SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "brother and sister Orrery"/1) | (@(roleclean,performerclean) "brother and sister Orrery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 202 matches on Performance Comments, 166 matches on Performance Title, 153 matches on Event Comments, 45 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

Event Comment: Receipts: #142 4s. Paid Kemp for 5 nights #8; Mr Dall at work upon scenes of Oratorios, for which his salary is stopp'd from 28 Jan. 60; Paid Meares 6s.; Heaford (plaisterer) #78 10s.; Pearce (bricklayer) #79 18s.; Martin (wardrobe keeper) on acct of his salary #5. [I] was in both the Galleries both before and after the plays, met Mr Ware going into Covent Garden Gallery who said his sisters were there but I did see them (Hailey, "Brietzcke Diary," Vol. 197, p.71)

Performances

Mainpiece Title: Comus

Event Comment: For the Author. By Command of the Prince of Wales. The Prince of Wales was at Drury Lane to see the new tragedy of Aquileia. I went there at 9, but it was all over and done & met Miss Smith coming from thence with Capt. Johnston. I think it very unnatural for her to be going to plays when her sister is but just laid in the Grave (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: The Siege Of Aquileia

Cast
Role: Titus Actor: Holland
Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Cast
Role: Randal Actor: Dunstall
Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Performances

Mainpiece Title: None

Cast
Role: Freeport Actor: Holland,1st time

Afterpiece Title: None

Performance Comment: Catharine and Petruchio. As17680319 but Music Master-Lings.

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Event Comment: Afterpiece [Harlequin Skeleton] now advertised under its original title, but the New Scene with additions continued (playbill). Paid Younger for a license for ye 2 Sisters #2 2s. (Account Book). [See 18 Feb.] Receipts: #244 11s. (Account Book)

Performances

Mainpiece Title: Cyrus

Cast
Role: Mandane Actor: Mrs Yates

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: [Advertised as performed but once, but see 18 Jan. Sheridan in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the Westminster Magazine Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. Sir Lucius O'Trigger being re-touched, has now the appearance of a character; and his assigning Beverley's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young Acres now delivers his challenge to his friend Absolute, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the Rivals a good comedy."

Performances

Mainpiece Title: The Rivals

Cast
Role: Faulkland Actor: Lewis

Afterpiece Title: Thomasand Sally

Dance: End Epilogue: The Frolick, as17741214

Performances

Mainpiece Title: The Fall Of Egypt

Performance Comment: Parts were: Pharoah-; Sephres- (his son); Menytis (Pharaoh's sister)-; Officer of Court-; Chorus of Egyptians-; Chorus of Israelites-; Moses-; 1st Israelite-; 2nd Israelite- (Larpent MS).

Music: As17750315

Event Comment: Benefit for Lee. Last Performance but two before the Holidays. Afterpiece: Never acted there. In the comic scenes will be introduced (as they were sung in Masqued and other Characters) the favorite songs, Ye Warwickshire Lads and Lasses, Sweet Willy O, The Mulberry Tree, and the Roundelay of Sisters of the Tuneful Strain. In the second act, a Statue of Shakespeare will be erected, and the ode on Dedicating a Temple to that great poet recited, with proper Airs and Chorusses-Particularly Sweetest Bard that Ever Sung, Tho' Crimes from Death and Torture Fly, the Characteristic Song on Falstaff, More Gentle than the Southern Gale, and Thou Soft-Flowing Avon. Part of Pit laid into boxes

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Jubilee at Stratford upon avon

Performance Comment: Drunken Man, Steward of the Jubilee-Lee; Principal vocal parts (comic and serious)-Reinhold, Mattocks, Mrs Baker, DuBellamy, Miss Brown, Miss Dayes, Mrs Mattocks (playbill).

Dance: End I Afterpiece: The Vintage Festival, as17741007

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Performance Comment: Diocles (elected Co-Emperor of Rome)-Lewis; Maximinian (Emperor of Rome)-Whitfield; Charinus (Emperor of Rome)-Hull; Cosroe (King of Persia)-Clarke; Niger-Davies; Geta-Quick; Drusilla (Niece to the Prophetess)-Mrs Kemble; Aurelia (Sister to the Emperor)-Mrs Inchbald; Delphia (the Prophetess)-Mrs Bates .

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Performance Comment: Scene I. As Scene I, 27 Apr., but Collins's Ode spoken by Kemble; The Smiling Dawn by Mrs Martyr; omitted: Overture. Scene II. Grand Procession, as17840507 .
Cast
Role: Landlady Actor: Mrs Davenett

Afterpiece Title: The Election

Related Works
Related Work: The Election Author(s): Miles Peter Andrews
Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Performance Comment: Cadwallader-Jackson; Vamp-Osborne; Young Cape-Edwards; Sprightly-Frederic / Mrs Cadwallader (for that night only)-A Young Lady (Sister to Mr Edwin, of Covent Garden, 1st appearance in this, and 2nd on any stage [Mrs Williams]) .Mrs Williams]) .

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Event Comment: "What a 'monstrous marring' ... is made amongst the wierd sisters! Mrs Wrighten laughing and talking the whole time, [and Miss] George who cannot help joining in a laugh . . . Mrs Siddons's sleeping scene [is] we think the greatest act that has in our memory adorned the stage" (Public Advertiser, 24 Feb.). Receipts: #279 6s. 6d. (250/0/0; 28/9/0; 0/10/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Too Civil by Half

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Performance Comment: Cleone-Miss Llewellin (1st and last appearance on any stage); The rest of the characters by Gentlemen and a young Lady . The rest of the characters by Gentlemen and a young Lady .

Afterpiece Title: The Apprentice

Performance Comment: Dick (2nd time), and the other characters by the same Gentlemen and the Lady who performed the Farce, with universal applause, on the 24th of February .
Event Comment: [Mrs Cary is identified in Thespian Magazine, Nov. 1793, p. 311; she was sister to Mrs Gibbs.

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Barrymore; Sir Christopher Curry-Aickin; Medium-Baddeley; Campley-Dignum; Trudge-Bannister Jun.; Mate-Cooke; 1st Planter-Usher; 2nd Planter-Caulfield; 3rd Planter-Palmer Jun.; 4th Planter-Maddocks; Sailors-Jones, Lyons; Waiter-Waldron Jun.; Narcissa-Miss DeCamp; Yarico-A Gentlewoman (1st appearance on any stage [Mrs Cary]); Wowski-Mrs Bland; Patty-Mrs Gibbs.
Cast
Role: Wowski Actor: Mrs Bland

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.
Event Comment: By Particular Desire of the Mirza, Prince of Broach. 2nd piece [1st time; M. INT 1, by Charles Dibdin; music by the author. MS: Larpent 1030; not published]: The Words of the Songs, &c. will be given at the different Doors of the Theatre. Tickets delivered for THE BEGGAR'S OPERA [Account-Book: by Heathcote, Bayzand, Egan, Pitt, Masters, Dick, Hall (carpenter), Doe, Goodwin] will be admitted. Receipts: #238 14s. 6d. (26/4/0; 3/17/6; tickets: 208/13/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Performance Comment: Consisting of Dialogue, Music, &c. [Larpent MS lists the parts: Gentleman, Apothecary, Fishmonger, Corporal, Sailor, Taylor, Dyer, Barber, Frenchman, Officer, Volley//Officer's Sister.] hathi.

Afterpiece Title: THE HIGHLAND REEL

Cast
Role: Sandy Actor: Incledon

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: Ballet: The Machinery in the Storm Scene entirely new. "Hilligsberg's graceful figure, and the naivety of her attitudes gives this little ballet irresistible interest. The young DelCaro does her [Mme Hilligsberg's] sister's part [as Virginie]" (Morning Chronicle, 13 Jan.)

Performances

Mainpiece Title: Semiramide

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End Opera: Paul et Virginie-Mme Hilligsberg (will as usual performed in men's clothes [i.e. as Paul])

Event Comment: Benefit for Johnstone. [Mrs Brown is sister to Miss Biggs of Drury Lane, and...has played frequently in her father's company in the country [i.e. Barnstaple, &c.]" (Monthly Mirror, Sept. 1798, p. 179). Morning Herald, 22 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Wowski Actor: Mrs Bland

Afterpiece Title: The Irishman in London

Performance Comment: As17980720 but added to Murtock Delany: The Irish Lad and Nun (The Musick by Shield)-Johnstone.

Song: End: Patents all the Rage-Munden; A Mock Italian Song-Fawcett; The Group of Lovers ; or, Beauty at her Levee-Munden; a new song, The British Volunteers-Johnstone; with Chorus-Trueman, D'Arcy, Linton, Waldron Jun., Abbot, Lyons

Event Comment: [In mainpiece the playbill retains Miss Biggs, but "Biggs, of Drury-lane Theatre, died yesterday [actually not until 9 Dec.]. The grief of his sister on the occasion prevented her performing in Cumberland's new comedy last night; in consequence of which the part of Matilda was read by Miss Heard" (Morning Herald, 8 Dec.).] Receipts: #158 0s. 6d.(98.0.0; 56.11.6; 3.9.0)

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Cast
Role: Moola Actor: Mrs Bland

Dance: As17981205

Event Comment: Benefit for Mrs Trevor [who had 1st appeared at this theatre, as a chorus singer, on 16 Jan. 1800]. "A settled, preconcerted plan was evidently laid to injure the lady who came forward in double capacity, not merely as a candidate for public favour, but in the responsible situation of a performer taking a benefit...The moment the lady made her appearance on the boards, before she even opened her mouth, before a single note furnished an opportunished an opportunity of appreciating her abilities, opposition began to manifest itself in all the various forms which malice on such occcsions is wont to resort to. The Hisses grew louder and louder,...the theatre absolutely assumed the appearance of a riot, rather than that of a civilized company, assembled for the purpose of amusement" (Dramatic Censor, II, 212-13). Morning Chronicle, 19 May: Tickets to be had of Mrs Trevor, sister to Mr Kelly of Drury-lane Theatre, No. 31, Bedford-street, Covent Garden. Receipts: #268 12s. (124.13; 4.8; tickets: 139.11)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Performance Comment: [The Bloody Brother] .