SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Highness the Prince"/1) | (@(roleclean,performerclean) "his Highness the Prince")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1131 matches on Event Comments, 711 matches on Performance Comments, 511 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [For Johnston as Hamlet see cg, 28 Apr. Mr Johnston was from the Dublin theatre.

Performances

Mainpiece Title: The Purse

Cast
Role: William Actor: Wathen

Afterpiece Title: Hamlet; Prince of Denmark

Afterpiece Title: Cross Purposes

Cast
Role: Sheepface Actor: Wathen
Role: The Tight Irish Boy Actor: Johnstone
Role: Sir Mathew Medley Actor: Davenport
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Benefit for Quin. Mainpiece: By Command of their Royal Highnesses Prince George, Prince Edward, Prince William, Prince Henry, Lady Augusta and the Lady Elizabeth. Six rows of the Pit will be laid into the Boxes. Stage will be Enclosed and form'd into an Amphitheatre. Paid Quin in full of his agreement #122; Advanced Servandoni #5 5s. [The Account Book itemizes the income this night as #93 15s. in money; #99 5s. in tickets, a total of #193 without stage (i.e., presumably without counting money to Quin gained from friends invited to sit in the Amphitheatre on stage.) This was also a "Free Benefit," i.e., clear of costumary house charges.] Receipts: #193

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: Both pieces by Command of their Royal Highnesses Prince George, Prince William, Lady Augusta. Afterpiece: For last time this season. Present the Princes George & William, and the Lady Augusta. Paid Mr LaCourt in full for painting for the Fair #21. Receipts: #161 12s

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17500209, but only the parts of Macheath, Peachum, Lockit, Mrs Peachum, Lucy, Polly are listed.

Afterpiece Title: The Fair

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: ]

Event Comment: London Gazette, No 2943, 22-25 Jan. 1693@4: At the consort-room in York-buildings, on this present Thursday, at the usual hour will be perform'd Mr Purcell's Song composed for St Cecilia's Day in the year 1694 [?], together with some other compositions of his, both vocal and instrumental, for the entertainment of his Highness Prince Lewis of Baden. [In the Gentleman's Journal, January@February 1693@4, is: A Song set by Mr Henry Purcell. The Words by the Authour of this Journal, Sung at an Entertainment for Prince Lewis of Barden, Sawney is a bonny, bonny lad."

Performances

Mainpiece Title: Concert

Event Comment: By Command of His Royal Highness. [The Dances also by Command of the Prince.] Receipts: #82 9s. 6d. [Prince and two eldest Princesses present.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber

Dance: In afterpiece: Grand Dance of Momus (from Perseus and Andromeda)-; Hornpipe-Jones in Character of a Sailor; Tambourine-Miss Rogers

Event Comment: By Command of His Royal Highness. [Prince of Wales and Prince of Orange present.]

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit Chapman. By Command of His Royal Highness. [Prince of Wales and Prince of Orange present.]

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Sir Edward-Quin; Squire-Chapman; Lolpoop-Hippisley; Belfond Jr-Walker; Teresia-Mrs Younger; Termagent-Mrs Kilby, the first time ofher appearing in Boy's Cloaths .

Dance: Scot's Dance, as17331004. Pigmalion, as17340114

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

Event Comment: The Lord Mayor's Pageant. For an account of the dinner, see Spectator, No. 462, 30 Aug. 1712

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: We hear the famous Mr Pinkethman is building a handsome Playhouse at Richmond, for the Diversion of the Nobility and Quality that attend the Court of their Royal Highnesses; and will begin to play there soon after Whitsuntide, and shew the fine musical Picture he has prepar'd of the Royal Family, the like of which has never been seen in England.-Read's Weekly Journal, 31 May. Mr Prince the famous Dancing-Master is lately Deceas'd.-Original Weekly Journal, 31 May

Performances

Event Comment: By Their Royal Highnesses' Command. The Prince and Princess present

Performances

Mainpiece Title: Sir Courtly Nice

Dance: The Hussars-Shaw, Mrs Booth; Tollet's Ground-Mrs Younger, Miss Tenoe; Highland Lilt-Mrs Bullock

Event Comment: By Their Royal Highnesses' Command. [The Prince and Princess present.

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Event Comment: By Their Royal Highnesses' Command. Written by the late Mr Wycherly. [The Prince and Princess present.

Performances

Mainpiece Title: The Country Wife

Cast
Role: Alithea Actor: Mrs Heron
Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. The Pit and Front Boxes put together at 5s. [The Prince and Princess of Wales present.

Performances

Mainpiece Title: The Lady's Last Stake

Dance: As17251204

Event Comment: DDaily Journal, 8 Aug.: On Wednesday last in the Evening her Majesty, the Prince of Wales, his Royal Highness the Duke, the Princess Royal, and the Princesses Amelia and Carolina, were entertained in the Gardens at Richmond by the Comedians of the Theatre Royal in Lincoln's-Inn-Fields

Performances

Mainpiece Title: Unknown

Performance Comment: The lif Company.
Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince of Wales, attended by Lord Ashburnham and Colonel Townshend, attended. In Daily Post, 5 Nov., The Conscious Lovers had been announced for this day.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: By Command of His Royal Highness. Receipts: #116 16s. [Prince, Princess Royal, and Princess Carolina present.

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Flora

Afterpiece Title: Harlequin a Sorcerer

Cast
Role: Prometheus Actor: Newhouse
Related Works
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald
Event Comment: By Command of His Royal Highness. Receipts: #93 8s. [Prince of Wales present.

Performances

Mainpiece Title: Momus Turn'd Fabulist

Event Comment: By Command of His Royal Highness. Receipts: money #77 16s.; tickets #50 14s. [Prince of Wales and Princess Amelia present.

Performances

Mainpiece Title: Momus Turn'd Fabulist

Afterpiece Title: Flora

Event Comment: By Command of his Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince and Princesses Amelia and Carolina were present.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Stage Coach

Event Comment: By Command of His Royal Highness. Benefit J. Rich. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #177 7s. [The Prince present.

Performances

Mainpiece Title: Aesop

Afterpiece Title: Perseus and Andromeda

Cast
Role: Stheno Actor: Salway
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald