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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Box-Lobby Loungers

Afterpiece Title: Too Civil by Half

Performances

Mainpiece Title: The Heiress

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

Event Comment: [In 3rd piece the playbill retain Iliff, but "On the fifth night of the representation, while R. Palmer was reading the part of Lord Megrim (Iliff being ill) an alarm of fire occasioned a disgreeable tumult; the performers assured the audience there was no danger, it being the opposite theatre (the Opera House, which was consumed) that was in flames. The Ladies, however, still retained their apprehensions, and all were eager to depart; happily this anxiety produced no accident" (Oulton, 1796, II, 52). Iliff perhaps did not act in Vimonda.

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

Performances

Mainpiece Title: Opposition

Afterpiece Title: Ways and Means

Afterpiece Title: Daphne and Amintor

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Greek Slave; Or, The School For Cowards

Afterpiece Title: The Pannel

Event Comment: [In mainpiece the playbill retains Palmer, but "Last night previous to the new play R. Palmer came forward to make an apology for his brother not being able to make his appearance, having met with an accident in returning from the country in his professional pursuit. His place was supplied by Williamson" (Morning Post, 15 July). He "was thrown out of a chaise on Wednesday evening, by which accident his collar bone was broken" (Gazetteer, 16 July)

Performances

Mainpiece Title: Next Door Neighbours

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Rivals

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: As17960312

Event Comment: 3rd piece [1st time; MF 2, by George Brewer]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. Morning Herald; 6 July 1796: This Day is published Bannian Day (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. [On this evening the following performers appeared both at dl and at the hay: Suett, Caulfield, Trueman, R. Palmer, Burton, Miss Leak, Miss Heard

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

Event Comment: "The shrillness of [Mrs Hopkins's] voice, and the squabbishness of her figure are admirable accompaniments to the peevish expression of her features, and thus as far as natural requisites go, she is perfectly suited to old maids and crabbed aunts" (Monthly Mirror, Aug. 1796, p. 240). [On this evening the following performers appeared both at dl and at the hay: Palmer, Trueman, R. Palmer, Burton, Wathen, Suett, Miss DeCamp.

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: A Musical Dramatick Poem; On His Royal Highness The Prince Of Wales's Birthday

Performances

Mainpiece Title: The Prodigal Son; With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Afterpiece Title: The Harlot's Progress

Performance Comment: Harlequin-Phillips his first appearance on that stage in England in three years; Beau Mordecai the Jew-Bennett; Miss Kitty-Mrs Phillips.

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: At Shuter's New Booth, George Inn Yard, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at Twelve Noon. An Excellent Band of Musick is provided. The Scenes and Habits all entirely new. Public Advertiser, 22 Aug.: Whereas the partnership between Mess Shuter and Yates has been dissolved; and as Mr Shuter intends to carry on the Business in a more extensive manner than has been performed hitherto, he is now at a great Expence erecting a Repository in an entirely new Taste, in the George Inn Yard...prfviding new, nice, and different Assortments of Theatrical Wares, such as Wit, Humour, Incidents, American Interludes, black and white, Duets and Dances, of which the Public will be informed by Catalogue of the whole Stock, which will be delivered Gratis to his Friends and Customers...He flatters himself that no Person will serve them better or cheaper, for ready Money only, and all purchases of Five Pounds worth or upwards, shall be allowed 5 per cent of Discount. That the Publick may not mistake the Shop, over the Door way will be my Picture without a Frame, very indifferently painted, with this Motto beneath it, Shuter. Daily Advertiser, 3 Sept.: On the Great Parade after the Fair is proclaim'd, the Bold Shuter will review his Troop; and the Publick are requested to observe that the full Figure at the Middle of the Platform is the Chief...or Sachem of the Five Nations. He will be attended with Mamamawks, Papapawks, and Tomahawks...The Lords may laugh, the Ladies may laugh, and the Commoners may laugh...and that will make me laugh. Edward Shuter, born Anno Domini

Performances

Mainpiece Title: The French Flogg'd; Or, The English Sailors In America

Performance Comment: Together with the Reception of Capt. Briton at the Indian courtv; the Manners, Customs, Peace, and presenting the Wampum Beltv for his Bravery in rescuing the Princess Sachema from the French Banditiv. Interspersed with the Droll Bahaviour and Odd Adventures of MacDermott Geoghaghan Ballingroguev, and the Witch of the Woods; or, a Woman without a Head.

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: HHornpipe-R. Jones , from gf

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Farmer's Son; or, The Maiden's Second Slip

Dance: I: Dutch Skipper-Sandham; III: Scaramouch-Sandham; V: Hornpipe-R. Jones

Song: II: Singing in Italian-