SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Essex. By Command of their Royal Highnesses the Prince and Princess of Wales. Afterpiece: An Entertainment of Dancing (never performed before)

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Loves of Mars and Venus

Dance: II: Pigmalion-Cooke, Signora Campioni; III: The Revellers-Essex, Miss Vandersluys, Sodi

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Anatomist

Event Comment: We are informed his Majesty's Company of Comedians will perform a few pieces this summer, at the Theatre Royal in Drury Lane, for the Entertainment of his Serene Highness the Prince of Hesse; the Director of that theatre having order'd several of the principal performers to remain in town to be ready for that purpose

Performances

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Barry. By Command of their Royal Highnesses the Prince and Princess of Wales. Ladies send servants by three. Tickets at his lodgings in Bow St

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Dance: II: Salomon, Mlle Violette, Cook, Salomon's Son; III: Muilment; V: Grand Comic Dance-Salomon, Mlle Violette, Cooke, Sga Padouana

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Receipts: #120 (Cross); #155 18s. 6d. (Powel)

Performances

Mainpiece Title: The Recruiting Officer

Dance: II: Grand Ballet, as17471102; IV: Dutch Dance, as17471128

Song: SSailors Rendezvous, as17471117

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Afterpiece: Being positively the last time

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Tea

Event Comment: By Command of His Royal Highness. King etc. (Cross). Receipts: #190 (Cross); #171 8s. (Powel)

Performances

Mainpiece Title: The Provoked Wife

Dance: Cooke, the Aurettis, Mathews, Mrs Addison

Event Comment: Both pieces By command of their Royal Highnesses the Prince and Princess of Wales (General Advertiser). On 8 Feb. will be performed the Suspicious Husband for the benefit of Bridgwater. The kind reception I have met with in the character of the Suspicious Husband, has emboldened me to hope for the further encouragement of the town, on my Benefit night; especially as I have not troubled them on such an occasion for several seasons (General Advertiser)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Whisper Actor: James

Afterpiece Title: Tea

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Anne Auretti. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Seven rows of Pit will be rail'd into the Boxes. Stage to be form'd into front and side Boxes. Receipts: #270 (Cross); house charges, #50 (Powel)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Devil to Pay

Dance: I: Le Charactere de la Dance-Anne Auretti; III: The Savage Dance-Cooke, Matthews, Anne Auretti; IV: Dutch Dance, as17471128; V: Hymen's Temple-Cooke, Janeton Auretti; End of Farce: a Minuet, Louvre-Cooke, Anne Auretti

Event Comment: Benefit for the Widow of the Late Chapman. Tickets deliver'd out by the Widow Johnson and Mrs Wallis will be taken. Yesterday Morning died Mr John Laguerre, an eminent Painter belonging to the Theatre Royal in Covent Garden; a facetious companion, universally esteemed in every Scene of Life! (General Advertiser)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

Event Comment: DDelectando pariterque monendo. At Yates's Great Theatrical Booth (from the Theatre Royal in Drury Lane) facing the Hospital Gate. During the short Time of Bartholomew Fair, will be presented an instructing and diverting Droll, call'd The Consequences of Industry and Idleness, or The Apprentice's Guide. To begin at Twelve noon. [Notice repeated 25, 26 27 Aug.

Performances

Mainpiece Title: The Consequences Of Industry And Idleness

Song: Signora Agnetta being the first Time of her Performing since her Arrival. An extraordinary Band of Musick

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lottery

Event Comment: Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta

Performances

Mainpiece Title: Cato

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, the Lady Augusta and the Lady Elizabeth

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Play Never acted there. Characters New Dress'd. toller: [tolerable -?-] (Cross). We hear a new Tragedy called Mahomet and Irene will be acted at the Theatre Royal in Drury Lane after Christmas (General Advertiser). Receipts: #160 (Cross); #155 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta and Princess Elizabeth

Performances

Mainpiece Title: Cato

Afterpiece Title: Flora

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Love in a Mist

Performance Comment: As performed at the Theatre Royal Dublin.

Song: I: Go Rose-Mr Scott; II: 'Tis Liberty-; III: Early Morn-; IV: Dialogueby Stevens-

Dance: V: Hornpipe-Matthews

Event Comment: [G$Genest, IV, 288, reports this performance "in or before January 1749," finding the account in the London Magazine. In the Prologue George said of himself, "In England born, in England bred." Quin possibly superintended the royal rehearsals. See note, dl 2 Jan.

Performances

Mainpiece Title: Cato