SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Highness the Prince"/1) | (@(roleclean,performerclean) "his Highness the Prince")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1131 matches on Event Comments, 711 matches on Performance Comments, 511 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad Cap

Performance Comment: Cantileno (with imitations)-Reinhold; Ballad-Mahon; Zorobabel-Quick; Lord Bawble-Robson; The Country Mad@Cap-Mrs Mattocks.

Dance: End II: The Arts and Sciences, as17780509; in which an Assault-Master Dagueville, Master Holland; with a Minuet-Master Dagueville, Miss Bullock; Prince of Wales's New Court Minuet-Master Holland, Miss Simonet

Event Comment: Tickets delivered by Dagueville, Simpkinson, the widow of the late Jones, and the Performers in the Orchestra will be admitted. Receipts: #182 15s. (34.15; 1.3; tickets: 146.17)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deaf Lover

Dance: End II: The Embarkment for Cythera- (see17791022); with a new Minuet-Master and Miss Dagueville, Master Holland, Miss Armstrong; End IV: Cupid Recruiting- (see17800417); in which The Prince of Wales's New Minuet (composed by Dagueville)-Master Dagueville, Miss Simonet (of the Opera-House);

Ballet: End: The Humours of New-Market. As17800508, but Jockies-Master Holland, _Holloway, _Holland

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: Mainpiece: Not acted these 20 years [not acted since 17 Jan. 1750]. With new Dresses and Decorations. Receipts: #193 11s. (169/7/0; 23/14/0; 0/2/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: Duke of Athens Actor: R. Palmer

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Event Comment: Paid the Duke of Bedford 1 Yrs. Rent #339 16s. 3d. Receipts: #164 At. 6d. (132/12/0; 30/6/0; 1/6/6)

Performances

Mainpiece Title: Edward The Black Prince

Cast
Role: Duke of Athens Actor: R. Palmer

Afterpiece Title: The Citizen

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Cast
Role: Duke of Athens Actor: R. Palmer

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Performances

Mainpiece Title: Edward The Black Prince

Cast
Role: Duke of Athens Actor: R. Palmer

Afterpiece Title: Whos the Dupe

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Cast
Role: Duke of Athens Actor: R. Palmer

Performances

Mainpiece Title: Edward The Black Prince

Cast
Role: Duke of Athens Actor: R. Palmer

Afterpiece Title: All the Worlds a Stage

Dance: As17831020

Event Comment: [In mainpiece the playbill retains Staunton as King John, but on the Kemble playbill a MS annotation substitutes L'Estrange.] Receipts: #223 13s. (211/18; 11/15)

Performances

Mainpiece Title: Edward The Black Prince

Event Comment: Benefit for Curtis. 3rd piece: Never acted there [acted in place of The Agreeable Surprise, announced on playbill of 28 June]. Tickets to be had of Curtis, at the Cock and Magpye

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Taste or The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio or The Taming of a Shrew

Performance Comment: Petruchio-Benson; Baptista-Smith; Hortensio-Hill; Taylor-Simpson; Biondello-Wilson; Music-Master-Meadows; Pedro-Watts; Nathaniel-Price; Grumio-Waldron; Bianca-Miss Phillips; Curtis-Miss Williams; Catherine-Mrs Johnston. monologues. End of 1st piece Buds have at ye all by Curtis; End of 2nd piece Parents and Children, as17860628. End of 2nd piece Parents and Children, as17860628.
Event Comment: Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. No Money to be returned

Performances

Mainpiece Title: The Messiah Preceded By god Save The Kingcoronation Anthems

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Performance Comment: Principal Characters-Bannister, Quick, Edwin, Blanchard, Darley, Rock, C. Powell, Egan, Johnstone, Mrs Martyr, Mrs Mountain, Mrs Billington. Cast from Airs (T. Cadell, 1790): The Czar-Bannister; Justice Applejack-Quick; Philip-Edwin; Count Couvanski-Blanchard; Commodore Swivel-Darley; Ballybough-Rock; Romadanowski-C. Powell; Slip-Egan; Lefort-Johnstone; Nib-Farley; Ellen-Mrs Martyr; Mrs Applejack-Mrs Mountain; Ottokesa-Mrs Billington.
Cast
Role: The Czar Actor: Bannister

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Performance Comment: [This was included, as here assigned, in all subsequent performances.]
Event Comment: 2nd ballet: The Music by Tomich

Performances

Mainpiece Title: Il Burbero Di Bu0n Cuore

Dance: End of Act I New Divertisement, as17940311End of Act II a new Ballet Dramatic Pantomime, composed by D'Egville, Le Bon Prince; ou, Les Infortunes Vertueux, by Favre Guiardele, Gentili, Aumer, Master Menage, D'Egville, Mlle Hilligsberg, Mlle Guiardele, Mme Del Caro

Event Comment: Benefit for Bannister. 1st piece: Not acted these 8 years [acted 1 June 1789]. 2nd piece: Not acted these 2 years [acted 12 Sept. 1794]. The Overture and Musick by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 12 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet (for that night only)-Bannister Jun.; Ghost-Bensley; King-Benson; Polonius-Suett; Laertes-C. Kemble; Horatio-Davies; Osrick-Wathen; Grave Diggers-Fawcett, Waldron Jun.; Queen-Mrs Harlowe; Player Queen-Miss Tidswell; Ophelia-Mrs Kemble.
Cast
Role: Osrick Actor: Wathen

Afterpiece Title: The Purse or Benevolent Tar

Afterpiece Title: The Agreeable Surprise

Cast
Role: Obadiah Prim Actor: Wathen
Role: Prince of Wales Actor: Miss Menage

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Son in Law

Song: End: a song-Bannister

Event Comment: [For Johnston as Hamlet see cg, 28 Apr. Mr Johnston was from the Dublin theatre.

Performances

Mainpiece Title: The Purse

Cast
Role: William Actor: Wathen

Afterpiece Title: Hamlet Prince of Denmark

Afterpiece Title: Cross Purposes

Cast
Role: Sheepface Actor: Wathen
Role: The Tight Irish Boy Actor: Johnstone
Role: Sir Mathew Medley Actor: Davenport
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche Or Loves Mistress

Event Comment: Benefit for Quin. Mainpiece: By Command of their Royal Highnesses Prince George, Prince Edward, Prince William, Prince Henry, Lady Augusta and the Lady Elizabeth. Six rows of the Pit will be laid into the Boxes. Stage will be Enclosed and form'd into an Amphitheatre. Paid Quin in full of his agreement #122; Advanced Servandoni #5 5s. [The Account Book itemizes the income this night as #93 15s. in money; #99 5s. in tickets, a total of #193 without stage (i.e., presumably without counting money to Quin gained from friends invited to sit in the Amphitheatre on stage.) This was also a "Free Benefit," i.e., clear of costumary house charges.] Receipts: #193

Performances

Mainpiece Title: All For Love Or The World Well Lost

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: Both pieces by Command of their Royal Highnesses Prince George, Prince William, Lady Augusta. Afterpiece: For last time this season. Present the Princes George & William, and the Lady Augusta. Paid Mr LaCourt in full for painting for the Fair #21. Receipts: #161 12s

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17500209, but only the parts of Macheath, Peachum, Lockit, Mrs Peachum, Lucy, Polly are listed.

Afterpiece Title: The Fair

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: ]

Event Comment: London Gazette, No 2943, 22-25 Jan. 1693@4: At the consort-room in York-buildings, on this present Thursday, at the usual hour will be perform'd Mr Purcell's Song composed for St Cecilia's Day in the year 1694 [?], together with some other compositions of his, both vocal and instrumental, for the entertainment of his Highness Prince Lewis of Baden. [In the Gentleman's Journal, January@February 1693@4, is: A Song set by Mr Henry Purcell. The Words by the Authour of this Journal, Sung at an Entertainment for Prince Lewis of Barden, Sawney is a bonny, bonny lad."

Performances

Mainpiece Title: Concert

Event Comment: By Command of His Royal Highness. [The Dances also by Command of the Prince.] Receipts: #82 9s. 6d. [Prince and two eldest Princesses present.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Dance: In afterpiece: Grand Dance of Momus (from Perseus and Andromeda)-; Hornpipe-Jones in Character of a Sailor; Tambourine-Miss Rogers

Event Comment: By Command of His Royal Highness. [Prince of Wales and Prince of Orange present.]

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald