SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Absent Man

Dance: As17840311athi

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: A Fete

Afterpiece Title: Too Civil by Half

Song: End of Act II of mainpiece A Soldier for Me, as17840412

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Pasticcio

Afterpiece Title: The Double Disguise

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Afterpiece Title: The Rival Candidates

Event Comment: Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. The intended Prelude [The Election of the Managers (see 2 June)] is obliged to be postponed. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.]

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpicce a new dance, The Medley, by Master Giorgi, Miss Byrne and others (their 1st appearance)

Performances

Mainpiece Title: The Fox

Afterpiece Title: Gretna Green

Performance Comment: Principal Characters by Wilson, Gaudry, Swords, Egan, Barrett, Ledger, Painter, Bannister; Sga Sestini, Mrs Webb, Miss Morris, Mrs Bannister. [Cast adjusted from text (T. Cadell, 1783) and Larpent MS 634: Rory-Wilson; Crack-Swords; Capt. Tipperary-Egan; Landlord-Ledger; Anvil-Painter; Capt. Gorget-Bannister; Signora Figurante-Sga Sestini; Lady Pedigree-Mrs Webb; Miss Plumb-Miss Morris; Maria-Mrs Bannister. Gaudry, Barrett are unassigned.] New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi. New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi.

Music: [Prologue by George Colman, the elder.]

Dance: End of Act III of mainpiece, as17840528

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Election of the Managers

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Author

Performances

Mainpiece Title: Two To One

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Mogul Tale

Dance: End of mainpiece The Rivals by Byrne, Ratchford, Mrs Goodwin, &c

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Son in Law

Dance: As17840713

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Man of Quality

Dance: End of Act I of mainpiece, as17840528; End of mainpiece, as17840713

Event Comment: Benefit for Bannister. [Kean's 1st appearance was at this theatre, 22 Mar.] 2nd piece: The Music compiled by Dr Pepusch. 4th piece: A Ballet Tragi-Comique, composed by Signor Novestris [i.e. George Colman, the elder]. Gazetteer, 23 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggars Opera

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Lacy (1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Wilson; Laertes-Davies; Player King-Usher; Marcellus-Riley; Ostrick-R. Palmer; Gravediggers-Parsons, Wewitzer; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Bates. Preceding the Play an Address spoken by Lacy .

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: All the Worlds a Stage

Dance: End of mainpiece The Sportsmen's Return, as17840916

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece The Irish Fair by Williamson and Miss M. Stageldoir. [This was danced, as here assigned, at all subsequent performances.]

Performance Comment: Stageldoir. [This was danced, as here assigned, at all subsequent performances.] hathi.
Event Comment: Afterpiece: To conclude with the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Scenes designed and executed by Greenwood. [Public Advertiser, 20 Dec, adds: The Overture by Baumgarten. The New Music and Accompaniments to the adapted Airs by Shield. Words of the Songs to be had at the Theatre.] Receipts: #164 2s. (106/13; 57/8; 0/1)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Junior or The Magic Cestus

Dance: End of Act IV of mainpiece The Sportsmen's Return, as17840916

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Apprentice

Song: In Act III of mainpiece an Epithalamium by Miss Stageldoir and Miss Field. [This was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was sung, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Williamson, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

Song: In Act III of mainpiece a song by Williames. [This was included, as here assigned, in all subsequent performances.]

Performance Comment: [This was included, as here assigned, in all subsequent performances.] hathi.
Event Comment: "We have been frequently displeased at [Palmer's] noisy extravagance of acting in many of his tragic parts, but in none more than in the character of Dionysius in that patched-up pantomimic drama entitled The Grecian Daughter" (Candid Strictures, pp. 6-7). Receipts: #279 16s. (249/8/0; 28/0/6; 1/12/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Padlock