 1758 @ Drury Lane Theatre

Event Comment: Benefit for Woodward. Mainpiece: Not acted in 20 years. [See 27 Jan. 1744.] With the Humours of Sir John Falstaff. Pit and Boxes laid together, and the Stage formed into a commodious amphitheatre. Boxes, pit, and Stage 5s. Ladies send servants by 3 o'clock; otherwise, Woodward cannot be responsible for any mistake. Places with tickets to be had of Woodward at his house in the Piazza, cg. This Day Publish'd, The Dramatic Execution of Agis. Price 6d. Receipts: #300 (Cross)

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Male Coquette

4011
14 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. This day publish'd, Price 1s. Brief Remarks on the Original and Present State of the Drama. To which is added Hecate's Prophecy, being a characteristic Dialogue between future Mangers and their Dependents. [William Shirley? A most virulent attack on Garrick's management as well as Rich's Quotes from the Herald No. XX, a denunciatory article on the managers, deplores the pamphleteering attempt to praise Garrick, asks "Shall he shine the God of our Idolatry, merely for excluding every other emulous and aspiring candidate?"] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: II: The Italian Peasants, as17571004; End: By Desire, a Minuet-Noverre, Miss Pritchard

4012
25 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Yates. Farce damn'd & Half-pence thrown. Mrs Cibber's Son dy'd two Days ago & she never came ot play for Holland, Mrs Yates, or me ye old Game at this Season. Receipts: #150 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: No Matter What

Dance: IV: The Italian Peasants, as17571004

4013
04 May 1758 @ King's Theatre

Event Comment: For the Use of the Marine Society. [Advance notice in Public Advertiser, 24 April; not in issues for this day.

Performances

Mainpiece Title: Solimano

Song: Songs As17580418

4014
18 September 1758 @ Southwark Fair

Event Comment: At Warner's Tiled Booth, Bowling Green. The Fair begins this day ends on Thursday next

Performances

Mainpiece Title: The Old Widow Bewitched With The Courtship Of loadham The Fat pinchgut The Lean And His Man meager And The Adventures Of capt Puff Culverin And dermot Majrah Ballingbrogue

Afterpiece Title: The Taking of Cape Breton

Song: AA new Song-on the Late Successes

4015
04 January 1759 @ King's Theatre

Event Comment: There will be no opera next Saturday on account of its being Twelfth Day

Performances

Mainpiece Title: Demetrio

4016
31 January 1759 @ Drury Lane Theatre

Event Comment: Tomorrow will be reviv'd a Tragedy (not acted these 30 years) call'd The Ambitious Stepmother. Antony and Cleopatra is deferr'd a few days. Receipts: #200 (Cross); #197 13s. (Winston MS 8)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Mock Doctor

Ballet: TThe Prussian Camp. As17581214

4017
02 February 1759 @ Covent Garden

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

4018
07 March 1759 @ Covent Garden

Event Comment: The Anniversary Meeting of the Shakespeare Society will be held this day, at the Shakespeare's Head Tavern in Covent Garden. Dinner to be on the table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Solomon

4019
10 March 1759 @ Drury Lane Theatre

Event Comment: EEurydice is deferr'd a few days on account of indisposition of a Principal Performer. Receipts: #180 (Cross); #151 10s. (Winston MS 8)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Guardian

4020
28 March 1759 @ Covent Garden

Event Comment: This Day Publish'd elegantly printed in one Volume Octavo (Dedicated to the Right Hon. Garret, Lord Mornington) A General View of the Stage, by Mr Wilks, of Dublin. Printed for J. Coote. [Contains 355 pages on the stage and its usefulness in presenting tragedy, comedy, opera, farce and pantomime. Discusses the art of acting, reviews plays and parts. Chapter VI on [Dress and its propriety" suggests the growing interest in historical authenticity in costume: [The judicious propriety in 'dress' adapted with sufficient exactitude to the age, time, and circumstances of [the] character...may be call'd the last colourings and finishings of [the] picture; and in this case very much will depend on knowledge of ancient history and historical paintings." Thirty-two pages praising Garrick the actor, and discussing in some detail all the characters he had performed to that time.

Performances

Mainpiece Title: Judas Maccabaeus

4021
13 September 1759 @ Mary-le-Bone Gardens

Event Comment: This Day will be the last of performing this season

Performances

Mainpiece Title: La Strataggemma

Dance: As17590907

4022
28 September 1759 @ Covent Garden

Event Comment: Receipts: #59 14s. Paid Dall [Scene painter] on acct of his salary, #1 10s.; Paid Austin [Dall's assistant] six days salary 12s.; Paid Besford (porter) a week's salary 12s.; Paid Mr Warring in full for assisting to examine Mr White's acct #10 10s. [Dall and Austin received the amounts recorded here each week. No further records of these payments will be made except for special variations.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: A Duke and no Duke

4023
31 October 1759 @ Drury Lane Theatre

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

4024
13 November 1759 @ King's Theatre

Event Comment: A New Opera. [Edition of 1759: Music by several composers directed by Gioacchino Cocchi. Simphony by Jomelli.] With new Decorations, Cloaths, and Dances. Pit and Boxes together, and no persons admitted without tickets, which will be delivered this Day at half a Guinea. Gallery 5s. By His Majesty's Command, no Person to be admitted behind the Scenes. To begin at half an hour after Six precisely. [This notice repeated in the bills.

Performances

Mainpiece Title: Vologeso

Dance: DDancesdirected by Gallini,-Gallini, Mlle Asselin, Maranesi, Signora Provenzale

4025
03 December 1759 @ Covent Garden

Event Comment: Mainpiece By Desire. The Thirty-Ninth Day. Receipts: #154 12s. 6d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17591121