SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Dissipation

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Shamrock

Dance: As17830221

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The City Madam

Afterpiece Title: Bon Ton

Dance: As17821107

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Afterpiece Title: All the Worlds a Stage

Dance: In mainpiece The Merry Sailors, with a Double Hornpipe, by the Miss Stageldoirs

Song: In mainpiece Rule Britannia by Williames, Chapman, &c

Monologue: 1783 05 02 End of mainpiece The Picture of a Playhouse; or, Bucks have at Ye All by Palmer

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpiece, as17830531

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: End of Act II of mainpiece The Nosegay Lovers by Mr and Miss Byrn [and see17830611

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Williamson (from the Theatre Royal, Edinburgh; 1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-R. Palmer; Ostrick-Riley (1st appearance in London); Marcellus-Booth; Grave Diggers-Parsons, Massey; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Wheatley. Prologue as17830531 .

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: In A Village

Afterpiece Title: Man and Wife

Dance: As17830611

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: Comus

Song: As17830613

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Puff-Palmer; Sir Fretful Plagiary-Parsons; Dangle-R. Palmer; Interpreter-Baddeley; Signior Pasticcio Ritornello-Dclpini; Sneer-Williamson; Italian Girls-Miss George, Miss Morris; Mrs Dangle-Mrs Bulkley. Characters of the Tragedy: Don Ferolo Whiskerandos-Bannister Jun.; Governor-Wilson; Sir Walter Raleigh-Wewitzer; Sir Christopher Hatton-Riley; Beef-Eater-Egan; Lord Burleigh-Edwin; Confidante-Mrs Love; Tilburina-Mrs Wells .

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Son in Law

Dance: As17830702