SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Vernon"/1) | (@(roleclean,performerclean) "Young Vernon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3663 matches on Performance Comments, 763 matches on Author, 757 matches on Performance Title, 619 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: As17911107, but Sir Richard Vernon-Barrymore; Francis-Suett.
Cast
Role: Sir Richard Vernon Actor: Barrymore

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Performance Comment: King Henry-Aickin; Prince of Wales-Williamson; Lancaster-Miss DeCamp; Worcester-Davies; Northumberland-Johnson; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Bland; Westmoreland-Usher; Sir Walter Blunt-Cleveland; Sir John Falstaff-King (1st appearance in that character); Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Cubitt; Carriers-Wewitzer, Parsons; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb.
Cast
Role: Sir Richard Vernon Actor: Bland

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: Sir John Falstaff (1st time)-Fawcett; King Henry-Harley; Prince of Wales-Lewis; Sir Richard Vernon-Middleton; Worcester-Hull; Poins-Macready; Francis-Knight; Sir W. Blunt-Richardson; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Sheriff-Haymes; Peto-Rees; Gadshill-Williamson; Prince John of Lancaster-Holland; Messenger-Abbot; Hotspur's Servant-Master Curties; Travellers-Blurton, Coombs, Wilde; Carriers-Quick, Munden; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Middleton

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: Sir John Falstaff-Fawcett; Hotspur-C. Kemble (1st appearance in that charaacter); King Henry-Aickin; Prince John of Lancaster-Miss Granger; Worcester-Davies; Douglas-Caulfield; Sir Richard Vernon-Palmer Jun.; Sir Walter Blunt-Trueman; Westmorland-Usher; Northumberland-Abbot; Poins-R. Palmer; Bardolph-Ledger; Peto-Lyons; Gadshill-Chippendale; Francis-Waldron Jun.; Carriers-Suett, Wathen; Prince of Wales (for that night only)-Bannister Jun.; Hostess-Mrs Hopkins; Lady Percy-Miss Logan.

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Middleton; Worcester-Hull; Poins-Macready; Francis-Knight; Sir W. Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Sheriff-Haymes; Carriers-Quick, Munden; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Middleton

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: As17961020, but Sir Richard Vernon-Waddy; Poins-Claremont; Westmorland-Townsend; Sir W. Blount-_; Bardolph-_; Douglas-_; Northumberland-_; Sheriff-_.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: Harlequin and Oberon

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Claremont; Francis-Knight; Sir Walter Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Clarke; Sheriff-Abbot; Peto-Street; Gadshill-Wilde; Prince John of Lancaster-Curties; Messenger-Dyke; Carriers-Munden, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Farm House

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.
Cast
Role: Vernon Actor: Barrymore

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Whitfield; Francis-Knight; Sir Walter Blount-Mansel; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Gadshill-Wilde; Peto-Street; Carriers-Emery, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Young Pervil; Sir Jealous-Young Ray; Sir George-Young Boman; Charles-Young Mills; Whisper-Young Norris; Miranda-Miss Younger; Isabinda-Miss Porter; Parch-Miss Lydell; With a new Epilogue-Miss Porter.
Cast
Role: Busy Body Actor: Young Pervil
Role: Sir Jealous Actor: Young Ray
Role: Sir George Actor: Young Boman
Role: Charles Actor: Young Mills
Role: Whisper Actor: Young Norris
Role: Miranda Actor: Miss Younger

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miser; or, Wagner and Abericock

Performance Comment: Miser (Quaker)-Cibber Jr; Pierrot (Starved Servant)-Roger; Wagner (Faustus' Heir, in Character of Harlequin)-Clark; Abericock (Spirit left him by Faustus)-Miss Robinson Jr; Harlequin's Servant (Clown)-Harper; Miller's Wife and Daughter (Quakers)-Mrs Wetherilt, Miss Tenoe; Four Spirits (Quakers) rais'd to entertain Harlequin-Young Rainton, Young Sandham, Miss Robinson, Mrs Walter; Spirits rais'd for the Celebration of Harlequin's Marriage: Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Mrs Young; Pomona-Mrs Booth; Statues-Thurmond, Lally, Roger, Essex.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Colombine's Father-Weaver; His Servants-Hallam Sr, Ray; Harlequin-Clark; Pierrot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridesmaids-Mrs Brett, Miss Lindar, Mrs Walter, Mrs Young; Children of Love representing two Harlequin s-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Harlequin's Triumph

Performance Comment: Miser-Cibber Jr; Pierot-Roger; Harlequin-Clark; Clown-Harper; Harlequin's Attendant Spirit-Miss Robinson Jr; Miller's Wife and Daughter-Mrs Wetherilt, Miss Tenoe; Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Miss Young; Pomona-Mrs Booth; Statues-Thurmond, Roger, Lally, Essex.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Harlequin-Clark; Pierot-Roger; Pantalon-Cibber Jr; Harlequin's Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Young Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Bowman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Walter; Sylvan-Essex; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Mrs Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii; With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Clombine's Father-Cibber Jr [possibly an error for Weaver; see17281101]; Servants-Hallam Sr, Ray; Harlequin-Cibber Jr; Pierot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridemaids-Miss Robinson, Miss Lindar, Mrs Walter, Mrs Roger; Children of Love, representing Two Harlequins-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Married Philosopher

Performance Comment: Parts-Quin, Hulet, Milward, Ryan, Walker, Chapman, Mrs Hallam, Mrs Younger, Mrs Stevens; but edition of 1731 lists: Sir Harry Sprightly-Ryan; Odway-Hulett; Old Bellefleur-Quin; Young Bellefleur-Milward; Horatio-Walker; Brush-Chapman; Melissa-Mrs Hallam; Violetta-Mrs Younger; Pinwell-Mrs Stevens; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: The Sot

Performance Comment: Fairlove-Young Gentlewoman, first appearance; Clarinda-Young Gentlewoman, first appearance; Pert-Young Gentlewoman, fifth appearance; Sir Thomas-young Gentleman, first appearance.

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Young Talbot Actor: Bologna Jun.

Music: As17980214

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Ryan, Walker, Hippisley, Egleton, Bullock, Spiller, Mrs Younger, Mrs Bullock, Mrs Parker, Mrs Moffet, Mrs Egleton; but edition of 1726 lists: Colonel Mockyouth-Hippisley; Beaumine-Walker; Galliard-Ryan; Squire Pert-Egleton; Sir John Cuddy-Bullock Jr; Trust-Spiller; Roger-Bullock Sr; Flora-Mrs Moffet; Graciana-Mrs Younger; Mrs Mincemode-Mrs Bullock; Mrs Fading-Mrs Parker; Frizle-Mrs Egleton;In which will be perform'd a Pastoral Entertainment of Musick-; Vocal Parts-Leveridge, Leguerre, Salway, Mrs Chambers, and others; the edition of 1726 lists: Strephon-Leveridge; Damon-Legare; Phyllis-Mrs Chambers; Prologue-; Epilogue-Mrs Younger in Boy's Cloaths.

Dance: Proper Dances-DuPre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Boman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Brett, Mrs Walter; Pastora-Mrs Robinson; Harlequin-Cibber Jr; Pierrot-Roger; Pantalon-Miller; Cookmaid-Harper; Punch-Boval; Pigmy Dancing Master-Sandham; Scaramouch Singing Master-Haughton; Pantalon's Daughters-Mrs Brett, Mrs Young; Adonis-Young Rainton; Venus-Miss Robinson; Concluding with a Rural Masque: Les Bois d'Amourette-; Nymph-Mrs Booth; Rival Swains-Thurmond, Roger; Shepherds-Boval, Lally, Haughton, Duplessis; Shepherdesses-Miss Tenoe, Mrs Brett, Mrs Walter, Miss Lindar.

Performances

Mainpiece Title: Money The Mistress

Performance Comment: Parts-Diggs, Quin, Ryan, Walker, Boheme, Hippisley, Hall, Mrs Younger, Mrs Bullock, Mrs Moffett; but edition of 1726 lists: Governor of Tangier-Diggs; Warcourt-Quin; Mourville-Ryan; Marsan-Walker; Don Manuel-Boheme; Wingrave-Milward; Davila-Hippisley; Mouluza-Hall; Mariana-Mrs Younger; Harriet-Mrs Bullock; Diana-Mrs Moffet; Teresa-Mrs Martin; Prologue by Welstead-Quin; Epilogue by George Jeffreys-Mrs Younger.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Harlequin-Clark; Pierrot-Roger; Pantalon-Cibber Jr; Harlequin a Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lyndar; Aurora-Mrs Bowman; Cupid-Young Leigh; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Miss Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: The Dissembled Wanton; Or, My Son Get Money

Performance Comment: Principal Parts-Quin, Ryan, Walker, Hall, W. Bullock, Hippisley, Mrs Bullock, Mrs Younger, Mrs Laguerre, Mrs Egleton; but edition of 1727 lists: Lord Severne-Quin; Colonel Severne-Ryan; Beaufort-Walker; Sir Humphrey Staple-Hall; Toby-W. Bullock; Wormwood-Hippisley; Emilia-Mrs Bullock; Sir Harry Truelove-Mrs Younger; Jenny Staple-Mrs Legar; Lettice-Mrs Egleton; Prologue by a Gentleman of the Temple-Ryan; Epilogue by Molloy-Mrs Younger dressed as a Beau.