SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Majestys Company of Comedians"/1) | (@(roleclean,performerclean) "his Majestys Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2133 matches on Event Comments, 146 matches on Performance Comments, 43 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: See17310208*c1731 2 10 dl UUniversal Spectator, 20 Feb.: On Wednesday [10 Feb.] dy'd (at his House in Brownlow-street) that celebrated Comedian Mr Henry Norris, commonly call'd Jubilee Dicky, who has entertain'd the Town, near Forty Years, with general Applause, and always follow'd Nature (thro' every Character) in a Masterly Way.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Lovers Opera

Dance: As17311104

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Dance: V: Ballet, as17380120

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Chapman; Johnson-Ryan; Smith-Cashell; First King of Brentford-Roberts; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Second King of Brentford-Harrington; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Mullart; General-Stephens; Lieut General-Stevens; Lord Mayor-Marten; Tom Thimble-James; Thunder-Bridgwater; Lightening-Mrs Villeneuve; Sun-Bencraft; Moon-Leveridge; Earth-Salway; Amarillis-Miss Burgess; Chloris-Mrs Mullart; Pallas-Woodward; Two Sing@Song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers horse and foot, Cardinals, Judges, Sargeant at Arms-the rest of the comedians; With the Music-; Songs-; Dances-; Scenes, Machines, Habits, other Decoration proper to the play; With the Additional Reinforcements of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Johnson-Ryan; Smith-Bridges; Kings of Brentfort-Stoppelaer, Paget; Prince Prettyman-Ridout; Gent. Usher-Collins; Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Thimble-James; Thunder-Bridgwater; Lightening-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Storer; the Sing@Song Dancing Spirits-Mrs Lampe, Miss Younge; Players, Soldiers (horse and foot), Heralds, Cardinals, Judges, Serjeant's at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Younge; Also an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: L'opera Du Gueux

Dance: HHornpipe-Greniere; End: Dance al la Ronde in the French Manner,-the Characters of the Opera

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ridout; Smith-Sparks; Two King of Brentford-Costollo, Stoppelaer; Drawcansir-Dunstall; General-Wignell; Thunder-Barrington; Lightening-Miss Mullart; Prince Volscius-Dyer; Prince Prettyman-Gibson; Player-White; Tom Thimble-Collins; Gentleman Usher; Physician-Arthur; Sun-Bencraft; Moon-Howard; Earth-Baker; Pallas-Cushing; Armarillis-Mrs Baker; Cloris-Mrs Griffiths; Two Sing@song Dancing Spirits-Mrs Lampe, Miss Young; Soldiers horse, foot, Cardinals, Judges, Lord Mayor, Lords, Ladies, Mourners-the rest of the Comedians; With all the Music-; Songs-; Dances-, Scenes, Machines, other Decorations proper to the Play; Also an additional Reinforcement of Mr Bayes new@Rais'd troops-.

Afterpiece Title: The Schoolboy

Dance: As17541203

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Press Gang; or, Love in Low Life

Performance Comment: Commodore-Lowe; True Blue-Baker; Careful-Howard; Dreadnaught-Bencraft; Boatswain-Dunstall; Nancy-Mrs Lampe; Jolly Tars, their Lasses-Comedians, Singers, Dancers; In the Sailor's Dance-; by Desire will be introduc'd a Hornpipe-Poitier; Also a New Occasional Epilogue (relative to Naval Preparations)-Cibber.

Song: II: Ellen a Roon-Mrs Donaldson (late Miss Falkner); IV: The Lady's Lesson a Cantata-Arne Jr

Dance: Granier, Mrs Granier

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord MaYor, Cardinals, Judges, Players, Soldiers (Horse and Foot)-the rest of the Comedians.

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Gamesters

Ballet: New Comic Entertainment of Dancing, call'dThe Prussian Camp. Officer-Blakes; Prussian Soldiers-the Comedians; Characters of the Dance-Delatre, Giorgi, Lucchi, Mrs Vernon. New Habits and Decorations for the Dance

Performance Comment: Officer-Blakes; Prussian Soldiers-the Comedians; Characters of the Dance-Delatre, Giorgi, Lucchi, Mrs Vernon. New Habits and Decorations for the Dance.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Song: III: A Cantata-Miss Young

Ballet: II: The Prussian Camp (an Entertainment). Officer-Blakes; Prussian Soldiers-the comedians; Characters of the dance-Grimaldi, Giorgi, Sga Lucchi, Mrs Vernon

Performance Comment: Officer-Blakes; Prussian Soldiers-the comedians; Characters of the dance-Grimaldi, Giorgi, Sga Lucchi, Mrs Vernon.

Performances

Mainpiece Title: The Merry Wives Of Indsor

Afterpiece Title: The Fair

Performance Comment: Harlequin-Miles; Pantaloon-Bencraft; Wife to Pantaloon-Mrs Pitt; Colombine-Mrs Dyer; Pierrot-Lalauze; Constable-Redman; Porter-Holtom; Recruiting Serjant-Beard; (with) Song in Character-Beard; Corporal-Barrington; Drummer-Mr Tattoo; Recruits-Mattock, Baker, Legg, Warren, Courtney, Whitaker; Equilibrist on the Wire-Saunders; Andrew to Yates's Parade-Jonathan; Andrew to Puppet Shew-Collins; Tiddee Doll-Dunstall; Butchers-Gibbs, Perry; Slaughter Men-Holtom, Buck; Spectators-The Comedians; The Dances-Poitier Jr, Granier, Leppie, Desse, Gosly, Rochford, Dumai, Terrier, Mrs Granier, Mrs Jansolin, Mrs Leppie, Mrs Viviez, Mrs Terrier.
Cast
Role: Spectators Actor: The Comedians
Event Comment: Mr Berry dy'd (Cross). Receipts: #170 (Cross). British Chronicle; 8 Jan. 1760. (Winston MS 8): Died Mr Edward Berry in Russel St., Covent Garden, 53 years one of the comedians of tr dl. On this Sunday the body was interr'd in the Cemetery of St Martin's Church. The loss of so worthy a man was expressed by those present. His only daugher is to [....] with the following inscription to his memory, to whom he has left his fortune worth about #1000: @Epitaph@Here lies the remains of@Edward Berry@Who lived@With public applause and private esteem@The former he acquired as@An Excellent Comedian, the latter as an@Honest Man. 8 Jan 1760 Aet 5s.@Light lie the turf, what tho' no breathing Bust@Of mimic Marble dignifie thy dust?@Yet filial sorrow pays the Dudeous Tear@And heartworn Friendship heaves a Sigh sincere.@Pleas'd may thy shade these humble rites receive@The last sad tribute gratitude can give@

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Othello

Afterpiece Title: The Fair, A Grotesque Pantomime Entertainment

Performance Comment: Harlequin-Miles; Pantaloon-Bencraft; Wife to Pantaloon-Mrs Pitt; Colombine-Sga Maranesi, first time; Pierrot-Lalauze; Constable-Redman; Porter-Holtom; In which will be introduc'd a Recruiting Lieutenant, the Lieutenant-Shuter; With a new Song-Beard in the character of a Sailor; Midshipman-Young; Drummer-Tatoo; Recruits-Mattocks, Baker, Legg; The Equilibrist on the Wire-Matthews; Andrew to Yates's Parade-Jonathan; Andrew to Puppet Shew-Collins; Tiddee Doll-Dunstall; Butcher-Perry; Slaughtermen-Holtom, Buck; Spectators attending the Fair-the Comedians; To conclude with a Bohemian Dance-Leppie, Mlle Capdeville, Granier, Mrs Granier.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Arcadia; or, The Shepherd's Wedding

Performance Comment: Principal characters-Lowe, Champnes, Fawcett, Miss Young, Mrs Vincent; In which will be introduc'd Dancing-Grimaldi, Giorgi, Vincent, Sga Giorgi, Miss Baker, others; The whole to conclude with a Pastoral Processionto the Wedding of Thyrsis-; The Arcadians-the Comedians, Singers, Dancers.
Event Comment: Mainpiece: By Desire. Afterpiece: Not acted these 12 years. [See 9 Nov. 1761.] With Additions and Alterations. [The Additions to The Fair seem to have included a number of actual animals (instead of the men costumed as an Ass and a Hog as used in Mother Shipton), for the Account Book this year for the first time notes payments, 22 March 1774, "for the hire of Horses in The Fair," and 18 June 1774, "To Mr Brooks for attending with the Camels &c. in the Fair." The tradition of bigger and better spectacles seems to have passed on from Rich to Colman.] Receipts: #180 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fair

Performance Comment: Principal Characters-Lewes, Banks, Cushing, Hamilton, Owenson, Harris, Fox, Holtom, Bates, Wignell, Thompson, Mrs Pitt, Miss Twist; The other characters-the rest of the Comedians; The Dances-Fishar, Miss Valois, Miss Capon.
Event Comment: Paid 5 days salary list #441 15s.,; King's extra salary #2 10s.; Mr J. French on acct #5 5s.; Mr J. Palmer on note #21 (Treasurer's Book). [This month was printed An Apology for the Conduct of Charles Macklin, Comedian, which, it is hoped, will have some effect in favour of an aged player, by whom the public at large have been uncommonly gratified." Price 1s. Axtell (Gentleman's Magazine Register). This year was publish'd Miscellaneous Pieces in Verse and Prose, with Cursory Theatrical Remarks, by P. Lewis, Comedian. Contains some apostrophes to Garrick, Holland, etc.] Receipts: #213 4s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Catharine and Petruchio

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The What d'ye Call It

Performance Comment: Timothy Peascod-Woodward; ThomasFilbert-Shuter; Sir Roger-Dunstall; Peter Nettle-Cushing; Sir Humphrey-Fearon; Justice Statute-Thompson; Steward-Booth; Ghosts, Soldiers, Countrymen-the Comedians; Dorcas-Miss Dayes; Aunt-Mrs Pitt; Kitty Carrot-Mrs Mattocks; in which will be introduc'd the favourite song Twas when the seas were roaring-.
Cast
Role: Countrymen Actor: the Comedians

Dance: End Opera: Rural Merriment, as17741209

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: On this date the officers of the Duke's Company and the King's Company entered into agreements to merge the two companies. For details, see Hotson, Commonwealth and Restoration Stage, p. 271; Fitzgerald, A New History, I, 154-58; and Nicoll, Restoration Drama, pp. 296-97. See also Langhans, New Restoration Theatre Accounts, p. 122, for evidence that the union had been effectively made by 13 May 1682. See page 123 for evidence that the company probably acted continuously to 7 August 1682, then closed until early October. But see 10 August 1682

Performances

Mainpiece Title: Omment