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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4800 results for: Keyword - his Royal Highness's Birth-Day
We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3776
22 April 1751 @ Drury Lane Theatre

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

3777
18 May 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By particular desire. Last time of performing this season (General Advertiser). Mr Garrick set out for Paris next Day (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

3778
22 May 1751 @ Drury Lane Theatre

Event Comment: Benefit for the Widow Reinhold and her four small children in great distress. Tickets at Mrs Reinhold's at his house, the Green Door in Little Chapel St., and of Hobson at the stage ooor. Being posivitively the last time of performing this season. A Gift Day for ye Wid: Reinhold & 4 Small Children (Cross). Receipts: #101 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

3779
07 September 1751 @ Southwark Fair

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark, A Diverting Droll, By a Company of Comedians. To begin each day at 12 and end at 10 at Night during the time of the Fair

Performances

Mainpiece Title: King Edward Iv; Or, The Lives Of Robin Hood And Little John, With The Comical Humours Of The Pindar Of Wakefield

Entertainment: EEquilibres on a small wire-Cooke

3780
09 September 1751 @ Southwark Fair

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Performances

Mainpiece Title: No Fool Like The Old One; Or, The Lucky Discovery

Afterpiece Title: Harlequin Statue, with Escape into Quart Bottle

Song: Phillips, Master Phillips, Miss Featherstone

Dance: Phillips, Master Phillips, Miss Featherstone

3781
10 October 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Mossop; Alonzo-Havard; Carlos-Ross; Leonora-Miss Bellamy; Don Alvarez-Burton; Don Manuel-Mozeen; Isabella-Mrs Mills.*a1751 10 10 dl The Anatomist.*c1751 10 10 dl Mainpiece: Not acted these 20 Years. Mr Mossop (Zanga ) Havard (Alonzo ) play'd well, but ye appear'd as it is wrote, Dull (Cross). The Comedy call'd Sir Courtly Nice, or It Cannot Be, is now reviving at Drury Lane, and will be played there in a few days. Receipts: #140 (Cross).

3782
16 November 1751 @ Covent Garden

Event Comment: This Day is Publish'd at 2s. sew'd The British Theatre. Containing the lives of the English Dramatic Poets, with an Account of all their plays. Together with the Lives of all of most of the principal Actors, as well as Poets. To which is prefix'd a short view of the Rise and Progress of the English Stage. Printed for R. Baldwin

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Necromancer

3783
19 November 1751 @ Covent Garden

Event Comment: Benefit for a Tradesman under Confinement. [This benefit had first been advertised on Monday 11 Nov. Tickets were to be had at seven Coffee Houses, at Mr Watkins' Optician, at Charing Cross, Mrs Crokett's, Harberdasher at the Seven Stars, Ludgate St., and at the stage door. On the day of the benefit one Philantropos contributed a letter in support of it which was printed in the first column of the General Advertiser. The Tradesman was a bookseller who was "the immediate instrument of ushering into the world some of the most valuable books that have been publish'd for these 30 years." But he had paid more attention to the advancement of letters than "to the lucrative views that attend the trade in general," so, in the eyes of Philantropos deserved the support of the town at this benefit.] The death of Mr Cooke mentioned in the Papers is a mistake, he being in a fair way of recovery (General Advertiser)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

3784
25 November 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17511022, but Dexter's name first appears in bill of the day.

Afterpiece Title: The Shepherd's Lottery

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

3785
26 November 1751 @ Drury Lane Theatre

Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Shepherd's Lottery

3786
02 December 1751 @ Covent Garden

Event Comment: TThe Siege of Damascus is reviving at Covent Garden (in which Mrs Cibber is to perform the part of Eudocia , and Mr Barry that of Phocyas , it being the first time of his appearing in that character). As is also the Masque of Pyramus and Thisbe as set to Music by the late Mr Lamp; they will be performed some day this week

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Necromancer

3787
04 December 1751 @ Drury Lane Theatre

Event Comment: This day is publish'd Every Man in His Humour, a Comedy written by Ben Johnson, with Alterations and Additions (as it was performed at Drury Lane). Printed for J. and R. Tonson in the Strand. Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

3788
02 January 1752 @ Haymarket Theatre

Event Comment: The Fourth Day. By Gentlemen masked after the manner of German [sic] and Roman Comedy. [Note repeated in subsequent bills, with German corrected to Grecian]. Mrs Midnight's magazine will not be publised till Tuesday

Performances

Mainpiece Title: The Old Woman's Oratory

3789
07 January 1752 @ Castle Tavern

Event Comment: The Fifth Day. At the Castle Tavern, Paternoster Row. [See 30 Dec., hay; 3 Dec., ct.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

3790
14 January 1752 @ Castle Tavern

Event Comment: The Sixth Day. At the Castle Tavern, Paternoster Row. [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

3791
31 January 1752 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire of several Ladies of Quality. [Dancing by Mad Auretti had been forecast in the bill for 29 Jan., but is mentioned on the bill of the day.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Lethe

3792
01 February 1752 @ Covent Garden

Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

3793
03 February 1752 @ Drury Lane Theatre

Event Comment: Suppos'd Garrick's Benefit (Cross). This day publish'd at 1s. Every Man in his Humour, a Comedy written by Ben Johnson [sic] with alterations and additions, as it was perform'd at Drury Lane (General Advertiser). [Inspector No 298 comments on a blemish in the performance of Richard III, where the character of the Lord Mayor has Buffoonry in the handling." Taswell frequently acts it thus, but perhaps is not to blame, the decision as to the manner of the part probably having been made by the Manager (Daily Advertiser and Literary Gazette, 13 Feb.)] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Chaplet

3794
04 February 1752 @ Castle Tavern

Event Comment: The Ninth Day. By the Command of several Noble Personnages, at the Castle Tavern, Paternoster Row

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

3795
06 February 1752 @ Haymarket Theatre

Event Comment: Boxes 5s. Pit 3s. 7 p.m. [Repeated in subsequent bills.] At the particular Desire of Several Persons of Quality. Benefit for Benjamin Hallet, a child of nine Years of age. The Tenth Day. By Gentlemen masked after the manner of Grecian and Roman Comedy. [Not repeated in subsequent bill after this date.] The House to be made very warm and illuminated with wax candles

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

3796
11 February 1752 @ Castle Tavern

Event Comment: The Eleventh Day at the Castle Tavern, Paternoster Row, By Particular Desire

Performances

Mainpiece Title: The Old Woman's Oratory

3797
13 February 1752 @ Castle Tavern

Event Comment: The Twelfth Day. At the Particular Desire of Several Persons of Quality. Boxes 4s. Pit 2s. 6d. Gallery 2s. [Repeated in bills for this theatre.

Performances

Mainpiece Title: The Old Woman's Oratory

3798
18 February 1752 @ Castle Tavern

Event Comment: At the Desire of Several Persons of Distinction. The Thirteenth Day. The Ladies are particularly desired to come early. Yesterday Orders were sent from the Lord Mayor to the Managers of the Entertainment last Night, exhibited at the Castle Tavern, Paternoster Row, to discontinue that part of it call'd The Old Woman's Oratory, the above being an unlicensed Place (Daily Advertiser, 19 Feb.)

Performances

Mainpiece Title: The Old Woman's Oratory

3799
20 February 1752 @ Drury Lane Theatre

Event Comment: MMr Francis has successfully avoided the common fault of a buskin'd expression, and left the plain language of nature to be supported by the dignity of the sentiment: He has I think, not above one or two similies, and scarce one unnecessary or purely ornamental epithet. In this he has judiciously imitated the simplicity of the antients, and of our Milton's Samson Agonistes, as he has also done in the contrivance of the fable, by preserving the unities...'Twould be idle in me to observe that this play is a true tragedy, tho' nobody dies in it, as it has so large a share in exciting the only objects, terror and pity. There is one excellency, which I cannot help pointing out, as it is almost universally overlook'd by all dramatic writers: I mean the MORAL without which there is no perfect drama. (Have at you All; Or The Drury Lane Journal, 20 Feb. 1752). Receipts: #170 (Cross)

Performances

Mainpiece Title: Eugenia

Performance Comment: As17520217 N.B. The Author's benefit which was to have been this day is deferr'd till Saturday, when his tickets will be taken (playbill). This shoul'd have been the Author's Benefit but their being a great Assembly on this Night, he deferr'd till Sat. next (Cross).
Cast
Role: Orphisa Actor: Mrs Pritchard

3800
22 February 1752 @ Covent Garden

Event Comment: Both pieces By Command of his Majesty. [The Assembly at the Temple of Taste in the Five Bell's tavern (see 20 Feb.) received a puff this day: 'On Thursday Night there was a brilliant appearance of Ladies and Gentlemen, at the opening of the Temple of Taste, who express'd much Satisfaction at the entertainment they met with, which was not only instructive, but extremely polite and pleasing; if any Complaint was made, it was that (nothwithstanding is lasted full three hours) instead of being tir'd with the Performance, as at many Publick exhibitions, they seem'd to think they had too little of it; As we are always glad to embrace any Opportunity of shewing our zeal for the Service of the Publick, we can but applaud an Undertaking than which nothing appears more rational and better calculated for the general good" (General Advertiser).

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Harlequin Sorcerer