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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2395 results for: Keyword - his R. Highnesses
We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

176
06 August 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17790610

177
30 May 1780 @ Haymarket Theatre

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

178
24 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Comus

Music: With a Fandango Overture-. [This was performed in all subsequent performances.

Performance Comment: [This was performed in all subsequent performances.]

179
15 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

180
26 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

181
22 November 1780 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Padlock

182
27 December 1780 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Elopement

183
17 February 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him

184
10 March 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

185
30 May 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Lamash; Agreeable Companion in a Post@Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Burton [sic]; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini (1st appearance on this stage); Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood; Attendant-Stevens; Irishman-Egan; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Wewitzer; Ballad Singer-A Gentlewoman (1st appearance on any stage [Miss Lyon]); Maid-Miss Wood; Chambermaid-Mrs W. Palmer; Goddess of Health, Genius of Nonsense-Mrs Cargill.

Dance: afterpiece: Master Byrn, Miss Byrn. [Danced, as here assigned, in all subsequent performances.

186
08 June 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

187
09 July 1781 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Performances

Mainpiece Title: The Baron Kinkvervankotsdorsprakengatchdern

Afterpiece Title: The Apprentice

Dance: As17810612

188
07 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

189
22 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

190
25 February 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; c 5,by Richard Griffith. Prologue by Richard Tickell (see text). Author of Epilogue unknown]: With new Scenes, Dresses, and Decorations. Public Advertiser, 27 Mar. 1782: This Day is published Variety (1s 6d.). Receipts: #226 9s. 6d. (218/5/0; 7/14/6; 0/10/0)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Quaker

191
06 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Characters by Palmer, Aickin, Edwin, R. Palmer, Webb, Egan, Stevens, Baddcley, Usher, Massey, Wewitzer, Bannister; Mrs Webb, Miss Hale, Mrs Bullclcy (1st appearance on this stage). [Cast adjusted from playbill of 28 June 1786: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Squib-R. Palmer; Bounce-Webb; Waiters-Egan, Stevens; Catchpenny-Baddeley; Dr Truby-Usher; Juggins-Massey; John-Wewitzer; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy Lovel-Mrs Bulkley.] hathi. hathi.

Afterpiece Title: The Agreeable Surprise

Dance: End of Act I of mainpiece a Dance by Master and Miss Byrn

192
29 June 1782 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Performances

Mainpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Miss Sherry, Miss Hooke, Mrs Bulkley. [Cast from text (T. Cadell, 1783): Young W'ilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Miss Sherry; Maria-Miss Hooke; Chariot-Mrs Bulkley.] New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Agreeable Surprise

Song: In Act I of mainpiece a song in character by Miss Hooke. [This was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was sung, as here assigned, in all subsequent performances.] hathi.

193
16 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Gardner, Wilson, Webb, Usher, Staunton, Egan, Swords, Bensley; Miss Sherry, Miss Morris, Mrs Inchbald, Mrs Poussin, Mrs Bulkley. [Cast from European Magazine, July 1782, p. 67: Colonel Errwood-Palmer; Edmonds-Bannister Jun.; Young Johnson-R. Palmer; Johnson-Gardner; Cecil-Wilson; Landlord-Webb; Simpson-Usher; Danford-Staunton; Chairman-Egan; Savage-Bensley; Mrs Cecil-Miss Sherry; Nancy Johnson-Miss Morris; Emma Cecil-Mrs Inchbald; Mrs Johnson-Mrs Poussin; Harriet Sidney-Mrs Bulkley. Swords is unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

194
30 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: As17820606

195
13 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Performance Comment: Priest-Wilson; Law-Massey; Physick-Staunton; Ghost of Tragedy-Pierce; Ghost of Comedy-Barrett; Whispering Ghost-Painter; Officer-Ledger; Harlequin-Stevens; Attendant-Kenny; Queen of Common Sense-Mrs Lefevre; Maids of Honour-Miss Morris, Mrs [W.] Palmer; Queen of Ignorance-Mr Wewitzer. Characters in the Introduction: Fustian-Bannister Jun.; Trapwit-R. Palmer; Sneer-Swords; Prompter-Kenny; Player-Davis; Prologue to the Tragedy-Staunton; Dancer-Miss Francis .
Cast
Role: Whispering Ghost Actor: Painter

Afterpiece Title: Tunbridge Wells [recte Walks]; or, The Yeoman of Kent

Afterpiece Title: The Tobacco Box; or, The Soldier's Pledge of Love

Afterpiece Title: The Author

196
16 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Afterpiece [1st time; MF 2, by George Colman, the younger. It has also been ascribed to Sarah Gardner, but for Colman's authorship see Peake, 11, 99. Composer of music unknown. MS: Larpent 589; not published]: The Words of the Songs are inserted in the Public Papers of this Day. Public Advertiser, 12 Aug.: Tickets to be had of Jewell, in Suffolk Street

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

197
17 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Performance Comment: Harlequin Teague-Egan; Teague Harlequin-Spencer; Italian Merchant-Massey; Pierrot (his Man)-Delpini; Old Woman and Dr Caterpillar-Wewitzer; Mr Dripping-Webb; Mrs Dripping-Mrs Webb; Lieutenant of Press Gang (with Fal de ral tit)-Edwin; Farmer Furrow-Gardner; Dame Furrow-Miss Hale; Landlord of the Horns at Highgate-Wilson; Catcall-Wood; Sailor-R. Palmer; Man with two Heads (with a solo duet in character)-Bannister; Giant of the Causeway-Master Brett; Genius of Ireland-Brett; Various other Characters by Stevens, Usher, Swords, Painter, Davis, Barrett, Kenny, Darley, J. Bates, Mrs Love, Mrs Lefevre, Miss Francis, &c; Anchor Smiths (with Smiths are good Fellows)-Darley, Dorion, Burton, Brett; Colombine-Miss Morris. With a Ranelagh Masquerade. Characters out of character: Fighting Quakers-Barrett, Kenny; Disinterested Lawyer-Gardner; Humane Scalper-R. Palmer; Harlequin with one Leg-Spencer; Fainting Butcher-Painter; Reviving Death-Collins .

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

198
11 December 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Best Bidder

Performance Comment: Principal Characters by Palmer, Dodd, Baddeley, Barrymore, Suett, R. Palmer, Wright, Chaplin, Parsons; Mrs Wrighten, Mrs Bulkley. [Cast from European Magazine, Dec 1782, p. 465: Count Bam-Palmer; Lord Beauboot-Dodd; Snarem-Baddeley; Captain Standard-Barrymore; Inkhorn-Suett; Skip-R. Palmer; Watchman-Wright; Sir Tedious Prose-Parsons; Mrs Brocade-Mrs Wrighten; Arabella-Mrs Bulkley. Chaplin is unassigned.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

199
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

200
31 May 1783 @ Haymarket Theatre

Event Comment: [Prologue by George Colman, the elder (Colman, Prose, 10,239).] Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. Places for the Boxes to be taken of Rice at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On 24 May Colman inserted the following in Public Advertiser: The Theatre Royal in the Haymarket will open next Saturday. In order to avoid unnecessary' Repetitions during the Season, the Public are desired, once for all, to take Notice that every Performance at this Theatre will be exhibited to most brilliant, crouded and OVERFLOWING audiences; and received with loud and universal Bursts of most UNBOUNDED and UNCOMMON Applause

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Dance: End of Act III of mainpiece Dance by Mr and Miss Byrn

Song: In Act III of mainpiece [Sing] Old Rose and burn the Bellows, and 'Twas you Sir, 'Twas you Sir, both by Bannister, Wood, Burton, Brett, &c