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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "four Generals"/1) | (@(roleclean,performerclean) "four Generals")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1242 results for: Keyword - four Generals
We found 880 matches on Event Comments, 263 matches on Performance Comments, 119 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

102
11 April 1785 @ Covent Garden

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

103
15 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

104
23 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act III of mainpiece The Windsor Lady (an Historical, Tragical, Comical old Ditty); End of Act I of afterpiece Four-and-Tmenty Fiddlers all on a Row, both by Edwin

Monologue: 1785 08 23 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin

105
18 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

106
25 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End of 2nd Monologue Four-and-twenty Fiddlers all on a Row by Edwin. MONOLOGUES. Before mainpiece Peeping Tom of Coventry's Peep into London; End of mainpiece A Cure {or a Scolding Wife, both by Edwin

107
22 September 1786 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp

Song: End: Four and Twenty Fiddlers all on a Row-Edwin

108
08 June 1789 @ Covent Garden

Performances

Mainpiece Title: Marian

Afterpiece Title: Werter

Afterpiece Title: Poluscenicon

Dance: In 3rd piece: Byrne, Ratchford, Cranfield, Jackson, Mrs Ratchford, Miss Rowson, Miss Francis, Mrs Goodwin

Song: End 1st piece: Four and Twenty Fidlers-Edwin; In III 2nd piece: Epithalamium-; Vocal Parts-Cubitt, Darley, Mrs Mountain, Mrs Martyr

109
07 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Englishman in Paris

Afterpiece Title: Tom Thumb

Song: End I 2nd piece: The Old Four and Twenty Fiddlers all on a Row-Edwin

Entertainment: Monologues. End: a Comical, Whimsical, Operatical, Farcical Rhapsody, Lingo the Butler's Opinion on Men and Manners-Edwin; End 2nd piece: a Dissertation upon Law (from the Lecture on Heads)-Lee Lewes

110
08 May 1795 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Sailor's Prize

Afterpiece Title: Who's the Dupe

Dance: As17950501

Song: In course: The Storm-Incledon; Admiral Benbow-Incledon; Four and Twenty Fidlers-Munden; In 2nd piece: Battle Song, as17950501; Let us love and let us drink, as17950501; Teddy O'Shaughnessey's History, as17950501; Now landed from the Ocean, as17950501

111
25 May 1795 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: British Fortitude and Hibernian Friendship; or, An Escape from France

Afterpiece Title: Harlequin and Faustus

Song: End I 1st piece: The Storm-Incledon; End II: The Description of the Battle of La Hogue, Thursday in the Morn the Nineteenth of May-Incledon (1st time); In course: Four and Twenty Fidlers-Munden; In 2nd piece: I was called knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The turban'd Turk who scorns the world-Johnstone; When foaming waves contrary beat-Incledon; To be sure I don't love in my heart-Johnstone; Our simple tale thus ended-Incledon, Johnstone, Munden, Mrs Mountain

112
26 May 1796 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Prisoner at Large

Song: End: The Storm-Incledon; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Four and Twenty Fidlers-Munden; Tho' Hurricanes rattle-Incledon, Bowden

113
08 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Beggar on Horseback

Song: In course: Four and Twenty Fidlers all on a Row-Munden; The Groupe of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue Benjamin Bolus; or, The Newcastle Apothecary-Munden; In the course of the evening: Imitations (including several new ones)-Caulfield

114
09 May 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

115
18 April 1799 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Hylas et Temire-; End: Honi Soit qui mal y Pense; ou, La Fille Mal Gardee=-[see dl, 8 May]; Minuet of Four-Mme Rose, Didelot, Laborie, Mme Hilligsberg

116
10 October 1666 @ no theater listed

Performances

Mainpiece Title: A General Fast

117
December 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that it was entered in the Term Catalogues in February 1679@80 suggests a first production in December 1679 or January 1680. A song, Tell my Strephon that I die, with music by John Blow, is in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Loyal General

118
03 January 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Faithful General

119
04 January 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Faithful General

120
05 January 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Faithful General

121
06 July 1710 @ Greenwich

Performances

Mainpiece Title: The Rival Queen's

Dance: The diverting Italian Night Scene- between a Scaramouch, a Harlequin, a Cooper, his Wife, and others, as it was performed at dl with general Applause

122
26 June 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Bonduca; Or, The British General

Music: With all the Original Musick by the late Henry Purcell-; Hear Ye Gods of Britain-Turner

123
25 July 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: Bonduca; Or, The British General

Afterpiece Title: Hob

Music: Mainpiece: With the Original Musick by the late Mr Henry Purcell-

124
06 September 1718 @ Southwark Fair

Performances

Mainpiece Title: Jepthah's Rash Vow; Or, The Virgin Sacrifice

Entertainment: And to give a general Satisfaction to the Town, Mr Penkethman has hir'd Dance after the New French Mode-the Dancing-Dogs lately arriv'd from France, which have been receiv'd both at Hampton-Court and at Richmond, as well as at most Courts of Europe, with wonderful Applause, to perform on his Stage; their Dresses as well as their Dances being entirely after the New French Mode, and only, at the common Prices of the Droll

125
24 August 1721 @ Bartholomew Fair

Performances

Mainpiece Title: The Injur'd General; Or, The Blind Beggar Of Bednal-green; With The Comical Humours Of Squire Sousecrown And His Man Gudgeon

Song: Mrs Willis

Dance: Mrs Willis