Event Comment: The Duke's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 73

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: and two Boxes for H. Prince of Orange. See VanLennep, "Plays on the English Stage", p. 16

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Event Comment: The Duke's Company. This performance is on the L. C. lists. See VanLennep, "Plays on the English Stage", p. 17

Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17

Event Comment: The King's Company. This performance is in a membrandum of Lord Cheyne, Huntington Library MS EL II, 145: for Coach to a play calld Tartuff

Event Comment: The King's Company. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Event Comment: The King's Company. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 81

Event Comment: The King's Company. Evelyn, Diary, 9 Feb.: & next day was acted there the famous Play, cald the Siege of Granada two days acted successively: there were indeede very glorious scenes & perspectives, the work of Mr Robert? Streeter

Event Comment: The King's Company. Evelyn, Diary, 9 Feb. 1670@1, suggests that Part I was given on Friday 10 and Part II on Saturday 11 Feb. 1670@1

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 17-18: The Schoole of Complements

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18. It should be noted that this performance falls on a Friday in Lent; there is no indication as to whether this is the premiere

Event Comment: The King's Company. The date of the premiere is not known. Although the play was not entered in the Stationers' Register until 6 Oct. 1671, a reference in the Dedication to a Lenten performance suggests that it appeared about this time. A song, A wife I do hate, with music by Pelham Humphrey, is in Choice Ayres and Songs, The Fifth Book, 1685

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: The New Utopia. There is no indication as to whether this performance was the premiere. The Preface refers to malice against the plays, and the edition of 1671 has a poem: To the Author of the New Utopia. On the Miscarriage of his Play in Acting

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," pp. 18-19: The Town Shifts. There is no indication as to whether this is the premiere, and it should be noted that this date is a Wednesday in Lent

Event Comment: The King's Company. See 2 and 3 Jan. 1670@1 for the difficulties in dating this performance

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17. There is no indication as to whether this is the premiere. The play was licensed 6 March 1670 [1671]. Downes (Roscius Anglicanus, p. 27) refers to it as being the first "new Play" acted at Dorset Garden in 1666, an error as to both place and time of presentation. Downes adds: All the other Parts, being perfectly well Acted, Succeeded six Days with a full Audience. It seems unlikely that Cambyses was given six days consecutively at this time. A performance of The Forc'd Marriage on Monday 9 Jan. 1670@1 and one of The Humorists on Saturday 14 Jan. 1670@1 do not permit six uninterrupted days for Cambyses at this time

Event Comment: In the Term Catalogues a new edition of John Wilson's The Cheats was announced as licensed on 30 May 1671. This play had previously been given in March 1663. The edition of 1671 states that it has been given by the King's Company at the Theatre Royal, and it may have been revived at this time

Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was licensed for printing on 30 Aug. 1671 suggests an early summer production

Event Comment: The Duke's Company acted at Oxford during this month, offering Cambyses and, presumably, other plays of which we have no record. See W. J. Lawrence, "Oxford Restoration Prologues," Times Literary Supplement, 16 Jan. 1930, p. 43, and Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies, XIX (1943), 368