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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "de la Motte"/1) | (@(roleclean,performerclean) "de la Motte")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3587 results for: Keyword - de la Motte
We found 2890 matches on Performance Title, 713 matches on Performance Comments, 293 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

351
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

352
05 October 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Harlequin Restord or Taste a la Mode

Dance: I: Tambourine-Mlle Roland; III: Rover-Essex, Mrs Walter, Villeneuve, Mrs Anderson, Dukes, Miss Mann, Pelling, Miss Brett, Janno, Mrs Villeneuve

353
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

354
08 April 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchemist

Dance: II: Sicilian Peasant, as17430310 IV: A Comic Dance call'd La Florana-Checo, Chiaretta

Song: III: Was ever Nymph like Rosamond-Beard

355
29 March 1762 @ Covent Garden

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

356
15 March 1777 @ King's Theatre

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

357
02 January 1798 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: End I: Divertisement Ballet, composed by Gallet, La Chasse d' Amour- [see below]; End Opera: Ariadne et Bacchus, as17971216

358
20 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

359
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

360
31 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Dance: I: La Folette s'cest ravisee by Nivelon and Miss Mann. III: La Bagetelle by Essex and Miss La Tour. V: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Les Plaisirs-Essex and Miss Robinson; Sailor and Nymph-F. Tench and Miss Latour

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

361
12 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restord or Taste a la Mode

362
13 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Colombine Courtezan

Afterpiece Title: Taste a la Mode

Dance: II: Double Jealousy, as17360327but Mrs Villeneuve replaces Miss Brett

363
18 January 1754 @ Covent Garden

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

364
December 1695 @ Drury Lane Theatre

Performances

Mainpiece Title: Agnes De Castro

365
29 April 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Wedding

Music: Vocal Music proper to the Play,-Leveridge, Laguerre

Dance: FFingalian-Newhouse, Mrs Ogden; A new Pierrot and Pierrette by de St.Luce-de St.Luce, Pelling; Numidian-Glover, Miss LaTour

366
08 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Le Festin De Pierre Ou Latthee Foudroye Or Don John Or The Libertine Destroyd

Afterpiece Title: Le Francois a Londres

Dance:

367
10 April 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Ines Des Castro

Related Works
Related Work: Ines de Castro; or, Royal Justice Author(s): Houdart de la Motte

Afterpiece Title: Agnes de Chall1ot

368
23 May 1735 @ Goodman's Fields

Performances

Mainpiece Title: Lembarras De Richesses

Afterpiece Title: Harlequin Hulla

Dance: By Castiglione

369
08 April 1736 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

370
25 May 1799 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortunes Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

371
14 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Damaseiles A La Mode

372
15 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Ladies A La Mode

373
23 April 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

374
04 February 1707 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode Or The Comical Lovers

375
06 February 1710 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode