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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17850609

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: A Beggar on Horseback: A Dramatic Proverb

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Gretna Green

Afterpiece Title: Harlequin Teague

Music:

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue and Epilogue by Geoge Colman, the elder (see text, which also gives names of the speakers)]. Morning Chronicle, 25 July 1786: This Day is published I'll Tell You What (1s. 6d.)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Critic

Performance Comment: Puff-King; Sneer-Palmer; Dangle-Dodd; Interpreter-Baddeley; Sir Fretful Plagiary-Parsons; Mrs Dangle-Mrs Hopkins. Principal Tragedians: R. Palmer, Packer, Waldron, Burton, Wright, Fawcett, Chaplin, Phillimore, Bannister Jun.; Miss Pope. [Cast of Tragedians adjusted from playbill of 12 Oct. 1781: Earl of Leicester-R. Palmer; Justice-Packer; Sir Christopher Hatton-Waldron; Sir Walter Raleigh-Burton; Beef-eater-Wright; Constable-Fawcett; Lord Burleigh-Chaplin; Governor-Phillimore; Don Ferolo Whiskerandos-Bannister Jun. U Tilburina-Miss Pope.] hathi. hathi.

Song: In Act III of mainpiece song by Williames

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widow's Vow

Performance Comment: Principal Characters by Parsons, Bannister Jun., R. Palmer, Lyons, Edwin; Mrs Bates, Mrs Riley, Mrs Edwin, Miss Brangin, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1786): Don Antonio-Parsons; Marquis-Bannister Jun.; Carlos-R. Palmer; Servant-Lyons; Jerome-Edwin; Countess-Mrs Bates; Donna Isabella-Mrs Riley; Ursula-Mrs Edwin; Inis-Miss Brangin; Flora-Mrs Wells.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

Performances

Mainpiece Title: The Siege Of Curzola

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: In mainpiece, by Byrn, the two Miss Simonets, Giorgi's Scholars, Master Degville, Miss De Camp. [Included, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Puff-King; Sneer-Palmer; Dangle-Dodd; Interpreter-Baddeley; Sir Fretful Plagiary-Parsons; Mrs Dangle-Mrs Hopkins; Principal Tragedians-R. Palmer, Fawcett, Waldron, Suett, Wright, Wilson, Chaplin, Phillimore, Bannister Jun., Miss Pope. [Cast of Tragedians adjusted from playbill of 12 Oct. 1781: Earl of Leicester -R. Palmer; Justice -Fawcett; Sir Christopher Hatton -Waldron; Sir Walter Raleigh -Suett; Beefeater -Wright; Constable -Wilson; Lord Burleigh -Chaplin; Governor -Phillimore; Don Ferolo Whiskerandos -Bannister Jun.; Tilburina -Miss Pope.]
Event Comment: Afterpiece [1st time; F 2, by James Cobb. Prologue by the author (see text)]. Public Advertiser, 22 Jan. 1787: This Evening be published The First Floor (1s.). Receipts: #227 (187.0; 39.4; 0.16)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The First Floor

Performance Comment: Principal Characters by Baddeley, Suett, R. Palmer, Chaplin, Jones, Alfred, Spencer, Whitfield, Burton, Bannister Jun., Mrs Wilson, Miss Collins, Mrs Hopkins. [Cast from text (C. Dilly, 1787): Whimsey-Baddeley; Furnish-Suett; Young Whimsey-R. Palmer; Landlord-Chaplin; Snap-Jones; Postboy-Alfred; Frank-Spencer; Monford-Whitfield; Simon-Burton; Tim Tartlett-Bannister Jun.; Nancy-Mrs Wilson; Charlotte-Miss Collins; Mrs Pattypan-Mrs Hopkins; Prologue-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Stone Eater

Afterpiece Title: Duke and No Duke

Event Comment: [Iliff was from the Edinburgh theatre; Mrs Farren from the York theatre.] Afterpiece [1st time; F 2, by John O'Keeffe]. Public Advertiser, 30 Aug. 1788: This Day is published The Prisoner at Large (1s. 6d.)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Iliff (1st appearance on this stage); Lord Randolph-Aickin; Glenalvon-Williamson; Officer-Phillimore; Old Norval-Bensley; Anna-Mrs Inchbald; Lady Randolph-Mrs Farren (1st appearance on this stage).

Afterpiece Title: The Prisoner at Large

Event Comment: Mainpiece [1st time; C 3, by George Colman, ynger. Prologue by the Hon. Francis North. Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 2 Sept. 1788: This Day is published Ways and Means (1s. 6d.)

Performances

Mainpiece Title: Ways And Means; Or, A Trip To Dover

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performance Comment: [This was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer